#(INACTIVE! MOVE TO #direct-feedback)
1544 messages Ā· Page 2 of 2 (latest)
Ja what I was thinking is color filter -> convert to B/W
leaning to the right, oversaturated in just about every colour but the blue is the most ok and the foreground stone structure does nothing for the image
speaking of blue weird dark spot of it in the center
the green and the blue have some nice duality shiz going on where you might be able to get away with desaturating the yellows a bit and evening out that cpl spot (?) on the sky
I think picking out a repeating element, and focusing the image on that could have resulted in a nice comp. As San already said, way over saturated.
also, yes, random dark spot in the sky. Was a CPL used?
this suffers from too wide so no real incentive to frame stuff, one can frame stuff into wide but with some practice
Would the corner stuff be my Polarisor?
it certainly explains why your empty sky is very dark in the middle
I have this pair, not my best work but I shouldn't give excuses
cat
cat not looking at you
Thats some objective feedback, will be sure to cat catter next time I cat
the only thing on the internet with more photos than cats, is naked ladies. The bar for a cat photo, in a photography context, is stupidly high. These are snapshots...
Yeah, i think I'm just overexcited cuz my first time with a cat
they're the moon of the internet
its fine to take cat photos, there is just a high bar if you're going to present them to an audience of photographers and want a reaction other than 'cute cat'
I use cat as test photos
I sadly don't have a cat handy
to see if my cat camera/lens is working properly
anything I couldve done better apart from getting closer?
crop
Crop the distractions at the bottom of frame
the branch on the bottom right and left are distracting and add nothing to the photo
ideally you'd have the bird looking left too, as the branch intersects the beak
Yeah well wasnt able to change that lmao
thanks
thats more a 'hope you got multiple shots in different positions' comment. I understand it's not always possible as a mostly wildlife photographer š
It's still flat, almost as it was a raw file. There is also low iq, not really sure if it's the result of heavy noise or something else
yea noise
and it was already cropped
what about vertical but further away?
cause obviously this is to much cause of iq
only have a 300mm lens thats why
well
it would be 960mm ffeq instead of 480
i think that would make a pretty big difference
diminishing returns
Getting to close shot is said to be a begginer mistake
Only if you're scaring your subject, generally.
Of course generally, not specifically
It's naive to think that 900mm ffeq will give you a better result
It would get him more detail. It doesn't help with the flat lighting...
you do know that the diff between 300mm and 600mm isn't huge, right?
its twice as much
it's diminishing returns
I think a higher mm lens wouldn't help you a ton here
your photo is noisy and the lighting is flat
300mm F2.8 + 1.4 tc and higher MP body? 
higher mp?
a body that can handle noise better 
300 f2.8
Go to bed, pickle lover
i wish i'd have enough money for that
One mention of pickles and you just pop up
I cant too busy overthinking things
i'm thinking about saving up for an r7
what lens you got rn
tamron 70-300
I don't think an R7 is what you should be earning for
why
A good lens is much more expensive
The 70-300 would likely have issues on the R7 anyway
the one you have is pretty dark, have low fl capabilities and pretty bad optics
which one do you think i should get
150-600 or bright 300 imo
300 f2.8 ef adapted ofc
300 2.8 is like 2k USD
also if this is the convo #šć»gear-help-archived
and it's worth every penny. suffer a couple years and get the stuff that's not an L choice
tru
@raven musk do you have any photos you want critiquing?
Any reason you might think that?
I'm hard to please and I'm compartmentalising what I do a lot, I share pictures still but I know their value to me, I know if it's just a meh effort, a very meh piccie, a scouting piccie etc and yeah I haven't produced anything I really like in the last few months, some interesting maybe but none that really "stay with me" is that makes sense but yeah sure I'll throw something
let's try a gfx one
Do you think you just need some more solidity or a basis in taking photos? Like a project rather than aimlessly taking photos, I know that can be also something, but I always find it easier to appreciate my photos when theyāre ride with a meaning
projects do help, that or vacation where I have more time for myself to let pictures happen, but I always have cameras with me, I always practice the taking of images, I'm just waiting an encounter with conditions where my mind clicks
Thatās understandable
Whatās the most recent photo that you were proud of/liked?
