#Ramblings
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Madonna - Ray of Light
this shit's like, "what if trip hop but heavily influenced by pop and disco"
and while the prospect may sound unappealing,
it was done surprisingly well
the first track is pretty forgettable and more pop leaning
but the rest hits the vibes perfectly while still being more palatable and less "boring" for people who aren't fans of trip hop
good ole 7.5/10, I'd rather listen to portishead or massive attack most of the time, but this satisfies a niche in the genre that they don't, so I still go back to it every once in a while
never
https://open.spotify.com/album/2R29eMiHXX71HlWA8KWbqK?si=SbT88Z9NRvighUv7WX0Zyq DEMONDICE - Alkatraz
đ„đ„đ„đ„đ„đ„đ„đ„
this shit's fire, i love it so much that I backflipped off a cliff while listening and survive
it takes incredibly awesome aspects of electro swing and combines it with intense rapping about the harsh struggles of a middle class white woman growing up in the texan suburbs
DEMONDICE inspired me to broaden my horizons and seek new music from unfamiliar cultures, leading me to incredible journeys through places like these, truly touching cultural milestones
the intro I think could even rival many tracks from Nas' Illmatic, while taking clear inspiration from his songs, but still introducing a new refreshing twist to the same old formula Nas still operates on. I think he could learn one or two things from this album
also something that is so obvious that it doesn't really need to be mentioned but i will anyway, DEMONDICE's creativity is out on full display here, no dumb gunshots are in the beat to cheaply say that you're "real" and "hard", just listening to her bars is enough to convince me that she's the realest in the business
in conclusion, I think we can safely say that DEMONDICE may be one of the greatest rappers of our generation, maybe even of all time
with such ranging influences such as Nas, Eminem, Eminem, France, Eminem, FAKE TYPE and Eminem, this album was a beautiful mix of cultures and musical conventions that have now been easily shattered and surpassed
@thorny glen new ramblings just dropped đ„đ„đ„
lol
Also aint no way there's actual good electro swing out there đ I have to get on this
Forreal!!!
electro swing as a genre is forever connected to 2014 tumblr for me
MC Lyte discog dive!!!!!!
https://open.spotify.com/album/4eKcz8mSIGrPkibjjwRXqF?si=-PkTmO8oRxWRwcXJk2HuDQ
https://open.spotify.com/album/15RwfepdW9BunN0NjfEKYD?si=XYf3wOw0TPyf8rt5PQnAEA
https://open.spotify.com/album/1E3ssiuLLWw9OqRYQ59UjK?si=cb1Hfr7gRCqseA_obJ0LLA
so like, imagine hard early 90s gangsta rap with somewhat rapey undertones sometimes and the display of a life of decadence
but a woman is rapping
and this woman is very good at rapping
the production is very early 90s sounding but I enjoy it and it gets the job done
you know how there's some rappers where you can just listen for a bit and go "fuck this guy is cool as shit, id love to speak to him"
this is one of them
also the first solo woman to release a rap album
im not joking with this comparison, she really sounds passionate when she talks about the type of men she likes
but also
Lil Paul is a wild ass song
in not a good way
well, looking at the lyrics, I cant tell if lil paul is supposed to be someone's boyfriend or someone's younger sibling
so maybe not in a bad way?
its certainly a catchy song though
overall, I feel like she's at the level of other greats of her era in levels of charisma, somewhat lyricism, chill ass beats, really great delivery and a general vibe that I enjoy a lot
but y'know, got hit by the unfortunate reality of being a woman in the 90s
i guess it goes to show how great she was by being the first to release an album
oh I haven't talked about Missy Elliott yet
wild
i guess I'm doing the woman's month special right after it ended
i'll talk about missy e tomorrow though
crazy that the moment you stopped posting in the other thread you started posting about a ton of stuffs i never heard of before đ thanks for the reviews tho
i havent heard much of MC Lyte, maybe the industry succeeded...
