#Music Production
12793 messages · Page 13 of 13 (latest)
Okay sick, I'll look into it,
I just use my everyday headphone (I like the sound quality) and trun a 3.5mm cable to a 1/4 inch jack into my interface or into my speakers
thats a thing?
I dont know, im more thinking from like a data side I guess, like a Cat 5 cable can handle up to 50m before it begins incurring data delay
I have a couple 10 ft audio extension cables
ohhhh okay
not in this application i don't think
Funnily enough, this video i just saw on insta literally describes my conflict
https://www.instagram.com/reel/DYzsaSdDwwa/?igsh=NmFsanptcnR2MWQ=
I do that too
im pretty sure 10 or 20ft cables should be fine for studio use
I just use my monitors to check after I finish a project
@proper crane @torn lynx when i comes ti Mic cable length, i have no idea, ive never tried it to find out, but my main thought came purely from, i work with data cables for somethings and you can incur data delay, but if no latency issues with mics, im sweet
oh okay yah
I dont even have monitors, i use like $20 computer speakers and I still think it sounds sick
lmao, the first monitors I used were $5 from Goodwill
I currently use a pair of roland rh 300s
Nice haha I'd be lucky to find any second hand even remotely that cheap in Aus lol
and a pair of $15 oontz headphones as a reference for what a pair of generic bluetooth headphones sound like
I had to get mine on reverb
Yeah I use my $30 pair of Bluethooth over ear headphones when I record because i think they sound decent
But my gaming headset does not like the frequencies when I record ha
before these I used a pair of heavy duty pilots headphones that a friend found at the scrapyard and repaired
i'm aware (i'm currently studiying networking funny enough), i've just never experienced any of these issues myself. I've run cable for corporate events before, and in my head there's probably a reason 100ft is the longest length of cable we have, but by that point i haven't had any issues in my own setup
ah lol
Oh right okay, yeah I think 100ft is around 30m so thats fair
I also have a pair of Jabra Evolve 75s as work headphones cuz a friend of mine used to work at Trevor Project and thats the model they use, and then I use a pair of Altec Lansing Comfort Q+'s for most of my music listening but those arent for making music
I gotta keep my headphones separate and for different things or I tweak out
Thats fair, I just don't have another option right now ha
yah thats fair
I am looking at some Behringer Studio Headphones though for me to use for my music prod but I'm also big on use what I have access to
Tips for recording in an untreated room with a condenser mic: Don't.
Lmao no doing what xenon said should be totally fine. You may notice your vocals go from too roomy to "too dead." That's where adding your own reverb comes in (after compression and eq of course). You want your vox to be dry and have as little room as possible at recording so mixing and flavoring becomes easier because you're not fighting with your recording spaces acoustics.
Or just do what I did and grab a SM57 and put the A2WS foam pop cap on it. Tada. Dry mixable vocals.
Also grab a pair of original DT990 pros. They just dropped in price because a new version came out. I got em and they're fucking incredible.
I did have to laugh at the top line though
Fun fact: Crown The Empire recorded their vocals for their original EP that exact way. Condenser in a closet.
But nah I have looked into the Shure mics but just more high priorities monitarily than buying new mics and what not, so trying to work with what I have
Vast majority of low budget bands do that lol
W
My goal is to do stuff independnet and maybe eventually form a band around it but its hard to find people with the similar like mindedness in my area
all unbroken reign vocals are recorded that way lol
Yeah I know. Just throwing that fun fact out there lol
What about condensor in a car technique?
I have a USB Condensor that I can connect to my phone, but I imagine when I port it to my daw it'll sound like absolute dog shit
Cars have a weird resonance
not much sound absorption and too many weird reflections
would not recommend unless your car has acoustic foam
LOL
Thats fair, thats fair
I guess I can just do it to demo a line or something then I rerecord with my actual equipment
Idk if i already told you, but the former crown the empire drummer (first EP to Dogma) works at my local music store
it's NUTS
I never really listened to Crown the empire, I think the only song I kow of theirs is the Payphone cover they did for Punk goes Pop
Brent Taddie?
That's fucking sick lmao
IKR LOL
My claim to fame is that I know people who know Anthony Green. (Lame) Lmao
Oh and Donovan Melero hit my cart after a HTS set once.
Who dat
Hail The Sun
Fantastic band if youve never heard em.