no idea, probably something from norway tho or a portrait shoot for the band thingie but prob norway landscape
wait I'm looking for a picture to share
I think
Yes this looks very fun
Even if I was a shit photographer starting out
Time to get some very nasty critique
And I went to a place like Norway, my photos would be a lot more interesting or stunning
Iād love to eventually capture the northern lights
No oneās said bad about this yet, so please do, it canāt be perfect
Well. Actually
Depth of field, less cropping
All that stuff
Only thing that slightly ticks me off is the deep is slightly cropped to the left
he wasn't talking to you josh
I know but Iām pointing out
this is not a place to chat
Ah, my bad
I know you couldnāt do much in terms of perspective, but the tall grass does cover up a lot of the deer
besides what is currently going on
But that could also add some aspect to it
Ya I wanted the eyes in the centre of the frame rather than the bodyās of the deer
And plus, thatās Sans crop lol
I think the desaturation of using B&W can be both powerful and very limiting, especially for wildlife because it can boast for some very emotional shots especially like something of this nature (e.g. a lion eating a zebra)
Donāt care, still annoying
Lol
Then again, the tall grass also somewhat hides it
Also if I framed it to the right, it would look horrid with the positioning of the antlers
Just balance it then
True
But that takes effort šššš
Ok Iām gonna post some bad photos that I need to figure out whatās wrong with
from a recent walk
Hmm I mean this is okay
If it takes longer than 8 seconds to fully decompress on my phone I know itās a good photo
Too dark
Absolute shit shot, how did you become a professional?
(Joking)
Cut off reflection
Why?
Also turn your phone brightness up
You missed the focusing
Cause you might be seeing it too dark
not a good one, a big one, I shared the original 25mp while being 64x25
Oops
Wtf
What is the focus of the image?
I need to tone down the highlights in some places
Iām still trying to learn a lot of the editing terminology
My main two struggles atm are editing and composition
And I could probably get a bit faster at using manual
I think Iām like a young ced, but not really
that's the thing with pano crops, there is space for a whole setting, which obviously here is the the wharf area
Elon I never knew you were a hehim she her and they them @bleak garnet
Iām glad you put it as a pano, with a tighter crop, the cranes wouldāve really thrown off the balance between the land and the sky
They still do somewhat
Very nice short depth of field
I like the reflection from the water and the placement of the bird
Wdym by that?
DOF is nice and shallow
Well youāve focused on one plain of the photo
Ah ok
One thing though
Is the out of focus foreground should be cut
Yup
Or cloned like duck said
We donāt want to remove that reflection
Because that very much adds to the photo
I like framing photos with the bird looking down at the foreground, which is why I keep a little foreground. So maybe Iāll crop out some of it, but not too much.
Similar style of composition
Looking down at the foreground
I need to revisit this place
This was when I didnāt have the 150-600
Incredibly shallow DoF
Soft focusing (somewhat down to the 70-300 being shite)
Iāve managed to use my 55-300 pretty well tbh
I think the auto focus is a little dodgy on it tho
But also the framing doesnāt work well as well as being cut somewhat by the sand
Iām trying to figure out how lenses affect autofocus
I have a tiny bit of understanding
But the contrasting colours of the seal cub and the sand is nice heās also got a happy smile so
Lens physics, learn it
Got any good vids?
Learn how light is effected by the aperture
Hold on
You can imagine the sounds in a place full of these otters
This short is all about understanding the physics of light. We wanted to briefly touch on focus, aperture and different lens types.
Remember you can always help support our educational initiative via Patreon: https://www.patreon.com/52things
In particular, special thanks to our Patreon supporters: Tobias Haase, Medesthai, Huw James, Larry Nels...
Hm
I think mainly just the cropping
boys
Wouldāve liked a bit more of the otter
this is more or less the feedback-channel, but another iteration of it
take your coffee shop chatter elsewhere
I was giving him a form of feedback
Stay on topic, or be removed from the channel.
wtf I literally gave feedback a second ago after critiquing my own work
What part of what I just said sounded like an invitation to discussion? This is for critique, you wanna chit-chat, take it elsewhere.
Demolish this
i cant get past the out of focus pole long enough to notice much about the seagull guy or nuke going off in the sunset without forcing myself to
is there some reason you cant take the same thing 2 steps to the right?
intentional foreground
leaning to the left and has way too much foreground
try levelling it and go 21:9 or something
if youre into wide shots
the fkin seagull is annoying, would have been better without it
weird exposure too, the sky doesnt fit in
unsure if skyreplacement AI or just butchered composite
I think the seagull and human is funny.