she does late 90s early 2000s club vibes hip hop
50 cent if he was a woman and didnt release just 1 good album
I think this is the best one out of the ones I listened to
very energetic, she both sings and raps, the features are insane
got god damn Method Man, Ludacris, Jay-Z, Beyonce and 50 cent on it
despite being club music, it has some cool messaging here and there
some spoken word bits where she talks about her love for music
and some bits going "yo, its not just men that want to listen to music talking about how cool you are and partying and having sex"
and yeah it's true
this mf was hella successful
there was in fact a market for that
https://open.spotify.com/album/6UkdyvPElK6JDkyeRClbI2?si=jAJ_vGJxR1efk53yCcQ4Hw the one with the spoken word bits is this one actually
this one has more standard early 90s east coast vibes
relistening now I think this is the one i enjoyed the most actually
also busta's intro and outros are great
alright, continuing with the woman's history month (kinda), here's an album by a rap collective with Lil' Kim (woman) (the first rapper to use lil as a prefix!), Biggie and friends https://open.spotify.com/album/02GVhWjMuoQBQUtNhjWsnG?si=PVySd1HASBOXoqmvZYRIUQ
it sounds
EXTREMELY 90s
like
it also has some verses that I feel like I've heard in other songs
which makes me think that this is a more "fuck it, lets just say shit and see what sticks" type thing
but it's still interesting
I wouldn't recommend this unless you're a big fan of the boom bap 90s NY style aesthetic
also diddy is mentioned once or twice which, lmao
god his spotify description is kinda vile
mf is literally the devil in his spotify pfp
i think the album could be better if there was more biggie in it
but that's most albums
so like
yeah
everyone else is solid
kim is great
but biggie does kinda steal the show in the verses he has
https://open.spotify.com/album/1rKm9mmLsFu0Dt9agiSLbw?si=B1sd3gt8SoeK7cIR7aVMXQ i got a lot to say about this one
when I first started listening to it, the name Mike Shinoda popped up in my head
and I couldn't quite figure out why
the album starts very 90s sounding and gets progressively more modern sounding until I suddenly connected the dots and went "wait this is Linkin Park"
and Mike Shinoda IS the Linkin Park rapper/piano/synith/beat guy
and he is the main guy behind Fort Minor
which after googling and finding it out
makes a LOT of sense
a phrase that I heard when someone was talking about rappers was that some rappers are lyricists and others are storytellers, real great ones are both
Mike Shinoda I'm sorry, your rhymes are cool and all, but your ass can't tell a story
another thing that carried over from Linkin Park is that the meaning of the lyrics in the Shinoda parts are very heavy handed and blunt
which very much fits the Linkin Park rock aesthetic
and it's not necessarily a bad thing
but this style resulted in very funny bars like the legendary
This is ten percent luck, twenty percent skill
Fifteen percent concentrated power of will
Five percent pleasure, fifty percent pain
And a hundred percent reason to remember the name
the songs that stood out to me the most were Right Now, which is very solid and has a great Black Thought feature
Cigarettes which make a dubious analogy of hip hop with cigarettes but still gets the point across that even if the stories are fake and the "street life" of certain rappers are very exaggerated, he doesn't care because he's here for the showmanship and feeling of coolness
and Kenji, which is about his ancestors being sent to internment camps in ww2 and american racism against the japanese
yuhhhhhhh
https://open.spotify.com/album/6mueTLPXfvXjl61ymHHwY8?si=4aMq7QPiQKqiFyCXeCjJHg this is very ramblingscore
Collapse and Appear is literally me
this shit's fucked in a good way
sometimes it slightly reminds me of clipping. the way that the sounds are fucked up and loud, and sometimes i'm just floating across the sky with a beatles sounding ass beat and fun vocals
I like this as a good middle point between the previous VERY aggressive and overemphasized stereotypical rap rap of Mista Thug Isolation https://open.spotify.com/album/6VNXIYzXocTyZMNDLG88Gb?si=BBuvhqq4REuMTT_EzNc8gg
and the very downer instrumental beat with almost midwest emo sounding guitars and sad vocals of volcanic bird enemy and the voiced concern https://open.spotify.com/album/4osMxywkQeNeGDzExEmAfB?si=t14QwjCJSRid1R6Jtcg7dg
this shit really works as an experience
i don't know what kind of experience
it doesn't fit well into any defined genre except for maybe psychodelia?
it doesn't feel jarring whenever Lil Ugly Mane changes from rapping on a trap beat to hitting me with a drugged out instrumental for me to zone out to
also lmao
this was WILD
a lot of the songs here kinda feel like proto-Carti
but more chill
there's also some early 2000s sounding club songs that I wasn't really a fan of
but overall I really enjoyed this one
would re-listen to
I really enjoy Lil B's vibe
very
free
yeah he just sounds free
and I think that the freedom that he allows himself to have makes for a really fun experience
it's not pushing any musical boundaries
although it does sound ahead of its time
i don't know how to really describe the feeling
the music isn't midblowing or hype or calming or any kind of concrete emotion
if it was released today, I probably wouldn't bat an eye
just listen to it i guess is what i'm saying
rambling complete?
