#Looking for a beta reader š
1 messages Ā· Page 1 of 1 (latest)
That sounds great. How long should this extract be?
A "chapter" is usually good...so that would depend on how you've broken up your piece. Anywhere from 3-5,000 words is typical.
I'd offer to read just based on the description, but I'm in the middle of editing a memoir, so I won't be available (except for short pieces) until that's done.
Would the first chapter work?
That's a good place to start. If you pick a chapter out of the middle, you'd have to give a lot of explanation first, right?
Honestly yeah. I wrote this story in a somewhat episodic way, but the beginning sets the stage for sure,
Most readers/editors can tell a LOT from just how the story opens.
Okay. That would be helpful.
Yes, setting the stage is important.
Thanks.......
At first glance, I see a lot of exposition. There's only one place where any dialogue stands out: bottom of p7.
I'll look it over, but it seems a bit dense.
I appreciate it.
Iāve tried to be limited with dialogue during this project. I used to rely on it too much
Readers tend to like it. [shrug]
Although you've used semi-colons correctly 90% of the time, it might be good to get rid of as many as you can.
"Here is a lesson in creative writing. First rule: Do not use semicolons.
They are transvestite hermaphrodites representing absolutely nothing.
All they do is show you've been to college.
ā Kurt Vonnegut, A Man Without a Country
LOL well I have been to college
You suggest I replace a few with em dashes?
Or full-stops. As I was scrolling through, I noticed more than a few that were used incorrectly, but the rest were officially 'good'.
I don't see any ellipses...?
If you donāt mind, do you have an examples?
Iāll fix it up. Thank you.
A correctly used semi-colon comes between complete clauses or sentences, so if what comes after doesn't have both a verb and a subject, then it should be an em dash...if anything.
The first one:
Aimless, nameless heat from the undercarriage of the hulking sun; Godās eye, poppingāfast and quick.
Oh yeah.
Not even a verb in the first part, though fragments are considered acceptable these days.
Another example:
Similar stature too; above-average height and wiry like Ethan.
Again, a fragment.
It could be connected to the sentence before.
Okay just fixed that
Here's another one...not really needed.
They were laughing and pointing to the stain of cricket blood from the morning; their sounds echoed.
And here's how I might edit it.
They were laughing and pointing at the stain of cricket blood from the morning's activitiesāthe sounds echoing.
As I said, I like dashes. š
Me too. I wasnāt sure if they were professional or not.
It's a good way to introduce new (exciting) info for the reader.
Professional for college essays...maybe no.
But for the reading audience in general, yeah...
Oh okay. Thank you.
@pearl robin thank you for taking the time to read. Itās much appreciated
I see 14 chunks of dialogue, but only 3 uses of 'said'.
I hope you're not trying to avoid it.
Using 'said' turns invisible for the reader, but replacing it all over the place with various other words (to avoid repeating), can be like waving hands in the reader's face.
I can add some more saids if you want. I have no issue with it
Good. This may just be an intro...watch out for too much of that, too.
See if you can start in the middle of a fight, then fill in details later...if needed.
Hmmmm. I see. Thatās kinda why I jumped into the fight with Ethan and Aaron
I guess there was too much introduction
Yeah I wanted to paint a picture of the landscape and the cool bugs because Iām a bug nerd
You've got to hook the reader right up front...or they'll never make it past the first page or so.
Okay. I see. Too much description at first
Entomology is fun...but catch the reader's emotion first.
I prefer to study etymology. š
So start with Ethan hunting an Isopod and then Aaron keeps yelling to him. They fight.
Or start during the fight because it captures attention
š¤š¤
If the hunt is exciting.
I'd think starting with some kind of conflict would be good. Let Aaron sneak up on Ethan as he is trying to catch a bug, and they can fight right off the bat.
Ethan is the asshole instigator
Aaron is too nice for that. My mc is a cranky asshole
Yes, during. Fill in the details after you've got the reader interested in at least one of your characters...preferably the MC.
Ah! Good! A MC we love to hate.
(You're on a phone now, so you probably don't have the capability to edit posts, right?)
Let me try something:
Ethan looked back at the noise. āShut the hell up, Aaron. Canāt you see Iām busy?ā he asked, yelling back into the wind.
āBusy doing nothing,ā Aaron replied.
How about using something like that for the FIRST line?
We get the two characters, we know something's going on, we know there's noise and wind (setting the scene), and we have a snide comment to pull in the reader.
Want to know something funny?
What's that?
Perfect!
And then Iāll fill in the gaps later.
Minor setting of the scene, so we don't have talking heads in the dark, conflict, action, then go on from there.
And when you fill in the details (about the bugs) put it in the POV of your MC.
While youāre here, I have one question. My main character, Ethan, probably needs a more tragic backstory to be so indifferent toward people but a lot of it just stems from ego and wanting to prove himself.
I've found that if you know the character's backstory, it will seep out in the writing. You shouldn't have to tell the reader about it...let the reader figure it out from what the characters do (ie, show, don't tell).
I don't know about others, but when I'm writing a scene, I like to get into the POV character's head and visualize the whole scene as if I am the character.
Yeah Iāve tried very hard not to tell so much in this story
That's good. Just picture things as Ethan would see them and relate that to the reader.
Filter everything through your POV character.
@pearl robin anything that stuck out that you liked?
Iām editing the introduction now to be snappier. š«”
I actually didn't get very far into it...
Too much talking and nothing happening.
It will be better once you've re-written it.
Unless Ethan is an entomologist (and knows all the scientific names of the critters), just stick with descriptions.
Not 'isopods'
Rather 'big multi-legged bugs'
You can have a science-guy show up later who uses all the correct terms...if you want.
