#Feedback Requests
1 messages · Page 21 of 1
Oh I usually find a tone that works best and that’s the one I use for the whole album for cohesion
Fair
for my band i have chains for each channel and group saved
I really ought to expand on ideas that my band never used
do it
Like this one
Super lazy
But we never used it so I might do it solo
That’s from last February
Maybe I’ll work on it this week
Re-record it and write lyrics
And if they still don’t like it, release it solo
mastered it
The kick might be too far forward
A little more work has been done to this @vale vapor @tribal orbit
is that a midi guitar
gotta find my old stuff
i remember sending a bunch of my tracks to other discord server long ago
god i'm cringing from my old messages from 2022
Everybody starts somewhere 
That's good
You should cut highs on the kick
Not entirely but a lil notch down
Remove the paper sound
I'm so back chat
https://www.thomann.nl/marshall_mg50gfx.htm
thinking of gettin a marshal mg50gfx. any opinions/tips?
is this a good amp? my price max is 300 euro
Whats your use case
What do you want it for
to play guitar, i currently have a fender frontman 20g. amazing distortion for a fender amp. but i want something better, like this has a built in reverb, delay, more channels and an added channel footswitch. all things the other didnt have.
i'd like to play alround, all kinds of genres
but mainly metal and rock
cuz i've got my current amp for 4 years now?
Well if you're just wanting to practice, go for it
If you're trying to play live at shows, or record, id go with something else
yeah just practice :P
okayy, thanks for ur help. ur awesome
You dont need 50W for practice really
I got a smaller Marshall for same purpose, doesnt take any space at all too
But how is the sound difference? Same tone nobs?
Tbh I have no idea
It works for me just as perfect for practice
15W
i have 30w joyo (dc-30) and i really like it
freddy fazbear type beat
i need help figuring out which one is better. theres one subtle difference and i cant tell which one sounds better
3 has an ambient drone really far back in the mix
not entirely sold on the drone, personally
with a riff like that i expect pure energy and brutality, as least for as long as that riff is played
is the drone there for the first couple bars?
it sounds like it is but i could be tripping
its there for the entire thing
its a constant F# drone
way i see it, at least in the intro, let the riff ride and once it slows down that's when it comes in
the drone, that is
maybe have it in the space where its more open like the part 2:04
definitely hear the Gojira influence at like 1:30
this
when i think of utilizing ambience in a song that's meant to go hard, i always think of turning hate into rage by boundaries
almost all of my music inspiration comes from gojira, angelmaker, whitechapel, and peelingflesh
i think of carry the weight from wcar
"Turning Hate Into Rage" by Boundaries. New album 'Death Is Little More' out now on 3DOT Recordings. Shop vinyl and listen at https://lnk.to/deathislittlemore
More from Boundaries:
Site: https://boundariesct.com
Store: https://store.boundariesct.com
Facebook: https://facebook.com/boundariesct
Instagram: https://instagram.com/boundariesct
Twitt...
the ending is kinda creepy with it
or Cellar Door
the ambience in that
picks up at the end
which makes it creepier
this is a more whitechapel ish song
you have this breakdown right, and during it the ambience fades in, it's more open, but then it immediately cuts out once the energy picks back up and it's more about being brutal again
its all from archetype misha mansoor
its quad tracked with a doubler turned on so its basically 8 tracks
definitely feel endless war on this
dope
i have to say that sudden breakdown was more sudden than expected LOL
indeed
usually it's like, 16 bars before a sudden breakdown but here it's only 10
so it completely caught me off guard
im loving this production btw
2 of the instances panned left and right are tweaked zack householder (the 3rd guitarist of whitechapel) presets and the other and the other 2 are a different preset from him but also tweaked slightly
also i meant to say 8 and 6
i might redo the mixing for consistency sake with the drums and guitar tones of the first song i posted
hey whatever you wanna go for
the mixing on that one was archetype gojira panned left and omega ampworks granophyre panned right
and default preset for odeholm drums
unfortunately im not as in tune with production stuffs so i dont really know the difference
i just know that it sounds good
bass tone hasnt changed at all which is just darkglass ultra
The drone is a nice touch, but tbh cut it in half, and use it as a lead up
Otherwise I feel like the effect it could have is lost and it just becomes noise
this is what i settled on doing
im kinda using it to cover up some interference caused by me being to close to the electronics on my desk
evil mix
dayum 14 minutes
i remember making a track that was ~20 minutes long
actually i still have it
Does anyone have stems I can mix?
"Industrial ahh" track
That was fun. Energetic.