They're in that swancore area
ohhh
Also drummer is the singer
based
Like... Crazy
He's like the Phil Collins of swancore. Hops back and forth between front manning and then still frontmanning while ripping the drums. Insane talent. I can play drums. I can sing. I can not play drums and sing at the same time.
Speaking of Phil Collins, we owe gated reverb to him, Peter Gabriel, and their two producers.
Another fun fact for you
Dude I love Phil Collin so much, Hands down one of the best artists in history
Plus his work on the Tarzan soundtrack was unnessecarily hard and I will die on the hill that Soundtrack can't be beat
plus casually having NSync in one of the songs and all they did was Scat Chefs Kiss
I’ve done that before, here’s the result
Untreated brick room, condenser mic
All the reverb is from the recorded files and not a plugin
Holy Nu metal intro haha I actually dig the vocal tone from that though
The vocal sample I sent earlier is litterally a condensor mic in an untreated room with plasterboard walls, only reverb added and no pop filter
Wait these guys are releatively new right?
Yeah i'm actually the singer/guitarist/producer
Wait actually? Thats awesome
I'm listening to the band right now ha
Lets gooo
you're listening to our old music tho, you should listen to the new album
The Sins We Keep Alive
Dude the breakdown in Pride makes the Prodigal is fucking sick, like I have to resist headbangning at my desk ha
that song is ooollldd news
Oh I just hit shuffle on spotify tbh
LOL
So you're cleans and guitar?
Ayo here we go, this is the shit
Nice, I can really hear a TDWP style vocal when cleans have come in
me at my desk right now
I'm at work which makes that funnier
i know this was ages ago but my grandma's neghbour is the vocalist of in hearts wake
i had a band do that once and it still sounded like shit
I agree with this actually
Yeah one of my main gripes with the buster kit (processed version) is that it sticks out like a sore thumb when not put into a processed mix
Yeah
Yes
Everyone i know uses buster kit on their song that sounds like a raw demo compared to how buster kit sounds
Yep
@ruby cedar
Jeffery
i wonder if the browning isolation used ssd drums
produced by cody stewart
lollllllll
you forgot to add the bankrupt credit card
Hair looks peak as well
honestly, id say its not a good idea to use a metal core tone with buster kit, find somthing ALOT more scooped and fake sounding. becuase right now it just sounds like you commisioned buster but diddnt have enough money for him to finiah the record lol
Where do I find the template for this
on soybooru
um what is this
here ya go
finally figured out how to hyper proccess
Sounds like shit lol
Try doing that on the unprocessed Odeholm kit
I wonder what it would do
i think you are just not a fan of the style, its no reason to be harsh or agressive
No I am a fan of his style. And Im not attempting to be harsh or agressive. My apologies.
sounds like 2014 metalcore drums
sounds good imo
still not as hyperprocessed as the fop kit tho
Ill listen to it again on headphones cuz all I have is a bluetooth speaker or my phone rn
im getting there tho, its mainly just the eq and the bus comp doing all the work
the secret is dynamic eq/multiband comp
I think it was ducking on my bluetooth speaker mb
i recomend not giving feed back when you arent on a decent system lol
Okay
honestly im not crazy about the fop snare
i think the toms are more intresting
I don't understand it ngl
It's probably my favorite snare of all time
Its unbeatable
well idk maybe my mind would change if i could fuckin find it lol
what lol
wdym
Idk what the whole thing about FOP being hyperprocessed is, they sound like extremely well mixed trash can snares
? it literally is hyperprocessed
took me a few years and a LOT of digging but i figured it out
It is very hyperprocessed
😭
all for the snare LOL
its like the opposite of a trash can lol
Yeah it's not trash canny at all
On a technical level absolutely but sound wise not quite
its quite low
that would sound metallic and tinny
what does this mean gng
dude what
It's "hyperproccesed" sure but I don't hear it
listen to my snare and then xenons
the other day you thought a dry mix had 100% verb...
0:24
I was listening on the $5 wired EarPods
I switched over to a legit speaker and ot sounded fine
again...
