The title itself follows iambic pentameter (no real reason why but I thought it helped to solidify the fact iambic pentameter is being used throughout the poem)
The poem itself is in traditional sonnet form (so it follows a set ABAB CDCD EFEF GG rhyme scheme, in the 3x quatrain and 1x couplet form. It is also about bonds, relationship and love. It also has a volta on line 9 - with lines 8 and below leading to it)
-> The story itself is about God, Adam and Eve.
To alert the reader of this in the first stanza, I create a strong lexical field to give vivid imagery of "clay". Clay is what I believe God used to create Adam. There is also a clear imagery of water, "tears that stream...leave paths + "clearing bath". This establishes a sense of serenity and calm. There is also a strong imagery of the Sun, "dry" + "grounded day" + "beating heat". This creates a tone of perfection in my opinion but also a tone of attack, as though the sun is attacking him.
The second stanza transitions to focus more upon the garden (of eden). It talks about how even though it is perfect, with peaceful sounds like "water flow"ing, birds laughing - it is all blank.
It then becomes more suggestive, "perhaps I need a hand". This foreshadows to the leading volta, but also alludes to eve's creation.
God is called flawless and all-knowing. He foresaw what adam lacked (in his perspective in the poem). This shows Adam regarded God as knowledgeable, but also creates god to be a nurturing figure that wants to help him.
In the 3rd stanza, the volta occurs on line 9. Where something is taken from adam, which is later known to be his rib "turned to life". He still regards god highly, calling him lordship.
"That hand" refers to Eve being the hand adam needs, and how she was created. "Materialised" also adds onto this theme of creation, as though god created her immediately.
"No more strife
Between with him"
This suggests there was a form of distance between God and adam before eve's conception.