as an addon, people say that people like him and spaceghostpurpp are the precursors to soundclud rap and I'm not familiar with soundclud rap so i dunno what to say about that
it also feels important to mention that the popularization of the word "based" as a positive thing came from Lil B
from dictionary.com
this is a lie
it's based
in all of the meanings of the word
the BasedGod is just too good
BIGASS rambling coming soonâąïž
HUGE
WORKS VOLUME 1
This album is awesome on a conceptual level if youâre an ELP fan or a classical music lover, nothing special besides a couple of cool songs here and there otherwise. This shit is 2 entire vinyl discs long, each member getting one side of the disc and the final side being a collaboration by the three of them
Keith Emerson side:
Piano Concerto No. 1. The album starts with an 18 minute and 24 second classical music piece that is the entirety of the Keith Emerson side of the disc. Itâs not entirely piano, but the piano in it is definitely the centrepiece that ties the sounds of all the instruments together across this work. Iâm not really a classical music guy, so I donât have much to say except for âThis shit is kinda coolâ and âIs this what Mozart wouldâve made if he had a prog rock band on the side?â Because while it is classical music, you can definitely hear the prog influence, which feels a bit silly to say because I feel like thereâs a lot of crossover already between prog rock and classical, even without Keith Emerson doing what heâs doing. Also as semi important thing to note, this man truly loved the piano, he killed himself because he got arthritis and then a botched surgery to try cure that arthritis prevented him from playing the piano again, soooooo a bit dark but probably worth noting
Greg Lake side: This guy was in King Crimson (like a bajillion people were in king crimson though), which is probably my favourite prog rock band, so I was surprised and kinda disappointed when his side was filled with ballads, I thought that genre died in the 60s after the Beatles showed people that good (popular) music can exist.
Lend Your Love To Me Tonight has some good moments, but Iâm not the biggest fan, it starts with just a guitar and Greg Lake singing and it slowly ramps up to a big orchestral thing throughout 6 minutes, itâs neat but I wouldnât go back to it.
Câest La Vie is (I think) a cover of another song that I cannot find because thereâs like 50 songs with this name, but I swear that Iâve heard a song with the same melody that says âCâest la vie.â nvm i talked to a real ELPhead and itâs not a cover. I like this song, itâs very calming and emotional, the instrumental hits the perfect spot where itâs not boring enough to make me sleep, but it also leaves a lot of room for the emotional singing to be an equal part of the song.
Hallowed Be Thy Name I think would be more aptly described as prog blues, the main backing instrumentals are very swingy, and it reminds me of very famous songs, but then it has some really fucked up sounding brass and string instrument sections that kill all and any commercial appeal. Overall pretty neat.
Nobody Loves You Like I Do kinda fucking sucks, itâs a boring soft rock bluesy song that just zzzzzz⊠It is pretty funny to pause the song when he says ânobody loves youâ though. In an alternate timeline, this song definitely wouldâve been an iconic romantic song that your parents would sing.
Closer To Believing is a disney princess theme song, this also makes me fall asleep.
Carl Palmer side: orchestral experimentation boogaloo, feels like a collection of ideas and bits⊠Works Volume 1 you could call them. Even though the entire album is meant to be that, this side feels like it more so than the others, and itâs also my favourite individual memberâs side.
The Enemy God Dances With The Black Spirits is an orchestral piece that definitely sounds very 70s, it feels militaristic and ominous in a way that the very much fits the title, Iâm not really a fan of orchestras so I donât really find myself coming back to this, but I like just how much the title fits the ambiance of the instruments being played.
L.A. Nights is a fun jazzy song with some synths sprinkled in and rock/bluesy guitars stringing the song together as the centrepiece, very enjoyable overall, though thereâs not much to say about it besides that.
New Orleans is awesome, more jazzy prog rock instrumentals, very fun, I think itâs my favourite from the solo projects of this record, itâs simple and catchy, my brain goes âoooohhh me likey.â Because if that, its also pretty short and doesnât overstay its welcome, which is nice, I probably wouldâve gotten sick of it if it was any longer than 4 minutes.
Bach Two Part Invention In D Minor is nursery ryme background music and no one can tell me otherwise, also very short thankfully.
Food For Your Soul is an orchestral prog rock club banger (lol) with a couple of drum solos which, also lol, but I still really enjoyed this one. It feels the most orthodoxically prog rock (lol) with all the different instruments and changes in melody that are in there, though once again, no vocals, which I dont really know if it makes it more or less prog rock, lots of question marks with this one, but the song makes sense
Tank is actually the most prog rock, i lied last time, this is a remake of an ELP song from their first, self titled album with way more pervasive synths and trumpets rather than having a guitar as the main star of the show like in the original. I like the original more but this is still neat. They both sound like Tank, but whereas the original sounds like a singular big tank with a skull on it (think Blitztank from ABK but if it looked more like an actual tank), the Palmer version sounds like a field full of individual tanks from an evil empire about to demolish a small town filled with only defenceless civilians.