Perspectively, you couldāve got a much cleaner shot if you had a lower perspective as well as being aligned with the centre of the pier, possibly looking up at the sky somewhat so you can have a nice background also. The seagull does incredibly distract from the photo and doesnāt contrast well with the person as neither are intentionally the focus of the frame. The shallow depth of field created a lack of detail in some areas and an incredibly offset image when trying to balance the frame e.g. the wooden beam closest on the left.
Hope this helps?
If you need any elaboration just ask
This is how I've been teaching people. Practicing plain framing, leading lines, using foreground etc photos to get them used to it and not cricitising them for being boring because that's the whole point
Ie. Just seeing how well they can isolate some random ass bin or something with what's around the area
There's a pillar in my face and it is very annoying
My eye keeps going to it
There's no real saving this because of the giant out-of-focus pillar.
Does this need to be cropped?
Angles a bit betterā¦
Colour?
Proportions?
How bout this guy
Feels like these too munching going on in this photo
And I wouldāve loved for the door to be centred in the pillar things
Probably wouldāve obstructed the cat though
Itās quite a tight shot as well
Without having any general focus as the cat is mildly hidden by the pillars and the foliage
Is this a home photo?
It is a photo of a home, not mine tho
I see, having you got any other photos from the shoot or any that youāve sequences with it before?
That could be nice when itās with other photos
Nothing related to this one
Alright, I think generally the documentation aspects are nice but could be improved on. But it could definitely go well with other photos
I'd crop and remove extraneous elements, but I think the fact that you cut off the bottom hurt the composition. Quick and dirty example of what I think would work better.
Is this shot boring? Does the plane distract from the general feeling of the image?
I think because itās quite an abstract photo, Iām going to say yes the plane does because also
It doesnāt have anything really to do with the photo
Itās itās in quite an unsatisfying place for our eyes
That's pretty standard I agree
I would prefer it without the plane.
Should have been shot in portrait.
Or I could copy and paste that plane in every opening
Lol
Yeah i should do that more often
Quick clonestamp can fix
Yeah it would take all of 2 clicks to take care of that plane
But it would take 50 more to not take care of it and add more
I still wanna see that
Ayy
calm down there, Chay Yu Wei.
I'm just making a joke about another image with poorly photoshopped planes š
Having trouble finding the raw damn it
You can always use the jpg if it's just for the joke
Mind if i do it?
Go for it, I think we should take this to #š¬ć»lounge tho
I have 2 edits of this tree. One with my favorite style and the other with high saturation. Destroy it
You took a picture of a tree, and then you cut part of it off.
Whole tree isnt even in the frame...
That and the vignette really hurt these.
Colors I could go either way, something inbetween the two would probably be my preference, but I don't really see anything wrong with either.
But something is wrong with these images, based on how they look super noisy and compressed.
Not all photos need to tell a story, but if they don't, they should be technically well executed and either interesting or beautiful. A random picture of a tree in front of a building isn't going to check those boxes for many people.
Some of the noise is because the camera shoots to jpeg. the other is from me saving to jpeg from gimp due to discord's 8mb size limit.
This server is boosted, you don't need to compress them
Your camera only shoots jpeg?
leading lines
Nice! Better than I could do
So that is the power of leading lines?
They direct the viewers eyes.
just a few lines, not enough leading tbh š
yessir
knew it, thatās actually a positive element, being able to well where ur at
i play geogusser i knew it was sf the second i saw it lol
also i've been there like 10 times
its good
Real feedback would be: Would have been nice to have no live traffic on the road. You've got the shutter too slow for the bus, which is slightly blurred.
the other two cars are a small distraction
The other problem is that the lines don't really lead to something but to somewhere and it would be nice if there was some pay off.
I think its a quintessential SF view though. The steep streets are the subject.
mmm
i see
How about this picture of san francisco again
this is again, one of my favs
Theres the one spot where the street lines up with the bay bridge
I think thats the only one where you're getting something at the end
example (not mine):
i will fs take a pic of that next time i go
dang
i need that
do you know what mm that pic is?
cuz i shot mine at 105mm
its probably easily gettable on a 24-105
I've nothing bad to say about this really aside from very small nit-picks. Good capture.