Well I have an omniscient narrator filling in those gaps.
But yeah, I can see how you felt thereās too much yapping
Yes...I noticed, but will the reader have to stop and go look stuff up before getting into the exciting parts?
(I did. š )
Iām trimming the introduction but Iād still like to call them isopods.
Maybe I can describe them right after to clarify
Is that the term all the locals use to talk about them?
Rolly-polies, pill pugs
I'm thinking of 'zombies' being called 'walkers' by the characters. Everyone know what they mean, but by using their own local terminology, it makes it a bit better.
Yes, pill bugs. I saw pictures when I looked it up.
Can I say āisopods, commonly known as pill bugsā
So people donāt have to whip out Google
I can't see the omniscient narrator talking like that...unless he's giving a lecture. š§āš«
Yes, you want to educate, but the focus should be on entertain.
Why not both š¤
Definitely both!
But you've got to get the reader interested in the characters, then sprinkle in some education.
That's why I suggested a science-guy coming in to educate Ethan about stuff...and the reader gets to listen in and learn, too.
Usually I suggest a Robin for the MC's Batman, but in this case, it's the other way around.
The MC doesn't know stuff, but a minor character does.
Perhaps later. But Ethan isnāt into making friends right now.
Iāll keep that in mind
Good.
@pearl robin thereās an reoccurring enemy that humbles Ethan again. His armor breaks/is damaged to symbolize broken pride. The scientist tries to gauge the creatureās weaknesses
Thatās my idea on a whim
Interesting idea. I'd like to see how you implement it without just telling.
š
Home time for me...I get an early evening today! š
Iāll see what will work. Thank you again
Much better beginning, but I'm afraid you might lose a few folks with the quick reference to 'isopods'.
Also, there is some confusing movement...It feels as if Ethan is ignoring Aaron, and is advancing towards the bugs, sword in hand...suddenly we are told that Ethan "charged at Aaron".
Thatās why I have Ethan call them āpoliesā as their colloquial term
That would be better.
Oh wait
If we're in Ethan's head, then the narration can include his terminology.
Either that or let him think it (or say it out loud).
Ah, so this isn't the latest?
Theoretically, you can just edit the Google Doc, and I'll see the changes as you make them.
Fixed it
There is my main manuscript and then this chap 1 Document
Yes, much better.
My manuscript has the whole story so far
About the confusing part. I can fix that now
Got it...two documents to keep concurrent.
That can be confusing...if you make edits to one and not the other...which one is the 'right' one?
lol, this chapter 1 is just to show you guys
Yes. I understand.
I can link the whole manuscript though
Five chapters...so far?
If it ain't fun, don't do it.
Itās very fun, but I definitely canāt sail through this one
Iām taking time on it
Good. That should make it easier for you to edit.
This one doesnāt have nearly as much dialogue as my old stories
Yes, Iām editing as I go lately. Thereās less mess
Iāve had the most creative freedom out of my 4 manuscripts Iāve written
This is my 4th
The others are complete?
Complete as in the story is done and theyāre edited, but my first two manuscripts probably wonāt be published.
Especially the first one. It just isnāt executed well
I learned a lot from writing these
That's the way to do it...make all the mistakes you can in the first few, then improve your craft as you go.
I'm still a bit concerned that there's a lot of exposition and no dialogue.
Here's a view from 30,000 feet (as they say):
Iāve had people read through my work and I saw what didnāt work and what did overtime.
Holy moly
It's rather dense.
It is dense. My approach with this to make an explorative novel akin to blood meridian that travels different parts of this insect world. A lot of the actions speak for themselves but are up to interpretation. I purposely do not want too much dialogue because I tend to rely on it. When dialogue does appear, I want it to feel intentional and matter. So far it has. Dialogue is a crutch for me personally. So this story is an experiment.
It definitely has Cormac McCarthy inspiration, among similar adventurous titles, with how landscapes are traversed
Ah...in that case, go ahead and experiment.
For reference, here's a sample of a different book (also at 30,000 feet):
Yeah, my lack of dialogue is totally on purpose.
I adjusted the page size and margins to match your book, so they'd be similar.
My first book
Is full of dialogue.
Itās titled Internal Death, but I jokingly call it āinternal monologueā
It feels like a movie script
I have another manuscript Iām currently querying called Fear Walker. Iāve thrown it here before on another account named āJust Passing By.ā
Thatās a thriller and thereās a fair amount of dialogue in it. And some interiority via thoughts. I wanted to write something very different because that story physically stays in one spot
Wow. McCarthy's style is interesting:
McCarthy told Oprah Winfrey in an interview that he preferred "simple declarative sentences" and that he used capital letters, periods, an occasional comma, a colon for setting off a list, but never semicolons. He believed there was no reason to "blot the page up with weird little marks".
Heās an extreme minimalist. Iām going to be reading The Road soon. He chose Oprah to interview with because she lets people speak
I also love McCarthy prose
Oh! Meeting!
Be back in a few.
And I love how Lee Child writes in his early Reacher books. Theyāre simple and to the point
Take care, thank you again
I wasn't paying attention to the time...I have a 1:30 with a client...and he's late, so I'm not. š
Whatās your profession?
Arenāt you an editor? Iāve talked to you before on another account
Yes, I'm an editor.
I may have talked with you elsewhere...Reedsy?
My old account was JustPassingBy. I believe you were in the military and Boy Scouts, but my memory could be faulty
You write science fiction based on your life experiences
Yup. That's me.
I searched for JustPassingBy here in Words Alike, but didn't see anything.
I wiped my account
You must have wiped it completely. There's no evidence of it remaining.
Discord gets very distracting so I come and go
Makes sense.