#poem critique?

10 messages · Page 1 of 1 (latest)

spring zenith
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Basically, I wanna know how you interpret the poem, as well as how you think I could improve the structure/flow of it. Appreciate it!

cull the survivor

Which is safer for an isolated deer
The open moor or the empty woodland?

Into the dead thicket you go
To unchain your precious hooves

And the white hare watches you
Its poise upright, unblinking. unmoving

You were tied together once, remember?
But the pale hare was killed long ago

Now its fur is matted when it should be soft
Crust clings to its frozen, bony maw

Did you really think you were safe?
No hunter lacks a disguise, a facade, a snare

The ashen hare vanishes with a short blink
And the trees begin to twist and bend

A gray haze settles in, as the forest
Mutates, transmogrifies into static

How much of your reality is altered?
You cannot trust your friend, you cannot go back

Break out of the illusion, run away to the sea
It doesn’t matter. The miasma has taken hold

Expectedly, you trip over a shipwreck of roots
A rough tumble, skidding out onto the open ice

You cry out to the leaden heavens, only to be
Indifferently struck down to the imminent waves

Hope petrified, permafrost seeping into blood
Nowhere to run, nothing you can do

Drown in the frigid current
Or face the cadaverous hare’s wrath

What other choice do you have?
You can’t kill that which is dead,

And yet, refuses to die.

frank hare
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Wow

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That was beautifully written

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You portrayed the gruesome with an eloquent simplicity

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Your style has evolved since I last saw it

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Significantly

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@spring zenith

spring zenith
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Is there anything that you would change or modify? Or do you think it’s good as is

tidal tinsel
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I like it a lot! I can't interpret it as anything other than a deer getting hallucinations but I'm sure that says more about me than about the poem.