EG the very slight trailing stars in the sky. Either go longer to really play with that effect or remove them
other small nit-picks would be the blown highlights on the windows of buildings, but you aren't realistically fixing this easily so not really an issue.
Could this be framed and put on the wall as is? Yeah. Easily.
I'd probably crop a bit off the top and bottom, but once again, minor thing.
I feel like the shadows from the rails should be in frame. The bin is also too prominent for my liking. The right side of the image seems to get more of the visual weight, but we should be looking to the left more I feel.
Not sure what I'm looking at but also not abstract enough
This is pretty blurry.
Pretty sure it's whiteout
Props for choosing 1:1 format. However, long exposure water is pretty cliche so you need to make this really interesting. As it is, this is just kinda... nothing.
What do you mean by unbalanced?
It's visually heavy on the right, and then cropped too tightly on the right edge
Ok
It also appears slightly tilted to the left
Mhmm
Ah but you see the trashcan is the counterpoint to the man, or something.
Good advice
the railing and shadows being much more visually heavy takes focus away from that
What do you think about this? I canāt understand what I donāt like about this oneā¦
There's nothing going on. No subject. The sky is gray, the trees are brown, and your greens are approaching Ken Rockwell levels of saturation.
It has a mad angle on it as well for no discernible reason
Building in what @spiral kelp said, it's a super busy shot with no actual subject or point to it
It's just, a snapshot of that place
Ok thanks for the feedback
eyes are underexposed due to lighting
which is a sin in the portrait world iirc
"raccoon" is what they call it
and there's a lot of headroom
very very subpar lighting
Very much a "obtain pretty girl and open aperture" type photo
Also it's on a angle
could that be solved without equipment?
so in my situation nothing could've been done?
that nose highlight tho
not with this lighting, and this angle no
Keep some paper towels handy so that your subjects face is dry too 
Then you need diffuse as hell lighting
Point light + glossy surfaces = oww my eyes
This image is a few tweaks away from miserable goth girl look
Again makeup š¤£
Let me see if i have a better closeup
no please, dont
tfw you lost the bet:
but yeah no, this is dead on arrival because the light is just awful
That is rather goth
you could have maybe helped it slightly by putting up something large white just outside of frame on the left
get a little bit of bounce in there because of the direction of the ceiling light
Those are some heavy shadows. LED downlights can be a bit of a meme to work with
wouldnt be strong enough to accentuate fully but would fill up the shadows a bit and maybe light up her eyes
I see
whatever lamp is on that room is about as shit as they get because of how sharp that nose shadow is, looks entirely undiffused
like a free hanging bulb
bounce light with a styrofoam board or something or change location to one with better light
thank you echo-duck
What could i have used to bounce light?
whatever thats 50-60cm large and white really
Paper?
legit a large piece of paper does the trick
Seems legit
I've used poster board and butchers/packing paper before
Can get them easily at art stores and such
should also add that an actual reflector screen is like $20 so if theres pocket money in the mix thats a good cheap buy
one of these
My ghetto ass back in first year uni: $20? Damn that's expensive
How much space to they take
They fold down
Oh
they fold down to like a small pizza in size
Folding it becomes 4x smaller
sick unit of size i know
American sized or rest of the world? :P
but yeah an 80cm one turns into maybe 25cm-ish with the packaging, can fit in a backpack
They do tend to spring open when you open them. I have been hit in the face many times and yet I never learn
Should i have cropped it or just shoot lower?
It could have been tighter overall
Did you see my version? I feel like itās a better zoom level
Of course itās up to taste
doesnāt need a blurry table either imo
Enough just to see the corner and pack of cards to get the idea
Sheās also too far to the left
yeah KP's crop is a lot better
So I took some off the right side
the amount of foreground is fine so not lower, just tighter
When in doubt: crop more
Especially if the surrounding stuff is out of focus and doesnāt add to teh scene
I was struggling with light and i didnt wanna pump the iso too much
If you had a diffuser a tighter crop also would havelet you stuff it right under her
I wanted her to lean over the table and there was like a step up and she is really short
So thats why i put her therw
I mean in terms of framing
Oh
Thereās no point to showing her whole body
I see
In fact if anything it just hides better the fact thatās sheās on a step

Idk who came up with the idea of this channel but i love it
Really helpful if you dont take it personally which i see some people could
Does producer matter or can i grab anything like this?
