||I think the thing that Catriona Ward is amazing at is just making everything feel WEIRD. This is a WEIRD plot about WEIRD characters doing WEIRD things. For a large portion of the book I was very unsure how to feel about it - I won't deny that it was really hard to put down though. I feel like how she chooses to relay story is always pretty interesting too - I was wary when there was the first flashback but when I saw how long the chapter was and how it chose to sell the information to me then I was on board. The story-within a- story chapters are a little harder to swallow but I don't find their presence terribly unwelcome. If anything it just adds to this strange discordant feel were the narrative feels like of like you're trying to traverse unsteady ground.||
||I thoroughly disliked every single character in the book. I think the only character I could say that I did not actively hate was Pawel. And you know what? That's actually fine! It's a bit refreshing! I could not stand Rob with her wishy-washy shitty attitude, Callie's emoji-talk and creepy kid energy could get tf out, Irving is the most toxic man alive, Jack could just generally get in the bin especially for the events in Chapter 30, Mia and Falcon were low on the offending pole but they can also sod off (even though I do feel a little bit worse for the pair of them, specifically in the offending Chapter 30, Falcon's last words were pretty hard hitting). It's so strange to say that "i hated literally every character" and it not be a considerable detriment.||
TW: Animal Abuse
||The horror elements on this book are really hard hitting if you're an animal lover - I absolutely am and kinda loved the balls Catriona Ward has to show so much straight up animal sociopathy. I know that I keep mentioning Chapter 30 but there's this wonderful sense of catharsis intermixed with all the horror of that scene in particular when the mother dog breaks loose and actually kills the people that put her through so much, not to mention the way that it's not written in a particularly graphic way, just sickeningly realistic enough. It really reminded me of the chimp scene from Jordan Peel's Nope in some way. The concept of those dogs without top heads... even the idea of the ghost puppy that follows Callie around is upsetting.||
||Actually I'll throw people sociopathy in here too with the particularly nasty relationships that are written in this book. We have Irving and Rob's 'marriage' that seems to be build on sick power plays and cruelty, whatever sick shit Jack and Rob have going on - I'll throw in that for a large portion of the flashback chapters I absolutely could not put my finger on how old they were until there was talk of college. There's a lot of infantilizing in this book that definitely makes me uncomfortable, this includes how Rob treats her daughters, which after the flashbacks I'm assuming it's an overprotective thing but there's no way I would have guessed that Callie is 11 and Annie is 9
Let's throw the puppy farm narrative in here too because damn. I got the feeling something more was up but not human trafficking meth house. ||
||Like Needless Street, it's twists wrapped in twists - some of them are far more predictable this time around but I'm also not the sort of person who tries to guess twists early so that wasn't so much of a problem for me
I'm very head-empty when I'm just vibing with books like this. I rather liked that things were often not used ONCE and that was the end of it, for example that the pink star lamp has a hidden compartment that used to hold Jack's drugs now holds Irving's heart medication that Annie intends to poison his paramour with. Another thing I liked is that things did just 'make sense', the book is an absolute clusterfuck of abnormal scenes and far-fetched plotlines but the brass tax is that it's a decent narrative that when it's laid out does make sense! ||
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