The full ELP side is my favourite for sure. It only has 2 songs on it but in prog rock fashion, one is 9:43 minutes long and the other one is 13:23 minutes long, god bless this band
Fanfare For The Common man is an arrangement of a modern classical piece by Aaron Copland that is pretty integral to ELPâs âmission statementâ if it was a company: the sentiment that more complex instrumental music should be enjoyed by everyone and doesnât have to be intimidating or for only the higher class. The first few minutes are a pretty faithful adaptation to the original, then a groovy guitar appears and then a fucked up wind instrument sounding synth comes in and yeah itâs very prog rock, awesome song, still leans towards the orchestral side because of course, itâs a classical music adaptation which I find a bit corny but itâs not their fault that superhero movies coopted that type of sound.
Pirates is a song that was originally an instrumental made for a movie about mercenaries that got cancelled, so it got repurposed and changed to fit a more âpirateâ vibe. I honestly donât get necessarily a pirate vibe, more of a general adventure vibe, but I can definitely see how this was changed from war and mercenaries to pirates. This song is too long to actually dive into and changes minor vibes so many times but still keeps on a general adventure vibe. Oh, also, thereâs vocals here, they work very well and are probably the main part of the song that sells the âpirateâ aspect of it. Otherwise, I feel like it couldâve just been called âadventure at sea.â I wasnât a huge fan at first, but Iâve grown to really enjoy it, especially the middle parts that feel more prog rock than movie soundtrack and then tying into the more soundtrack sounding part to end it.
Rambling over!
@thorny glen @minor pagoda bigass rambling just dropped!
hOY SHIT
Holy heck! Just as I was looking for some piano concertos too! Nice!
Ballin
this is pretty standard badun badun badum badun dudun badun dudun badun bass playing plus light cymbals and a brass instrument and maybe a piano sometimes
but it's neat
it feels like one long continuous song even though it's not
because all of the songs follow the same theme I described
but they go at different paces
or have different structures
this was very early into John Coltrane's career and it shows
it feels like Bags and Coltrane found a sound that they liked, played with it for a few hours, chopped off the bad parts and shipped it as an album
https://open.spotify.com/album/4eK5DQxLCshZCUk6D5a8Q1?si=XP8xRJIXQYaytjZ4FIAw5w fuck this is way too cool aaaaaaaaahhhhh
i dont know what to say about this
just
fuck
this is how it feels to listen to this album, not because it's happy like Kero Kero Bonito stuff, but because it's just awesome
Hell yeah
the return of the benzo beaner soonâąïž
Start of the month modern cloud trap adjacent music lightning round:
gundeityxlestabed: SPARE INHALER https://open.spotify.com/album/6ninRKScOBQCqsgjnJ8PSl?si=55NoSmYaTz2fI7o1E3ycnA, TRANS TRAP https://open.spotify.com/album/1GdOMgiX1UOb4v8ILZ55x5?si=x5_nw9cHR0i1dRLDdNMHAA, medicine cabinet https://open.spotify.com/album/1TBzf6QVk9HfWzylKR88oZ?si=1JlVaTwXQPaBL4aJk1Hv-w.
All short 10-20 minute incoherent wall of noise âââexperimentalâââ trap EPs that are nice for blocking out the outside world, but also pretty enjoyable outside of that once you get used to it. Also god bless that interlude that explains a lot of shit
XTR4angelz4me: JJ https://open.spotify.com/album/20XA0iCAKvA50tAZXQAAki?si=2a8ERu3ZS6aXX-tRBBtvxg
30 minutes of shitty mic trap that is less of a wall of noise but still relatively incoherent and good from blocking out the outside world. Production is neat, I enjoy the vocals, thereâs a few songs i really liked in particular. Also a bbl drizzy song is in there.
Mitaya: Falling https://open.spotify.com/album/7i87SQuySS6J3yQ1O387oH?si=Z_JY5xPaR36kWRMhccHKRQ
Gives me mild Yeule vibes but way more trap leaning, I like their very soft voice, something about it works well with the trap beats that are sometimes chill, sometimes going hard. Though it feels like some songs want to seriously talk about something and have a point, they donât feel âprofessionalâ enough to evoke big feelings in me. I expect a lot from this project in the future!!!!