as long as they know which colour is white youre fine
So no gold and silver ones oof
usually they are double sided
I mean the object has obviously two sides, but each side has a different surface
they come with a casing thats gold, silver, black and white
reversible
Btw, would using my in built flash with a diffuser be better in that situation
goes around the white disc
hardly
Direct fire flash (same axis as the camera) is generally a big no no
Unless it's intentional
So reflectors > flash in that situation
You can also use off camera flashes
Tho that becomes a bulkier setup
And more expensive
Lots of creative potential tho
Very fun
All the equiptment i have rn is my camera and lens
So im trying to figure out what i can so til i get some gear
its more of a "larger light emitting source > smaller light emitting source" but that doesnt roll off the tongue
A wall is a example of a perfectly valid large light emitting source if you shine something at it given the wall colour is okay
If you think about it, it's basically shining a flashlight directly at someone
So skin oils/makeup and such will tend to glare worse
And shadows will be based around that light
Could i do something dyi to redirect my flash light on the side or something so it hits a wall?
Or would that be dumb
Very contrasty, so very harsh and dark shadows coupled with monotone lit everything else
Speedlights are a type of flash accessory that is often used to do this without a off camera setup
It's literally a better version of the pop up flash that mounts onto the top hotshoe and has a swivel head
Do note that if you use a wall as your bounce, the wall colour will affect your lighting
So red wall, red light
You mean something like the tt350?
In the mean time I'd seriously also not shy away from working with natural light just to get the composing down and learning to see what light does. It's easy to just use lighting material wrong once you have something if you don't know what to look for in your lighting
^^^^
What actually helped a lot for me when I was learning the basics of lighting was shooting in the street at night
Using streetlights, shop lights, and all sorts of stuff, getting creative
But that's just my experience
in day light : being in shadows and using reflected light from a wall as light source
Using lighting mods and artificial bounces and such can be quite funny without grasping properly what they do and how light behaves or can be manipulated
Another fun one is taking note of how grass on a sunny day can cast green on your subjects from the wrong angles
I suppose i should find something on the science of light and optics and just sit there and watch it
Shouldnt i
That sounds interesting
Flashbacks on my first ever paid portrait shoot years ago and idiot me made the subjects in 3/4 of the photos green
flashbacks to me strobing a disco ball 
Am I allowed to ask for feedback in this channel?
Alright thanks i just wanted to make sure before I asked for feedback based off the shots I have, and I'm going to ask for it here because in my opinion harsh feedback can lead me to do better
Oh OK, my bad
That one is the shot I want feedback on
That's the edited photo let me find the original one real quick
This is the original photo before I took the contrast and hue up, and brightness down
Was this taken with a phone?
from 2009
Yeah, wish I had one of the good cameras but sadly I can't afford one yet
Thatās fine. Scenes like this are just very difficult to capture with a phone, not enough dynamic range
your phone cant do shit in low or faint light like this, better to just not try because the tool is not apt for it at all
Ah alright, it was hard to do because I really didn't have the range, when I took that photo I was on my bus home from school and I sit in the back
Itās just an unfortunate side effect of the device youāve got, it just wonāt do well at this regardless of circumstance
5050 comp in portrait is also uhh, questionable. turn your phone and have it be 3/4s of the sky and the noise hell that is the bottom half should be less obnoxious
Phones do pretty well in brightly lit environments, but in mixed lighting just fall apart
Alright thanks, as long as I send only one image may I get feedback on 3 other pictures I took using my grandfather's nikon camera?
if its 3 more "from the back of a moving bus with no time to look or think" dont waste peoples time with all of them, pick the one you like the most
technically nothing wrong with doing a few images in a row, thats fine as long as its one at a time until finished etc
No these 3 are different I couldn't get a good shot from the bus with a nikon camera even if I tried
but remember these are people replying trying to help, sometimes its better to focus their time and effort to where you care or its able to actually do any good
but sure, fire away with one of the real camera pictures instead
Here's the first one which I got with the nikon camera out in my backyard at night
Aaaaaand this is all the data we needed.
would you mind moving to #š„ć»gloves-off it is now live.
thanks for participating in this experiment
(INACTIVE! MOVE TO #direct-feedback)
Gang shit š„¶

