#What Can I Do to Expand my Knowledge and Output when I Don't Have the Opportunity to Take Classes?

1 messages · Page 1 of 1 (latest)

swift berry
#

So my college and life circumstances are fighting tooth and nail against me to enroll in music courses. What can I do to expand my knowledge outside of taking classes? I feel so stuck with music and not being able to take classes certainly isn't helping.

smoky birch
#

Books?

swift berry
#

I tried :/

#

I checked my local bookstores and all the books are +$100

#

I am taking piano lessons which is where every spare dollar is going right now

old walrus
#

Well, when I want to learn music techniques, I just find something on the Internet related to what I'm trying to learn. I guess the key is to find a topic that interests you. The question is, what exactly are you interested in learning?

swift berry
#

I don't really even know

#

I just like video game music :3

keen marten
swift berry
#

maybe melody writing

keen marten
swift berry
#

I don't really play an instrument which is why piano is such a high priority for me right now

old walrus
#

Maybe study Koji Kondo's work more closely? He's known for a melody-first approach. Or maybe try writing a melody with no harmony at first, then add in harmony that makes sense for it. That's what I often do.

swift berry
#

I see

#

yeah that makes sense

#

I mean melody isn't just the only thing I struggle with

#

once I have a melody I'm lsot on what to do with it

#

which is why I usually write everything else first

old walrus
#

Disclaimer: I don't really have a formal music education. Most of what I do is based on learning off the Internet and instinct. How well it actually works is debatable.

swift berry
#

no thats so much better for me

#

because I don't have the means for one

swift berry
#

but unfrtunately the website is being extremely fucky lol

old walrus
#

Sometimes the worst thing you can do is overthink what you're doing. When your thinking is too rigid, it can restrict what you create.

swift berry
#

yep 100%

#

I just don't know how to do anything staring at empty sheet music

#

and because like

#

I've never played music before either

#

well I have

tropic agate
#

go through yotj

swift berry
#

just not... goodly

tropic agate
#

it's like a third of what you learn in music theory courses

swift berry
#

...I tried

old walrus
#

It's important to note that usually, my best ideas come to me while I'm working. I have a pretty deadhead job, so my mind has time to wander. Maybe find something similar that lets your mind work in the background.

swift berry
#

I couldn't understand anything :/

tropic agate
#

i can halp if you got questions

#

unfortunately there's that thing of like

tropic agate
#

you become so familiar with stuff that stuff that used to be more difficult is just second-nature

swift berry
#

all of my schoolwork is braindead easy

tropic agate
#

so I tried to make things as approachable as I could but you know

swift berry
#

yeah

tropic agate
#

most of it really is easy once you're more used to stuff

old walrus
#

Yeah, I remember a time when even basic harmony was tough for me. If someone told me 5 years ago that I could write the music I've been writing lately, I'd think they were crazy. Just give it some time. You'll get there.

tropic agate
#

and for realsies if you got questions about the yotj stuff I am super down to help

swift berry
#

theres like

tropic agate
#

don't listen to the anxiety part of your brain that thinks you'll be annoying me if you happen to, like me, have one of those

swift berry
#

an introduction to composition course

#

but it filled up before I could even register

#

same with analysis of video game music

#

:/

#

and they're both only offered in the spring so the next opportunity is literally a year and a half from now 😔

swift berry
#

I'll try to pay as much attention as a can

#

to the stuff

tropic agate
#

the first three months are basically an appetizer

#

a get-writing-music-fast kind of thing

#

because one month is to take an existing piece and swap out the chords to still match the melody

#

half of the work is done for you

#

another month is to swap out the melody to still match the chords

#

again, half the work is done

#

month three was to do the other half of one of those previous months so you got an original composition

#

after that things get a bit more uh

#

rigorous, I guess is probably the best word?

swift berry
#

yeah lmao

tropic agate
#

not necessarily that much harder but definitely more academically focused

swift berry
#

ok so I see the reharm first thing

#

if I choose a standard how do I go about like

#

actually writing it out

tropic agate
#

what do you mean by that?