Those sound fine most of the time and it's what the average person would be using
just no, the sample rate is fucked on those types of earphjones
Isn't that the case for all snares
Or am I wrong
nope
It depends on the tuning
most low tuned are around 170-190
oh also i lied the fundamental is like 170
circle with me's snare is at 143
dan braunstein, never change
low tuned snares sound way cooler than high tuned ones
i love his drums, they are so cool
ikr
its just enough hyper to satisfy my autistic brain but not enough for everyone else to hate
but yeah it is very much hyperprocessed and it definitely sounds hyperprocessed
it's LITERALLY seven snares layered together
LOL
tuned to the same note
damn
and i thought i was cool becuase i ripped blessthefalls snare lol
That's a lot of work for this kind of sound
Seems unnecessary to me ngl
When most mixes with one snare sound a lot better
subjective
sounds amazing and unique, nothing else like it
give an example of a mix with one snare lol
also this isn't exactly true, most of your favorite records use blended snares
idk how i feel about this one, still cool tho
in fact FOP snare was actually used as a layer in All Our Gods by Architects
it's FOP
just blended with a real kit
This sounds very different than yours even if it's the same kit
yeah i meant the mix as a whole
because its not lol
well yeah mine's not exact, it's a recreation, but i think i got relatively close
its a blend
this is sick, where are you getting these files lol
did you have to pay for the mp3 or did you just find it lol
Anything from Paramore's album "RIOT!"
this is memphis may fire
dude that has samples
LOL
the drums sound literally so good here
my favorite drum sound ever
thick and low
and roomy
The entire snare sound on that album is exclusively one specific snare
this is sick, also how many fuckin bands was aron in
aaron?
it was a sample replacment snare lol
Preorder my new Drumforge David Bendeth Plugin, including my classic sounds and rare, never-before-sampled drums: https://drumforge.com/products/drumforge-david-bendeth-preorder
My Reverb Plugin: https://www.makebelievestudio.com/db-verb
Engineered by Mike Ferretti:
https://www.mikeferretti.com/
Get an inside look at the iconic Vinnie Paul sn...
I have no clue what that means
it isn't "just one snare"
It was that snare, sure, but lots of blends and layers of it
its still sample layered dude
Wdym
Aaron pauley? he was only in 2 bands
and not any that i sent here
is that not arron pauley
no
.
but this is fuckin sick, i love it
that's The Haunted by MMF
from their album The Hollow
Great album
all FOP
more good fop stuff
That is very surprising
How so
is there an nki
not with embedded samples
It sounds really good in comparison to the FOP you sent
well the ones i sent were mono
he sent one in mono
The one he mixed
those mono samples were the original FOP, not my recreation
the videos were my recreation
heres a stereo sample of the OG fop
wait i think dan has a simmilar sample
heres a version of FOP with slightly different processing (aka Vengeance Kit)
Yeah like this sounds pretty bad but the one on "The Sinner" sounds good
crazy cause it's the same sample
i think you just have an untrained ear
rooms are a bit similar but this one is tuned a lot higher
That or it's buried in the mix so bad that you can't hear it that well
no you have an untrained ear
I noticed that with Jamie's Elsewhere mixes which I know for sure is FOP
bruh
Jamie's never used fop
LOOLLLLLLL
😭
on that record Cam was mostly using DKFH
and some passed down samples from like 2009 ish i believe
... wut
DKFH?
drumkit from hell
Lol
Never heard of this
yeah it's old
made before you were born
and if you listen to Jamie's record you can very clearly tell it isn't fop
god those drums hit hard
what did you use for your remake
same thing Cam used to make it originally: SSD4
fop is all SSD4
i need to learn how to use mb correctly
- some extra samples
of giants
Was it not literally last week that you were hating on this drum mix for sounding fake
ohhh
FAA collapse snare
sounds scarily similar for a completely unrelated sample
i wassnt hating, i was curious as to why and what changed
i think that record has some of the best mixed drums out there
https://www.youtube.com/watch?v=pFKSiOkRzb4&list=RDpFKSiOkRzb4&start_radio=1 this is one of my all time fav mixes though
The official video for "Wildfire" by Periphery. New album 'Periphery V: Djent Is Not A Genre' is out March 10th via 3DOT Recordings. Pre-order now at https://lnk.to/djentisnotagenre.