Taylor Morgan: buglife https://open.spotify.com/album/1RlX0RUxbtFXAszNs8OQia?si=iTSWJWqDQKaIAGRCTnZ9Gg
23 minute EP of annoying ass DnB sad boy emo trap. There was a bar that came out of nowhere âHiroshima [pause] Iâm blowing up todayâ in the middle of a chill song about wanting to sleep cozily and that was really funny, no other highlights besides that
quinn + Dazegxd: dSX.fm https://open.spotify.com/album/2dD3pudiRKQl3Pb3cCIo1r?si=pQg5Bm7wQdWl0khpcmXM8Q
13 minute DnB/new york style rap EP that I didnât really care for, but go ahead if DnB is your thing
sniper2004: i wanna be a sniperrrrr https://open.spotify.com/album/0CmzOQGge1zb0rmoZPI6Ft?si=vO1RxnYbTcmaGZEl3z7E7w
8 minute EP about you guessed it, being a sniper, this project is probably the least experimental so far, being mostly coherent and comprehensible with more rage sounding beats that donât completely invade your eardrums. This feels based in the lil B sense of the word, truly free, fucking around and being kinda cringe but in a based (modern usage) way.
And last but not least, RXKNephew: Slitherman For President https://open.spotify.com/album/3Tu2HORPsXTvQ154R7k9X6?si=H39y5ZCARUezXpQvg0NYJw
Another classic Neph banger, I really love how he delivers his bars, itâs like the entire world has stopped when he ends one bar and it continues whenever he goes into the next. Production was also good, they play an annoying sample every now and then but itâs enjoyable overall
I am listening to the Life of Pablo. This is, so far, Kanye's greatest album. How do people not like this??
His best bars and diverse tracks have all been fantastic, no bad songs on the whole album
Feature-rich as well
Damn I suck at writing shit
Pablo was a good album, especially considering what came after it
I think every song has its own flair that makes it fun to listen to, however the overarching female (gospel-ish?) backing vocals were really nice and cemented a God/faith theme for the album.
There are no skips, he has multiple songs for multiple beefs he had, and also No More Parties in LA
A lot of songs had some big names tied to it, which was cool! Kanye usually has a lot of features, but high-tier names were attached here (like Rhianna and Metro Boomin)
And best verse of all, Kendrick
@thorny glen your turn
Hmmm
How about Yabujin's Flash Desire and the singles run from 2020 to 2022
The first impression is that "this is some meme ass internet shit" but actually it's not. The artist's just that tripped out brain-wrecked. This is the type of music that's probably only doable by someone under sooooo much weed and shrooms, but no that's a good thing
There's something about the angelic synth, melody lines that lingers and doesn't really resolve, hard cranked 808s, weird sample insertions that would literally overpower the entire beat, soft cloud-rap-soft-boy vocals
The most "cloud" cloud rap out there. Years of internet poisoning combined with a pop sensibility, what's catchy, what works, led to this dreamy, vibey collection of tracks that's kind of like unlike much other
idk what the fuck they are doing now though but this run can't be beat
the singles are also awesome
just listen to the top 10 most popular tracks on spotify and that's a good sampler
i got called "yabujincore" a bit ago and that made me want to kill the person that said it
With that pfp i can kinda see it 
see i don't want to kill you because I kinda take it as a compliment guess?
but calling anything yabujincore is awful
i don't claim to know anything about him or even be a particularly big fan
and I know I'm being pretentious
but it just FEELS yucky
the music feels like an attempt to escape any and all labels
to say fuck you to the preestablished notions of what music and trends are
and to have that style become a label in of itself to slap onto anything even vaguely similar feels antithetical to everything it stands for
if it even stands for anything
That goes hard though, as a descriptor
But granted that's what people do with any new noble ideas in the field
Granted Yabujin is just that section of weirdcore high-internet-aesthetics realm with deep nostalgia for the early 2000s or so
but I think for an artist that kind of package all that notion in such a neat package, and being the most popular of it all. i guess it's the "vibe"
that came before and likely inspired yabujin
real
I just call it Cloud Rap cause well it's just Cloud Rap
real n real
The kids are forgetting about Yung Lean đ
a lot of this would probably get called "yabujincore" by the type of people who I want to skin and gut and display on my wall as a hunting trophy
@minor pagoda
mf has been on a yung lean listening streak
but idk i never got into yung lean
lmao
i only really know ginseng strip 2002 and that's because it has a funny name
i don't like bladee
his music annoys me
also the type of people who swear on their life that bladee is the greatest thing to hit the earth are...