swift berry
#

like

#

lets say I find a lead sheet

#

that has the harmony on it

tropic agate
#

yeet

swift berry
#

and I do the changing of the thing

#

how do I make it like

#

an actual

#

thing

tropic agate
#

Gotcha

#

the real answer is "however you want"

swift berry
#

I see

tropic agate
#

but more pragmatically, you could literally just replace the chords on the lead sheet

#

and then mock up maybe a piano backing or something

#

or cheat and use something like iRealPro

#

which will comp for you

swift berry
#

yeah I've heard of that

#

hmmm ok

#

time to find a standard wooohooo

tropic agate
#

weeeee

mystic merlin
#

Our community here is a helpful thing. We got some great tutors and teachers, a broad perspective and all of us do different things with music. If youd want to expand your knowledge in a specific field/area, im sure someone here can help.
general knowlegde can be (i say can be because theres a lot of ways and this is just one) obtained by doing. YotJ is a great start. The weeklies are a great application and 'testing ground'. Shamelessly plugging the upcoming Secret Santa which is a lot of fun!

I personally think having fun is very important 😛

swift berry
#

yeah I need to

#

do more

#

I used to do a lot

#

but I don't anymore because I'm busy with trying to scrape by :P

mystic merlin
#

Understandable

#

Asking a question every now and then can already lead to some expanded knowledge

swift berry
#

I've been trying to do the weeklies

#

but they haven't for a while been easy concepts to grasp at all

vital blaze
#

In particular, The Complete Musician by Laitz is a good starting point to cover a lot of ground

tropic agate
swift berry
#

yep 😔

#

even though my classes are piss easy, existing is not

#

Maybe getting off musescore could help

#

So I don't have to work with sheet music

#

Too bad I can't afford anything and the totally legal fl studio my cousin got me is gone 😔

tropic agate
vital blaze
old walrus
#

If you're fine with SNES-style music, I've used Jummbox to make challenge entries before. It's completely free and the program it's based on is open-source. It's surprisingly useful

tropic agate
#

it's less of an issue if you still plan on reading sheet music

#

or writing it out if you have questions

swift berry
tropic agate
#

there's just been enough times I've seen people go full "I'm only going to use a DAW" and then complain about how hard it is to learn music theory or to ask questions about stuff

#

because the only real way to communicate that particular stuff well is by straight up sending a midi file

old walrus
#

Musescore 3 or 4? I've heard 4 can actually make solid sound

tropic agate
#

that's true also

#

MS4 has gone bonkers

swift berry
#

Uhhh

#

How do I get MS4

old walrus
#

I think you just need to go to the musescore site and download it

mystic merlin
#

Musescore 4 is much better than 3 in terms of sound,, but it feel slightly clunkier and slower somehow. like its not as smooth running on my laptop

vital blaze
#

Jank is inescapable

earnest lion
vital blaze
#

Library > book store

smoky birch
smoky birch
mystic merlin
#

Spoiler alert:
It matters what music sounds like.

smoky birch
#

LMAO no need to be condescending I just meant like

#

If I’m writing music for piano I care about how it sounds on the piano, not on musescore playback

#

Unless for some reason you’re using the playback but idk why you would do that

mystic merlin
#

Because you have nothing else available?

#

Which i believe was expressed

smoky birch
#

Well then I’m sorry for not catching all of the old messages

mystic merlin
#

Its fine

#

Youre kinda right too, because it should be easy to go from musescore to someplace that has better production value

#

But to me it isnt, so i kinda feel that 'stuck in musescore' vibe when i write in it

smoky birch
#

I live in the piano world so i literally know nothing about anything outside of writing piano scores

mystic merlin
#

Im a piano sir
Living in a piano world

smoky birch
#

If you’re writing for a string quartet or smith and you don’t have string players to play your stuff then yeah

mystic merlin
#

Yeah

smoky birch
#

But musescore should have a good enough playback for you to get a somewhat decent feel for what it would sound like

tropic agate
#

I can say that while production quality will increase the overall value of your composition, it is the icing on the cake

#

the quality of the composition is the cake itself

#

cart before horse and all that

mystic merlin
#

trme dat

keen marten
tropic agate
#

You could swap out a good EDM track with an entirely different production chain with new synths and different weird sidechain effects and stuff

#

And it’ll still be good with changed production

#

In fact, a lot of EDM stuff does exactly that to indicate change of section within the piece