Credits:
Edited by Joe Hamilton
Color grading: Ekaterina Gorbacheva
Director: Jake Woodbridge
Producer: Jake Johnston
Production Company: We’re All Gonna Die
wer...
nolly kills it as always
this my second fav https://www.youtube.com/watch?v=VrIvDEBZHnA&list=RDVrIvDEBZHnA&start_radio=1
Directed By Mackenzie Adcock and Liam Woolcock
Filmed Edited by Liam Woolcock - @Leavethecrumbs
Special Thanks to Seb James and Rachie Whitford
Lyrics:
2 pill 3 drinks
You got something to work for
No time all fear
Write it down on some A4
Paper you hate her
You bin faking for too long
Lying fighting
Someone broke in the back door
Big he...
its weird and i love it
This is my target mix for basically everything
https://youtu.be/PY98qdxeMbY
Provided to YouTube by The Orchard Enterprises
White Washed · August Burns Red · Dustin Davidson · Jake Luhrs · JB Brubaker · Brent Rambler · Matt Greiner
Constellations
℗ 2009 Solid State Records
Released on: 2009-07-14
Music Publisher: Thirsty Moon River Publishing, Eggroom Publishing
Auto-generated by YouTube.
mhm yummy i love abr
I never liked abr that much
their mixes are fine
the older ones are a bit rough
not a huge fan of this one
phantom anthem is my favorite mix-wise
wait wtf happened
?
i remember this alot better
YouTube comp maybe
no like tonaly
I will say the snare is a bit too high for what they're going for
https://www.youtube.com/watch?v=jt4SNludTFM&list=RDjt4SNludTFM&start_radio=1 i was remembering the remaster mb
Provided to YouTube by DistroKid
White Washed (2022) · August Burns Red
White Washed & Composure 2022
℗ ABR Records
Released on: 2022-07-01
Auto-generated by YouTube.
what they're going for? lol
how could you know what they were going for
that was 2009
i have #1 advice for you
What did they do to White Washed 😭
this is a much better mix
if you dont know what ur saying dont say it lol (yes im a hypocrite i know)
still not great but oh welllll
Seems like they were going for a big punchy anthemic snare but you just can't get there with a snare that high
It should be a bit lower still
🤷♂️
lowk composure is better
TGOG is deep ball knowledge. Remember when Matt McNulty was in there for like 12 minutes?
Yesss
I like ocean apathy from constellations a lot goes under the radar same with escape artist
i think you should check out drumforge matt greiner
I've never heard of that
check it out it's pretty cool
This looks amazing
Let me just very normally obtain this plugin
I've been trying for a while, good luck......
it sounds so good it just might be worth spending on
or try your luck making ggd modern and massive sound similar, it can be mixed to sound like the drumforge thing
Yeah I'm cooked
I've checked my usual resources and it just isn't there
We should probably move this to DMs so Nik doesn't get shot down lmao
not relatable to me, i sail the seas
I just got reaper and need help setting up using digital drums in it, what I should have etc
I'm also @placid halo I forgot my login details of my other acc 😭 I posted a demo the other day in The Feedback Requests bit
every goddamn kontakt tutorial for has a different version to mine and it doesnt have the same ui 🥀
yeah I got all that I just cant figure out how to route the drums to the channels
im using deviant II free
usually the drum vst will have an in-built mixer with an option to set routing to each st output
Hm it says it only supports limited routing
Idk what that really entails
I would recommend trying a different drum vst that actually lets you route each drum, like SSD5.5 free
a million things have said "yes it can" but I aint seeing that
should be in the mixer tab of the plugin
then it probably doenst support it
i recommend trying SSD5.5 free or something like MTPower
or even Restrains kit
internet is being stupid bro
like misinformation is crazy
especially the damn google ai it doesnt have a clue what its talking about I try to avoid it
I just took one of the presets and modified it to my liking
fair
bro theres too many options
yus ts peak
i know fuck all about drums 😭
Just choose a kick and snare that you like the most, play with the tuning (the little tuning knob in the instrument editor)
Then make sure you route your room mics out to their own channel (ROOM MICS ARE THE MOST IMPORTANT PART OF THE SOUND)
Do NOT neglect room mics
then just route everything out to their own channels, sidechain the overheads and room mics to the kick and snare, use multiband compression on EVERYTHING and then put it all in a bus with a bit of bus compression
all of this can be done with free plugins
should i route the cymbals to one channel or to multiple? Just incase the compression for each cymbal really matters that much
I typically route all my cymbals to one channel called "overheads" but some people like to route hihat and ride to standalone channels
me personally i don't do that because i can always adjust hihat and ride individually inside the plugin
I'll do ur thing cuz thats easier
SSD has an 'OH' channel should I just link the hihat and ride to that?
yes
cool
make sure the OH channel is going out to st.4 or whatever your cymbals output in reaper is
and room, room B and SLR to seperate channels or just one?
yus
I route all my rooms to one channel
what does SLR stand for
ohh makes sense
same
how to not make vocals sit "on top" of the mix?