yung lean and bladee for me are the flirting vs sexual harassment meme for me
even though they're in the same lane, have collaborated a lot and are white boys that feel separated from the rest of the rap culture, my perception of yung lean is "creative silly white boy who sometimes has moments of genius and makes some really interesting hits" while my perception of bladee is "annoying ass tryhard white boy that uses the internet aesthetic (whatever that means) to rap about how sad he is with his millions of dollars and somehow gets an audience that identifies with what he says"
yooooo
i have lavender on my ipod
I have heard that Bladee has better projects I feel, better albums
Hell yea

will listen to later
now actually
sosa clears i fear
the real answer is that I was working while listening so I didn't really pay attention to it and it made me want to listen to chief keef for some reason
young thug is truly a generational artist
i have come around
i cannot stop listening to JEFFERY and Barter 6
and sometimes slime season 3 and sometimes so much fun
https://open.spotify.com/album/0dCxrv92J8gKDh4zObd2ZZ?si=631tbwn9S7iqKtzSAWB_og - this shit got me into psychedelic/experimental hip-hop thanks to Madlib. Highly replayable if you like Quasimoto's high pitch delivery, but regardless a fantastic listen (in fact probably a must listen) if you're a fan of alternative hip-hop.
ramblers rise up đ„
bjork is so fucking good
rambling soonâąïž
ok so
i've had a brain blast
i like bjork for the same line of reasoning why I like young thug so much
now hear me out
this idea hasn't completely been workshopped yet it literally just popped up in my brain
both bjork and young thug perform in an industry where the bare minimum bottom of the barrel shit often is what makes the big bucks
and they manage to make music that is extremely palatable to a wider audience
however their music isn't disposable
(young thug does make disposable music but we'll ignore those moments)
just as you can go back and listen to old bjork albums again and again and feel the emotion in her singing
even as her background instrumentation isn't super ground breaking or revolutionary, it does it's job perfectly
ok actually my thesis just boils down to
bjork sings weird in a pleasing way
and so does young thug
but they do it in different genres
and the feeling I get transmitted when I hear their voices do the weird shit that they do is very similar
i'd actually put the instrumentals for Warping by Death Grips in the same category of sounds that make me feel that way also
but bjork and young thug are very commercially successful
obviously one more than the other
but still
I think that the palatability of their music is really incredible because it's interesting even while music nerding
because their funky way of singing doesn't come off as just a gimmick
if they did that and that only, I wouldn't like them as much
but since they show that they have more
that funky warpy "experimental" singing activates the same part of my brain when they both do it
ok that's the end of my ted talk
actually i'm adding a bit more
I think that their background instrumentals being very pleasing and poppy actually adds to the charm
if everything is goofy and weird, nothing is
and those types of instrumentals help highlight what's so great about these two
and it ironically helps their songs not feel tiring and repetitive
https://open.spotify.com/track/2runFrIwOg5p2HZo1oymEl?si=c7674470d1C34392 also as a side note this song is extremely cool I don't know why I like it so much, it's a very simple concept but I love it
stupid ass spotify embeds
the song is There's More to Life Than This (recorded live at the Milk Bar toilets)
also clarifying that I'm talking about old bjork here, I haven't listened to her recent stuff
ok yeah that's the end
Wait i have one more thing to add
Both bjork and young thug have those looks that straight people canât pull off easily but they do it immaculately
Time to listen to Bjork...
