#Supreme Feedback
183 messages · Page 1 of 1 (latest)
This is better, but tilted
This is on film, right? Doesnt really speak, if seen alone, but I do love the vibe. the composition works, its just a tad weak seen alone.
Comp is too strict on the subject, most likely would have been better if shot in landscape, with a wider focal length, you want to give the idea of space rather than compression
Better, but the car is destroying the picture
Ik, I hate PT Cruisers 
Thank you. It is film, yep. I will take care that it is seen with others when presented. It is certainly a supporting image in my mind. Or just a mindless wall piece if it’s by itself
New here, I do train and bird photography mainly, may be posting some of my landscapes and bird photos for constructive criticism as well. This is one of my personal favorites as far as trains go. Let me know how I can improve on it.
I really dig the look, its just some images are hard to decypher, if seen alone
foreground right side is way too distracting, really kills the attention that should be on the train
Yeah that's my biggest problem with it too.
edit could do something, but composition would still need revisiting imo
Do you know any books on the technical side of photography or the photographic physics of photography? Thanks
Physics of digital photography (both editions) are a good place to start
Everything else, can just be found in optic researches that are public and published on the net
Cheers
Why are they so much money
What?
It’s £138
Very weak subject and composition. First thing I see wrong: when doing this landscapes, you want everything in focus
Could have been decent if shot from a lower point of view, white balance is wrong and color temps of the lights was worse
Hard to compose when a car is parked and packed between other cars, next time, don’t shoot
The interesting part is the bottom, so I wonder why you didn’t shoot from lower to magnify the texture and show more of it?
I see.
thanks btw
Also you either don’t see the wheel or see at least 1/3 of it
like this?
Better, white balance still off
warmer?
Dude if you make it warmer the car will set on fire
this is the coldest wb I could set my camera to
maybe it's the saturation
I forgot that my camera has the saturation up from messing with my settings
Isn’t this a raw?
JPEG
I can send you the raw when I get back home
it's a SOOC JPEG with the saturation turned up because idiot me forgot that I messed with it
Please don’t ask for feedbacks on JPEGs, this feedback channel is meant for people shooting raw, editing, trying stuff and looking for feedbacks and help
alright
Ah I was on the railing and I nearly touched my phone to the ground was the lowest I could get sadly
I can accept a SOOC if someone wants to ask how I would edit
Idk bout this one L
I'll send the RAW when I get back home
Then, sadly, you needed a camera and a wide lens to remove compression, gain space on the foreground and get a nice, wide, effect for a compelling image:)
This is a no, foreground is messy and too disturbing without adding anything
Way better, but the sky is not interesting
Not your fault, but I would have skipped, or came back
This is more of a general but what else could I do to make my aircraft photos more tasteful/artistic and not just a frame stopped in time
Answering both tomorrow
I prefer this, although more noisy
When it comes to Astro I prefer slightly more saturated images. I see a lot of noise, but Astro is a tricky and rather particular field of photography that needs practice and a lot of techniques- having more dark frames and more flat would have helped decreasing the SNR
apart from that, not a lot can be said on it
I’m on holiday and can’t open raw files now, you’ll have to wait the 18th
yeah this was with a DSLR so I expected a ton of noise sadly darks are useless for dslr's as well so not much can be done for the noise
I haven’t done a lot of Astro in my life (lack of time and spent half of my life in a zone 9) but doing a lot of flats always helped me, more than the dark frames
yeah you can probably tell there were no flats on this image
But I understand the limit of it. More flats means more information to remove the noise from, but this is probably a single image?
its a stack of 3 min subs totaling 20 min
If so, nothing to do.. the iso are high because you want and need the information.. there is no workaround
ye ISO 800
Without flats, I doubt anything better than this could be done
yeahh
The processing is good and it’s a good image:)

@pure summit
When approaching photography that doesn’t seem to have an artistic intent, we need to dig deeper in “why are we doing it” part of it.