Who's singing?
a very awesome vocalist friend of mine
less treble and more bus compression
have instruments in an instrumental bus, and vocals in a vocal bus
compress both
then send both to master for even more comp
a master being another fader or a folder track?
master being the master channel 😭
that's already happening then, everything has some form of compression, mostly reaxcomp
never too much compression
do the vocals need less treble or the instrumental?
vocals
alright, I boosted the 1k a little too much I guess, for more grit 🥹
Grit doesn't come from the treble
The human voice distorts in the mid range
adding treble doesn't add grit, it adds this horrible breathiness
For some reason so much modern metal just overboosts treble because they think the vocal distorts in the treble range
that isn't the case
The human voice breaks up at like 500-600 hz
thats where the actual distortion is coming from
uhh idk some 190bpm metalcore
If anybody can help, I think I'm lost on modern production. Seems like I always get something wrong along the way. IDK if there's a "standard" for these things but if anybody could point me in the right direction, would greatly appreciate
honestly i can't say anything useful about modern production because i'm a revivalcore guy
but i can surely say: don't use odeholm drums
I guess, I like it, but my stuff tends to get roasted
m&m's, okw architects and brutal, piv
I like nollys stuff a lot
post a mix, when I get back to my pc in like 20 minutes I can give some feedback if you want
Yeah man
modern production:
use a lotttt of sidechain, sidechain kick to your guitars a bit
lots and LOTS of compression
use soothe2 on EVERYTHING
use "intelligent" plugins like gullfoss and ozone 11
use GGD or Superiordrummer layered with Zakk Cervini (ballin audio) oneshots
use archetype for guitar and send it through RAxxx
Maybe a way to get to that level without intelligent plugins
good balancing and lots and lots of multiband compression
Ze grind continues
essentially yea
us brokies are cooked 🥀
nah
you can make GREAT mixes with free plugins
But you probably won't sound like zakk cervini (and imo, that's a good thing)
This is what we call making a mix "fishy"
Yeah I'm just going to work with what I have
i'm thinking of replacing ndsp mantra with something else for vocals
i'm making sturgiscore stuff rn for funsies
but ndsp mantra doesn't sound sturgissy enough tbh
This is great
ty
@stiff raptor can u remind me what stuff are you using for your vocals?
i'm kinda noob in vocals
dynamic eq
reacomp
1176
la2a
more dynamic eq
thats about it
thanks
sometimes i'll add another compressor or another eq
depends on what the voice needs
I'm going to have to rerecord the vocals at some point because i didn't realize how reflective the room is 😔
but for now I'll leave this here
i haven't posted in here for a while. anyways, i decided to make black metal because my wifi wasn't working, so this is what came out of that
Holy shit dude is that your vocal?
But i can notice some of the reflections but Im not sure its stands out necessarily in a negative way
Blackened drone metal god damn haha
yeah thats me
not entirely satisfied with the recording, idk the reflections stick out a little too much imo
also near the end I kept losing support, seems I gotta work on my techniue 💀
I was gonna say holy False chord haha
I shared my make shift vocal booth yesterday in the feedback chat but i found it did make a hell of a different
why not just get gain reduction
and for a vocal bus, andrew wade vocals
then its finished :D
Nah
@grand jasper @stiff raptor this was all gain reduction and andrew wade bus glue vocals nothing else LOOOOOOL but isnt it... lowk still joey sturgisy?
I mean not really at all imo
-Metalcore - Post hardcore
-United States
01 Sassafras 0:00
02 I Hate Buffering 3:16
03 Assistant To The Regional Manager 6:21
04 Dez Moines 9:59
05 Big Wiggly Style 14:02
06 Danger: Wildman 18:15
07 Ben Has A Kid 22:17
08 Wapakalypse 26:14
09 Gimme Half 29:58
10 Louder Than Thunder 34:20
11 Lord Xenu 36:57
This is how sturgis vocals sound
you don't need any specialized plugins to get a good vocal mix
I also think you are overpronouncing your words
no 😭
he slightly did that in the first FIR album but not in the way that you're doing it
i put style into every letter every word every sentence idk what ur on about 🤬 lol jk
is it not cool? idk
💀 idk
i need just a tiny bit of advice
im stubborn about using gain reduction so, do i just need to pair it with a de esser after? lol
It sounds almost like parody, imo
DAMN LOL
I really dont mean that in a mean way 😭
Like it sounds like someone making fun of ronnie radke LOL
this sounds too good how the vocals are
@stiff raptor @zinc coral Hows the vocals now?
