I'm really enjoying the change in feel between the first and second stanza - where you start with (I believe) a predicate clause? (gods grammar was so long ago) but that bit of freedom sets A LOT of the tone and also converys some unique descriptions - I feel twinkling, by ITSELF, evokes a lot of visions of both eyes and stars alike - the balance of devices and language you use also feels unique but relatable in the sense it's easy to read through this - I feel like the theme you chose is one that carries a high bar at times to clear, but I feel you achieved that in an effective and unique way both.
I'm enjoying how the stanzas can be twisted into one another - the poem can read effectively starting at different ones and that makes me want to return to it. I also enjoy how 'twinkle' becomes more of an imperative sense and it gives the poem this feeling that the reader is being written to on a personal level - which I find super charming!
There IS one repetition of 'face' I may consider changing? Either or merely adding an adjective to the second face to show the repetition is purpopseful - perhaps like "that very" or perhaps even "cradled" - but this issue is really minor honestly and I feel repetition is very natural within speech and poetry especially anywho.
The slant rhymes at the very end?! %@#$%@#$ AMAZING! I love it. That really helped sell the ending for me, and the timing you achieved I feel also is really special.
Last but not least (and I could keep going on, poems are really dense forms of art I feel) the lines "in every day", "and death" really pop out - this motivated me to go back and read some of the last lines of the prior stanzas and see how they fit with those two short phrases and surprise surprise... they fit really well! Such as: " Cancer, gemini... in everyday, in death - gently caressing your face every day, in death" for the other lines it becomes a bit more abstract but I still feel that type of trick, intentional or not - has merit!