This picture alone doesn’t say anything, but there is nothing technical wrong about it; what makes it bad is that there is no story connected to it or any other pictures helping me getting the feeling of it.
really wanna eek out as much as i can out of this image. just wondering what else can be done to further process it
(second file is fullsize, wont preview on discord)
how do i download it if i cant see it?
You can right click on the high res one and click on "save image"
Check out the original image on the bottom left of it when you click on it
It should open it up on google where you can save it
How’d I do here?
Sorry to interject here but would you be cool to share your Ig w me or a portfolio? I’m interested in seeing your work as you give good enough critique
#sxpreme-portfolio
I watched it, truth is with pano of this size, you’ll need a very compelling landscape
Here, anyway, the subject is weak and too hazy.
There is not enough contrast, the sky is the same luminosity as half of the building
Thanks:) I know it has been linked before to you - if you have any feedback I’m happy to hear them
That’s what glass buildings do to a mf, but yes
Something like this better?
heres a better edit
@pure summit , I took a look at your photos and am inspired by them as much the same in regards to your critiques I’ve read. This pic was taken on my evening walk and is #2 in my first 365 photo challenge. All ears and interested in your remarks. Thank you in advance.
Answering everyone tomorrow
Been busy
And I want to take my time and concentrate on the feedbacks I give
Take your time, don’t rush
Apologize for being late
fact is, in this kind of pictures, rather than the sky, you want to see the building. So i would probably expect a darker sky and to be focused on thee building
Ah I see
but, to be fair, there is no nice reflection on the building, i would just say... pass the pic in the bin. happens, and you need to learn what goes in there.
I know its not easy, but:why are you at around 70 degrees angle from the subject? its a rather uncomfortable angle to be at, because its in teh middle between being at 45 and at 90, but there is no special reasoning for it. The background is a confusing as you can clearly see theres a track on the right, and the lines you used to frame are only cutting part of the subject, more than framing it (you would expect, usually, at least an even spacing between frame and subject)
Focusing is a bit weak, thats kind of important and by being at a less pronunced angle, the focal plane would have been more parallel to the sensor making the DOF higher on the subject, providing focus on all (or most of) it
What people always tend to remember when taking portraits with a line separating the background from the landscape is: How should I choose where iwant to place the horizon line?
let alone the fact that it is not straight (yes, that, usually, is a mistake, if not reasoned - and if its not straight because yo uwant it to not be straight, make sure to have it slanted by a comfortable amount). That said, the horizon line is cutting the head to a quite big degree.
But, i can understand why: you probabyl realized that the sun would have been to close to the face therefore went for a lower shooting point, which I can udnerstand. I wonder if, by shooting this horizontal, at a sligthly less tilted angle, would have provided greated view of the sunset, and the horizon line behind the shoulders (right now its at the most annoying point it can be, the neck).
Also wonder, what would have happened if you had hidden the sun behind his face, shot from further down, enhancing the red tones by getting more sunset in the picture and the rays of light backlighting the silhouette of the child?
just thoughts, i wasnt there, but it seems to be like a missed opportunity
send raw
I’ll try to do it in a few hours
Those lines are the railings and i tried do hard to position myself so the railings aren't obvious (i failed) also bird flew like 2 secs after the photo so i wasn't able to recompose, but thanks for the feedback
new version with fixed exposure + fixed sky + multiple gradient masks + some editing
heads up, the OP of this thread has left the server
for now
What happened to him
Wait you can do that?
Thoughts?
Wait what happened to him?
Did he say anything b4 leaving
If you ever have questions you cant find answers to, or you simply want a feedback on your images, leave them here. Supreme will answer when he can.
Beware, I'm harsh.
Oh sup
The line separating the wall and the ceiling either needs to be out of the frame or it needs to be straight.
The composition is a bit messy with the back not being clean (I can see the terminal cable and a bunch of stuff in the back. Examples the red hoodie which happens to be the same color as he’s wearing. Very distracting colorwise).