Screams sound good tone-wise, i think they're actually causing some ducking though
What that means is that they're shoving the volume of everything else down
The cleans sound a lottt better now
Hmm okay let me see my levels
Yeah if that's happening, just bring the levels of EVERYTHING down
It's okay if all your meters are like -5 or -6 db
That's called giving yourself headroom
I've got all my bus fader like this
sounds like enter shikari i like it
oh i mean audio/metering wise
Like how high the audio peaks
it's ok if you need to bring everything down to like -6 on the meter there
Then on the master channel you can use a limiter or maximizer to bring back the volume all together
that way no individual tracks are fighting for volume
OH, all of my tracks are around -12to -6 already, I was gain staging them , starting at -18, adding some gain, then increasing until I hit -6
I honestly, have no idea haha I never got into them, but I'll take the thumbs up
Nice nice
mixing wise the vocals sound a lot better, cleans are a bit lacking in the high end i think? pronunciation still needs to be worked on in my opinion though
wait wtf, why were my screams sitting at -9 on the faders lol
That might be why, hold up
Okay, third times the charm - How about now @stiff raptor ?
Yeah I realised what the issue was, I must've bumped the lead Scream track to -9 for some stupid reason, but yeah that was the issue
Ahhh
One thing i did notice, there's a weird volum drop when the fill comes in at 1:17
I also, just noticed that,
I put some pitch corrector on the cleans, so maybe its that fucking with it,
I'mma take it off and see if that makes a difference
I can kind of hear that haha I loved ABR growing up
I think its fixed?
On another note... where/how do you get your reference tracks?
Like mix reference tracks?
Just find any song that i particularly enjoy the mix of, then download it
Then import into my daw
You don't even have to import in your daw if you don't want to
You can just listen on youtube/spotify/whatever
Ah yeah it was more the where to download part, I know how to import to my DAW
You can use ytdlp on github if you're familiar with that
But you dont necessarily have to download them, it's just faster imo
Yeah I figure since I've never mastered Imma take the Easiest option to learn and everything I've read/seen says ot import
Just remember if you import it, make sure that you're not routing it through the master channel, because any effect plugins you put on the master will affect the reference track
and we don't want that LOL
Reaper has a handy routing thing called hardware outputs where it basically ignores the master and goes straight out to your speakers/headphones
So i wonder if cakewalk has something similar
Oh yeah,. I can reroute that, so all good ha
Ok sick
But i think this track is now good to move on to mastering, which I have 0 idea how to do ha
But i have one of the reference songs and idk if its because of how I doanlowded it but the lpudest part of the song is quieter than the quietest part of mine haha
it kinda gives some miw vibes to me idk
I love MIW so not even mad at that haha
They are probably like the only "modern" metalcore band thats in my favourites for anything
And i do quotations because they started out in like 2006 or something
for me drop a# only associates with miw lol
Thats fair
Drop A# for me is MIW, and some ADTR, Miss May I and some Parkway Drive
@stiff raptor @stark tulip how do yall engineer your vocal recordings? Do you adjust mic gain for different dynamics, or just “set and forget” and compress out all the dynamics in post?
Mines super simple
I've got a -20db pad on my mic
-20db when recording screams
0db when recording cleans
Ezpz
hi zennon
Ok so kinda set and forget, gotcha
Guess I need to comp my vocals a little harder then
Yeah i have like three compressors on vocals at the minimum
i have reacomp hitting it first at -27 threshhold and 4:1 ratio
Then 1176 slamming it
then LA2A slamming it
Then 2 instances of dynamic EQ which works the same as multiband compression
yeah rn i just have a 2500 into saturation into a 1176
I still need to play with the api 2500
ive never used it
i know that's Ross's favorite
it's my favorite as well
at least on single tracks
I typically don't put it on busses
(I also picked it up on recommendation from ross lol)
What is the chain for vocals "typically"?