#

Oh actually wait I can be unhinged here

#

TOUR DATES 2023 AND TICKETS: http://littlebig.band

🇪🇸 28.09 Barcelona (ES) @ Sala Apolo
🇪🇸 30.09 Madrid (ES) @ Teatro Eslava
🇫🇮 03.10 Helsinki (FI) @ Helsingin Jäähalli, Black Box
🇸🇪 05.10 Stockholm (SE) @ Slaktkyrkan
🇪🇪 06.10 Tallinn (EE) @ Helitehas
🇱🇻 07.10 Riga (LV) @ Palladium
🇱🇹 08.10 Vilnius (LT) @ Loftas
🇵🇱 10.10 Gliwice (PL) @ PreZero ...

▶ Play video
#

Versus

#

TOUR DATES 2023 AND TICKETS: http://littlebig.band

🇪🇸 28.09 Barcelona (ES) @ Sala Apolo
🇪🇸 30.09 Madrid (ES) @ Teatro Eslava
🇫🇮 03.10 Helsinki (FI) @ Helsingin Jäähalli, Black Box
🇸🇪 05.10 Stockholm (SE) @ Slaktkyrkan
🇪🇪 06.10 Tallinn (EE) @ Helitehas
🇱🇻 07.10 Riga (LV) @ Palladium
🇱🇹 08.10 Vilnius (LT) @ Loftas
🇵🇱 10.10 Gliwice (PL) @ PreZero ...

▶ Play video
vital blaze
#

"Composition" is equally as vague and broad

#

Like

#

Who can say what falls outside of it

tropic agate
#

stuff like timbre changes don't feel like production to me

#

basically anything that was already possible pre-digital-era would not be production

vital blaze
#

That feels wrong

tropic agate
#

nah because you could already dovetail clarinets into flutes into violins and vary their timbre in various ways and also vary their volumes pre-mixers

#

music production is the modern stuff that goes beyond that

#

and then if not

#

writing pen directly to paper 300 years ago could arguably be production which feels much more wrong

vital blaze
#

I dont think it would feel more wrong bc of "production"s other meanings, like in theatre

tropic agate
#

different kind of production

#

it's a homonym

vital blaze
#

And also because timbre is kinda innately part of 'production' the way its commonly used

#

Like a lot of sound design often gets done during "mixing"

tropic agate
#

even if you take issue with those things

#

like

#

bro

#

it's really easy to clearly apply what I'm saying to the definitions of what I'm saying

#

honestly I don't think we have words in english that correspond exactly 1:1 to the things I'm trying to say, just that composition vs production is as close as we can get

vital blaze
#

But terms like this are usually defined circularly

tropic agate
#

the main thing I want to combat here is that

#

you do not need a lot of mixing/mastering/sidechaining/EQing/whatever else

#

to get a good piece of music

vital blaze
#

Yea i agree with that

tropic agate
#

and in fact all of that stuff, even in EDM

#

is icing on the cake, not the cake itself

#

or the idiom

#

you can't polish a turd

vital blaze
#

Yeah, its just calling aspects of sound design thatre structurally insignificant the entirety of production excludes a lot of what is considered production (like probably half of production, or more)

tropic agate
#

I'm fine with that

#

I still view it as useful, just composition

vital blaze
#

In production, and even in arranging theres often also a sense that most of the polishing happened as the turd was shat so that it isnt just a turd its a small toy you ate and can clean off if its worth it

#

Maybe that stretches the analogy too far

#

Like counterpoint, as in the interaction of multiple voices, could be seen as a microcosm of orchestration right?

tropic agate
#

I would say no

#

or at least lean no

vital blaze
#

Wdym lean no

#

I know its a lot more of a stretch bc its more well defined stuff than production, but the kind of corresponding stuff in 'production' is a lot less of a stretch

tropic agate
#

because counterpoint is composition

#

not orchestration

#

maybe "original composition" is clearer there, since orchestration is a component of composing for a given ensemble

#

idk honestly it does not matter in the slightest

vital blaze
#

Well yea that categorical underpinning is already there, i mean more like there isnt a big leap from 'the interaction of multiple voices' to 'the interaction of multiple instruments'

#

Its a leap sure but not a giant one