To add a bit of drama I would have probably shot a tiny bit from down below, and more on the right side of it, to get more of the subject in the frame. This kind of pictures often works best if the DoF is low and there’s more compression (needed a longer focal length, most likely). Those lights are obviously awful for photography so I would have exposed more towards the highlights than the mid tones to get a bit of life in the picture
Also, very weird composition if you’re cutting the pot where he’s making the ice cream (which is where the action takes place)
Tell me;)
Thank you so much! I’ll keep all this in mind, it’ll help me compose in the future. I might take a stab at re-editing it too
This was a 50mm right?
Tell us your life story 
56 on APS-C, so like 85mm ffeq
I imagined, looking at the compression
There’s a time and place for everything, but not now.
I should’ve also shot this at f/1.2 probably, but I accidentally bumped it to f/2
This is on film, if I’m not mistaken. Which obviously makes it harder to get a good framing. I actually love the subject, I often take pictures like this.
I just wonder, it something could have been done to have a better framing, in general: I see a lot of lines bringing my eyes in a lot of various places, the dirt on the ground would balance nicely the reflections on the window, but instead I see a lot of the top, which is less interesting. This would have been a nice scene to photograph in square format, these subjects often work better with a easier composition and a 1:1 format ratio
Thanks that's some realy helpful feedback! ❤️ I didn't even notice the lines. And yes it's film, shot on a 4x5 sheet; I can see how a 1:1 ratio could work better and more dirt would help too
This frames containing other frames usually tend to work better, otherwise you often rely on a good spiral rule placing, in your case, the broken part of the shaders on it, as it’s the most interesting part of it
true, the broken thing is what caught my eye in the first place
I do not teach yet - I’ve been asked if I want to take care of the photography part at KEA, a university in Copenhagen
Oh sick
I’ll answer to both later.
I could go in depth, but the truth is... the subject is boring and doesnt really have anything to say
Composition could work, but the horizon is in the middle of the frame, thats often a very boring choice. Why is it vertical? I would like to see more of the water on the right. There is camera shaking, which is very bad. Was it done while moving or from a hill? If from a hill, you probably needed more exposures to blend, the city on the bottom could use some more light to balance and even out the sky at the top (which could be less boring, if there were some clouds). In that case, I would have tried a long exposure
its tilted to the right of around 1 grade
I took this a few months ago with a crappy amazon tripod lol, it was also on the top of a mountain and was pretty windy.
there also is a lot of Noise
what you can do, to reduce the SNR in your image, with a cheap body or a less resoluted one, is taking more pictures at a short time span between them, to then merge them and basically subtract the noise from it
if I zoom on the mountains and dark areas, its clear the camera was struggling to get data from there. Try what I said. If your tripod is not stable enough, take your camera bag and make a knot with it on the bottom of the central coloumn for extra stability, or make yourself a bag full of sand or rocks
you can also take rocks and put them all over the legs
Ok cool
Also I took it like that 1. To get the full range of colors in the sky 2. Because I didn't really like what was right outside the frame and 3. Because vertical looks better on Insta
. How would you suggest reframing it? Less sky?
i took this like a while back and just fixed lighting on it anything i can do to improve the pic ( used 18 - 55mm )
Probably cut out like 85% of the black space
But this is @pure summit's thread so ill stfu
Make me suffer, I can take it! No photo is perfect.
composition is overall very weird. The foreground is completely black, which makes it super heavy on the comp. I know it was getting dark, but in that case youre better overxposing to the maximum possible before burning and bringind down. Its a bit messy.
Here better composition but weak subject in my opinion, I know train photography is often regarded the same as airplanes, but I am very confident there are ways to make it more creative and compelling. The train is almost on the third, but I would have shot from a lower Pov to enhance its proportions and have it exactly on the third intersection. Also, our eyes tend to scan pictures from left to right, if you come from a place in which you write from left to right. Therefore, its a good rule to have guiding lines coming from left and going towards the right side of the image. Here the opposite is happening. Also, the vanishing point of the line coming from left and the ones coming from right, is a pretty strong point our eyes are drawn to, having it in the middle of the image, usually, makes it boring
Thanks. I'll try to frame stuff to the left or right more, Though shadows were not on this side. I have gone a bit creative with my train photography. This one was just a bit boring
This was something I've been more creative with