At the moment i have all my clean tracks, going into its own clean bus, of which I have EQ and compression, and then I send through another bus for Reberb
I have the same with my screams
EQ (dynamic)
Reacomp (compressor) doing about -6db gain reduction
1176 (compressor)
LA 2A (compressor)
EQ (dynamic)
then send that out to verb/delay bus
no worries mudafucka
Ill check out the compressors you've used
As the moment i only use red 3
you can get the 1176 and LA2A free from UA plugins
reacomp is native to reaper
Ah so can use any instead of reacomp
not enough compressors
Yes any stock compressor
Is this a UR song?
Its just a random song i wrote
Hmm alrighty I'll check them
It almost sounds like a UR song in some parts haha
imma post it down here so it doesnt get buried lol
i almost never post demos here for various reasons but heres one i made with all free plugins, as usual
The UBR style is his signature thing
Haha i figured but i was just meaning as a solo project can definitely hear it bleeding through (not a bad thing at all)
Bleeding Through reference
(I have never heard a Bleeding through song)
Imo they're like if Parkway Drive were Scottish and did my technical riffa
is it the finished variant? i remember you sending version without bass in ubr server
i'm on my phone rn
this one has bass
What if I do thall over the Fitnessgram PACER script
yes
my cpu wants to explode from ts
I think I asked already but would you send your Clean and screamed vocals to the same Vocal bus, or have one sepearte for each of them?
I think the same one
The FX bus, I would send Vocals to this for Reverb/Delay eta?
I'm also just preparing a template and the drums are a little confusing
One example I can find is this,
Kick In, Kick Out
Snare Top, Snare Bot
Toms (Rack 1, Rack 2, Floor 1, Floor 2)
Hi-Hat, Ride, Cymbals
Overheads L & R
Rooms (Mono, Stereo, Far)
Trigger/Sample Tracks
But the other example I found said
Kick Bus Kick In Track, Kick Out Track
Snare Bus: Snare Top Track, Snare Bot Track
Tom Bus: Toms (Rack 1 Track, Rack 2 Track, Floor 1 Track, Floor 2 Track)
Overheads Bus:: Crash L Track, Crash R Track, H i-Hat Track, Ride Track, China Track
Rooms (Not too sure what is actually is)
Can someone simplify this for me?
I guess with the Overhead/Room thing is how do I do this with Midi and what do I actually Track in this
Well most midi drums don't have the option to route that many drum tracks
Let me just tell you now
Rooms are THE most important part of the sound
All of the other mics are just capturing the sound of a stick hitting skin
The room captures the sound of the room the drums are in, the actual tone of all the drums
If you want to get anything right, get the rooms right first
This is usually how I lay out my midi drum outputs:
- kick
- snare
- toms (all)
- overheads
- rooms
You don't need much more than that
right okay, I'll ensure I have this set up, It was just something Ive come across and I can't find a whole lot, like apparentl SSD can reroute things, but I've been literally tracking it all seperately in tracks. but the way I've been doing my midi drums is
Drum Bus -
Kick
Snare
FT1
FT2
RT1
RT2
Hi Hat
Crash L
Crash R
China
Splash
so I have no idea how to do Overheards or rooms as seperate tracks, like what goes into them?
As tracks or seperate buses that then route into a Drum Buss?
Okay so
Tracks -
Kick
Snare
Toms
Over Heads (Crashs L&R, Hi Hate, China Splash?)
Rooms - Whatever this is
All routed into drum bus
Yes
Oof that'll make my life SO much easier
Rooms is literally just mics placed in the room the drums are recorded in
They're meant to record the drums as a whole together
From afar
Usually there are two room mics (left and right)
And are they two seperate tracks?
Like one panned Left, one panned right?
If you record them in real life yes
But in SSD theyre already stereo
If i remember correctly
Okay, alright, I'll take a look
At the moment I'm still on Addictive drums because I at least know how to use that one but since I keep getting told to try SSd I'll give it a go ha
So you also wouldn't seperate the Kick into In and Out and the snare into Top and bottom?
Just do one for each and play with the sound within the VST itself?