Bigass Weezy rambling soonâąïž
Going through the carter series and then a few more
Actually itâs PinkPantheress time
nevermind actually
Joey Valence & Brae time
white boys got swag
their rapping is very reminiscent of the Beastie Boys
the album cover displays exactly the type of energy that they bring to their music
a lot of their bars are corny as fuck and honestly nostalgia bait
but they play it off in a way that is charming
their delivery is over the top and silly
these bars suck ass and make me want to kill myself in a vacuum but they're aware of their campyness and don't take themselves very seriously
a lot of their songs evoke a feeling of nostalgic idle chatter with friends
good vibes
and i have to reiterate
it is VERY beastie boys
however
it feels insulting to just reduce them to "beastie boys but 2020s"
it really does feel like if beastie boys happened today, this is the music that they would make
I like them because unlike most modern "underground" hip hop/jazz rap, it doesn't feel like they get restrained into one type of song that only samples pre 2000s music and ends up sounding the same
they take up a modern breakcore/dnb aesthetic/soundfont along with the nostalgic boom bap sounds
and that modern breakcore/dnb aesthetic is already kind of associated with nostalgia which is crazy
it's a super unique experience
also this is fire lmfao https://youtu.be/gGqaReptgaQ?si=_h6p61NCgnms2JFp
Cover of '365' by Charli XCX
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it's literally just 365 but they're singing
ok I'm having a revelation
they're doing boom bap
but also hyperpop kinda at the same time
but it's like 80% boom bap
and the hints of hyperpop are very delicious and not overpowering
god
it's so early 90s sounding but also so 2020s sounding at the same time
it's insane
i'm not even nostalgic for the same era or things that they are
but they still have this crazy vibe
it's just a good ass vibe
like everything is good
and it's so goofy and corny and eye rolly
but in a fun way
anyway im repeating myself
that's the rambling
amen
Joey Valence has been in my reels a lot and heâs always given me the same vibe from his music
A nostalgic video game-esque rap
yeah
it's great because the pop culture thing isn't like
their gimmick entirely
and I hate reference humour
but they do it so goofily that it's forgivable
also I'm realizing that I heard of them before through this song https://open.spotify.com/track/2jQ1P0aGT4WkNyJCeoQnb9?si=3d26a82ad817480e
https://youtu.be/3YnQSSt2rug?si=mCrhl-rxSZAVzhYO this is the video
MY FIRST AMV :D
I thought an edit with this song would be cool, so i did it, flashy warning :3
Media used:
Anime: Azumanga-daioh
Song: Joey Valence & Brae - PUNK TACTICS
amazing video
ngl I just assumed that it was a beastie boys song that I hadn't heard before
oh fuck new GY!BE album https://open.spotify.com/album/1qG30zCAZ30hsmA5wAlaQ3
rambling about it soonâąïž
nevermind i'll do that later
soonâąïž is actually a place I've never dived into before
a very large place with a very large community
next rambling is gonna be on Folklore
Nevermind i didnt find anything interesting about it to share
I think itâs time to greep out next
i love greeping it
(i have purchased the vinyl)
SO true
I lied again btw
Itâs time for The Ecstatic
Such an incredible album
I enjoy everything about it
Criminal that it isnt more well known
(Probably due to it not being on spotify)
Mos Def went âFUCK the record labels FUCK spotify Iâm gonna drop this incredible album and make you listen to it through ways that donât make them moneyâ
The album has a very strong afrocentric/revolutionary theme
Even more so than Black On Both Sides
Which focuses more on the experience, good and bad of being a black man in America
The Ecstatic is a lot more energetic and commercial/easily palatable which is ironic considering the circumstances of its release to spite streaming services
It has a 90s boom bap feel even though it was released in â09, but not in an outdated crusty sounding way, the production on this album is really creative and kinda makes me think of a mix between Madlib on the doom projects and the few kanye songs Iâve listened to. Which isnt entirely unexpected, since Madlib is listed as a producer here, but it doesnât entirely sound like the madlib production that you may be used to
That comparison probably makes no sense
But yeah the production is super unique
And Mos Defâs bars are consistently fire
The features are great
The point of the album is quite apparent and concise while also not feeling like Mos Def is spelling it out for the audience like weâre 7 year olds with little understanding of anything
Overall
VERY worth listening to
Very wide appeal
I like this a lot
https://open.spotify.com/album/475CtqaU2OY24xBvIekWV6?si=cjKESpmRQuOvcE4ilSCO_A
Geese - 3D Country (8.5/10)
This showed up on my Discovery on Spotify a few weeks back, specifically the song 3D Country, and I was instantly hooked. I've digested the album and have given the album in its entirety a few listens to from start to end a few times in the last month. While on it's cover they seem like a rock band they're fronted with a singer who has an incredible voice that has a fantastic range, jumping between a country rasp to a full bodied soulful voice and then to an acid fuelled screaming the songs as you go through are a ride. There's a lot to love in this album with the tracks jumping from genre to genre it's a ride to be sure. Definitely worth a listen if you're looking for a break from greeping it.
Favourite Track: 3D Country (or 4D Country, which is an elongated form of the track).
https://open.spotify.com/album/21xp7NdU1ajmO1CX0w2Egd?si=_dByhSxYS4qFlWDmddaxdQ
Black Country, New Road - Ants From Up There (9.5/10)
Yes yes a popular album from 2022 to be sure, but surprisingly this was my first foray into the band and appeared on the same Discovery as Geese when I was in my Greeping era in late October/early November. I was interested at first due to the alternative jazz feel of the band and was sucked in by the lyricism and emotion that drives even some strange lyricism that leaves you heavy and distressed by the end of some of the songs in this album. This album deserves all the attention it gets, if you haven't given it a listen and enjoy alt jazz that mixes in a bit of indie rock at times then you'll love this album.
Favourite Track: The Place Where He Inserted The Blade
EDIT: I later found out the rawness of the last 3 songs might have been for real since the singer left during the making of the fucking album. Holy moly, even more of a reason to give it a listen.
Ants from Up There was really good, although itâs been a couple years since I listened to it
Thanks for the reminder
Is fucked up that ive never heard of this band
So you enjoyed it?
So awesome
I usually dont like indie rock sounding stuff
The amount of indie rock vibes that this had is just correct
i am suffering from a grave problem
What's wrong honey đ„ș
this is really fucking good https://open.spotify.com/album/7sGYAV0xv7ZfAMzIpMl8m1
and it's unfortunate because I'm promoting anime music
and it's also interesting
which is unfortunate because I'm an indie rock hater
cause it's like
the album is a mix of downtempo which I really enjoy and indie rock but also kinda downtempo
which kinda sounds like shoegaze but not really
it's fucked up
I love how the vocalists sing
I really like that there is no moment where my ears aren't hearing like 3 different instruments seemingly doing different things but working together at the same pace
they also mix up acoustic and electric guitars a lot
which isn't super common
they mix a ton of genres and ways of playing guitars but all connected by this singular idea
yep
I'm not really a fan of this
but it's interesting
I like the aesthetic
I feel like it wanted to be a grandiose thing
but it just didn't happen
it popped too softly
was too afraid but too ambitious at the same time
also it's synthpop
and I think it just does too little
the guy has some interesting lyrics and vocal intonations that show signs of greatness
but the production feels afraid to match that grandiose tone that the vocals bring
hell
a lot of the time even the vocals feel afraid to match the grandiose tone that it somehow exudes the feeling of wanting to have
https://open.spotify.com/album/5FjaEW3Hi8vD2aoJNWln4t?si=0X6OYDulSzacGFwJRCvCKA
Black Country, New Road - Forever Howlong (7/10)
BCNR's first proper new album since their Live at Bush Hall release just post Isaac's departure, certainly leaving large boots to fill with the last full length album they put out. I was hooked by the three singles they put out, definitely a different feel to their past work but definitely didn't hate it. When looking at the album however I feel it lacks the heaviness that first drew me to the band and the new direction this album went in for the band unfortunately couldn't scratch that itch I was looking for. While the emotion was lacking the instrumentalism from the band is still there and especially towards the back end the album becomes pretty stacked with good tracks. The album is packed with harmonies that unfortunately become a bit disjointed at times, regardless worth a listen and maybe its more suited to your taste in music than it is to mine.
Favourite Track: Nancy Tries to Take the Night
This one was a lot more pop sounding
And I didnât particularly love the sound of the vocalist
And by this i mean that there was a bigger focus on the instrumentals
And the vocals felt more integrated with the sound
Rather than being a popout focus
I like sunglasses
that was also functionally my issues with the album
https://open.spotify.com/album/7mOrnQqDad3RgYQsJGaaqk?si=DZXT5WhRR5SBVFGBLEUwxQ
Cameron Winter - Heavy Metal (9/10)
I got into the band Geese mid last year thanks to the singer. When I heard from a friend the other week that he had released a debut album late last year I went into it expecting something similar to what Geese had to offer. Instead I got better story telling with Cameron's voice being more of the focal point of the music, it feels soulful and folky and I cant help but to get lost in it. There are still a few tracks that come through with a Geese tinge to them, such as NausicaÀ, but others like Drinking Age show this vulnerability in his voice which showed through at times in his work with Geese. I'd recommend it to anyone who is willing to give it a listen.
Favourite Tracks: Drinking Age and Cancer of the Skull
$0 is godlike
this typa country type shit is interesting
reminds me of midwest emo but even more minimalist and more raw vocals
$0 is awesome in an awesome way
Idk i generally dont care for this kind of music though
holy ffuck
pharrell i kneel
i was not familiar with your game
https://open.spotify.com/album/1HftQWyKWoGsrmG5lRkJDE this is so fucking awesome
pusha t and his brother and the neptune's goofiest prodction
in 2006
this shit is
fucking psychoticaly awesome
like
I'm literally stunlocked listening to this
pusha and malice's verses go so fucking hard
there is no dull moment
the goofy ass beats perfectly fit in with their delivery somehow
this shit sounds like what if a 5 year old playing with synths and a sampling machine sounded really fucking awesome and the hardest verses ever landed on the audio tape
this shit sounds like freedom
I forgot this channel existed. Listened to Shoso Strip by Ringo Sheena and it was really good. Great jpop album and her other stuff is really good too