Yeah i don't think many drum plugins let you separately route kick in/out or snare top/bottom
I've never heard of any that do that
Yeah I just assumed I'd have to track them both twice then change the pan of it into the VSt, but if I don't have to, I;mma leave it... Less is more as they say
You shouldn't be panning kick or snare LOL
I know on the L&R but I just meant within the VSt settings
See this is why it gets confusing haha
So like in AD2, I can go into the VST and adjust the balance of Top or Bottom of the snare
I think the Default is like 30% top, 70% bottom or somethign
Thats what I mean by Panning, panning to top or bottom
Tilting then, idk man I'mn moving the slider lol
I think that's just balance
Thats all I mean
Gotcha
I know from an output perspective it remains stereo, not L or R
It has 2
whats the S mean?
That's a room?
Nah it's just SLR for me
Room, Room B, and SLR
I don't actually have it routed
Just slap it in the rooms
Got it
As for the FX/Sends Bus
This is something I found as far what to buses to set up and what to send to it
Reverb (Snare, Vocal, Lead Guitar)
Delay (Vocal throws, Lead Guitar)
Parallel Compression (Drums)
Does that line up? or over complicating?
That's a fair amount of fx sends
Though i think personally I'd want separate reverb and delay sends for different things
Idk if i want the same delay on my guitar as on my vocals
Thats what I thought, especially for my vocals like, I feel like cleans and Screams would require different reverbs, and the delays I'd use on my voice I imagine would be different to my guitars
So you'd esentially do
Reverb bus for Qty x Vox, Reverb for Lead Guitar, Reverb for Snare
Delay for Lead Guiter, Delay for Vox x Qty?
I've never even considered using a reverb send for multiple things at once LOL
So yeah
Different verb/delay sends for anything i need
I guess in my case itd be 4 x Reverb Busses, 3 x Delay busses
Would you do it as a buss or just send to plug in?
Idk how sends really work as I haven't done too much playing with it
I call them sends as to not confuse them with track busses
I consider a bus any group of tracks that i want to process together
Like all drums or all guitar
And then a send is when i send a signal out for reverb or delay or whatever
I honestly usually just slap a delay plugin in my guitar and only really use sends for vocals
Cause i need the extra flexibility on vocals
Yeah alright sick, I'll maybe just use the delay straight into the group when i need it
ok maybe dont send ai stuff here
lol?
depends on how cool you want to look
if you wanna be xenon and have REALLY simple routing go for it, but if you want to have full control over littereally everything i'd recomend a more complex system
id stick with simple for now
ai this ai that fuck off
dude you can not tell me that isnt ai
the song writing might not be
the vocals are
they are not
well i know its a real person but i dont know what kind of mixing they used on the vocals theyre not mine
show me the song then
mixing doesnt do that
heres the original i hate the mix
what is the song called
the same
by who
Hmm, i do want one crash to sound like absolute garbage while the china sounds like a plate
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CREDITS
Will: Creative Director, Engineer, Composer & Writer
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Anchora...
yeah ok so he just sounds like ai
thats insane
It sounds AI a little sure, but the more I listen to it and seeing him perform live it sounds a little more like a celldweller or blue stahli style vocal mix
The AI had to rip from somewhere
what happens when you put all the lonley redit mods in one room
DAGames does not sound like ai😭😭
He doesn't have the fizzy quality that all ai vocals have
reddit karaoke night
i didnt wanna bring him up cuz hes controversial
i just like some of will's music but not his mixing 💀
I typically have two reverbs for vocals. One for the cleans, where I like bright plate verbs or large room / cathedral verbs with medium to long tails to taste. Then one for the screams, where I like small to medium rooms with short tails, almost claustrophobic sounding reverb mixed with a small slap back delay. Makes shit sound huge and like it's bouncing off a brick wall. Mean. Joey Sturgis taught me that one on a YouTube video.
Oh huge tip for clean bright reverbs I picked up from an r&b producer I don't see many people mention, you can throw an eq on the verb bus and cut everything below 8k. Maybe even boost a bit between 12-16k to taste if it's not unpleasing to hear. This will leave all the shimmer and shine of the reverb without it ever being able to cloud or muddy the rest of the mix.
Okay finally figured out the drum room thing, I basically have to retrack my drums, but now I know
Big stuff! Wavemind NAM U has a huge update planned for this month with updated A2 support as well as a ton of other things!
i think i finally properly matched the sturgis snare
Very very close
snare 12a + 11a; max room with ott; cutting out 200hz and 440hz areas and boosting higher frequencies