Same! It's my song for winter from my seasons album🙂 :
https://open.spotify.com/track/7N2Pxy5VbJGCjiQ83U7cdh?si=2a95d037ea144fde
it's so loud and chunky
my first attempt at a metal song, what yall think
is that ezdrummer "metal!"
did a cover of Iron Sacrament by SotS
it could be metal machine
idk what genre thius is
just seems like nu metalcore
yes i know what thrown is
LOL
not wrong lmao
lowk saw this and scrapped it bc it does sound really close with the intro
made this tho
refreshing listen, in the age of AI human imperfection is much appreciated
is this serious 😭
i mean all his cover art is ai
and profile photo on spotify
lmao no 💀, I don't even know if that stuff is considered music, it sounds like voice notes recorded on phone 
😭😭😭
I was trying to think of where I heard it before lmao
whoops
1 is
new song. gonna humanize drums later but i might be done besides for some cool reversed audio stuff like the stuff in the way of all flesh i want to do. this one, like most of my stuff is pretty gojira inspired
the intro is very prisoner 666 ish
W🔥
DAMN that grooves hard asfff
what kinda vocals you thinking?
gojira or fit for an autopsy style
ohh ok
listening to it I heard randy blythe style work very well lol
i could see those too though tbh
im sorry haha it was extremely similar so i diddnt know if you had heard it
i got a big question. rn i dont have a vocalist. i think the song stands on its own without vocals as of rn. i have a more deathcore focused demo already out, and i have a concept album planned with the songs in it once i get a vocalist. they sound pretty different so they wouldnt really fit together in the same album. should i release the more groove focused 6 string drop C songs in their own EP first and then revisit the songs from the demo and add vocals to them and make a few more in the demo style and release that as a full album
so far the drop C stuff is sounding kinda like gojira mixed with job for a cowboy doom EP
the deathcore focused stuff sounds more like fit for an autopsy mixed with whitechapel
theyre close enough to be under the same solo project/band but not enought to be on the same album i think
honestly I think that'd be fine
last night I was thinking about my band that consists of me and only me as of right now but I had a thought which was
wait a minute what if I randomly made a deathcore album I totally could
buttt
My music I like to write is more like... idk how to explain it but like j-rock inspired melodic metalcore-lite with in flames, a7x, and galneryus sounding leads
I like doing vocals a lot and playing dumb ass breakdowns however it wouldn't fit with my music lmao
so anyways I was considering doing a deathcore album or ep just for fun
im better at lows that i am inhales
everything you can do an inhale you can do with an exhale
inhale is not a valid scream technique
if you wanna do it once or twice in studio for a short moment, go ahead
do not try to use it as a main technique
your vocal chords arent meant to phonate backwards
how does that one donny from esophogus do it then
yeah it'll catch up
same with the vocalist from the browning
he says it's fine but it's 100% going to catch up to him lol
yep
i wanna try do the mcereey clicks
plus, with inhales, you get significantly less dynamic range
it doesnt even sound good, it sounds really hollow lol
yeah and you can't transition into a scream from normal voice
Idek how to inhale lmao
it just sounds bad all around
I just like yelling at people
it SOMETIMES has actual impact by creating gross sounds
only problem is you'll never be able to hear them live LOL
usually because inhales are very quiet
Lmao
if you project with inhales that's where the real problems start
idek how people do it lol
Idek if I scream right but it sounds decent and it doesn't hurt so i guess that's good?
Hello
Basically all that matters
Yayy
But it's pretty easy to accidentally do small stuff that will hurt you eventually, without knowing
And that you aren't losing your voice
Yeah
If you can scream for a while and you don't lose your singing or speaking voice, that's the right direction
Even without pain
I do something get like slightly uncomfortable if I do like 10 songs but like
what's so weird for me
If I just take a sip of water then bam
Almost a decade ago, I released a fun video teaching people how to scream. It got over three million views, and as I learned more and grew as a vocalist, took lessons, and eventually became a vocal coach, I decided to react to my own video and correct some of the misinformation I put out there, which hopefully did not harm any up-and-coming voca...
I'm fine
my vox dont hurt me, but sometimes they do despite not changing techinque
not in like
a sharp pain kind of way
i know the proper techniques, im just unsure what the problem is
maybe hydration? because i know that plays a big part
Funnoly enough the way I learned was by doing brees
I found out I could bree like a year ago
While joking around
And then I just sorta switched the bree to an ahhh sound
And yeah I just went from there lol
@vale vapor is this in good quality
wait did you count in your drummer vocally LOL
There's a few things going on here, if youre asking if these can be used as the main drums in a song, def not
it sounds like you only recorded it with one mic?
the china sounds good tho i like the china
Couldn't record with more than one
Go with midi drums
you aren't gonna be able to record your kit
that requires a big budget
At least for metal and rock
every drum individually needs to be mic'd
Is there a way I can make it sound better in post
no 😭
you need to multi mic your kit
there's no way around it
multi mic your kit or use midi drums
you can get midi drums sounding perfectly fine
that is 100% the way to go when you have no budget or mics
My drummer will literally quit the band
you might be screwed then lol
Not even kidding
yeah youre screwed 😭
you can't single mic drums
unless you're writing indie music
or music that doesn't require separate drum channels
like black metal or smth
if he's that inflexible you should kick him out anyway
There is no way to multi mic drums without spending some money on a good set of mics, and LOTS of re-recording and knowing what you're doing
new drum heads, good sounding shells, etc
if he's that inflexible and unwilling to use midi until you guys have a budget, you may be better off without him anyway
Should I lie to him and say that the midi drums are his recording? I don't wanna do that but I may have to
I just listened with mixing headphones and it sounds SO BAD
Worth noting the "one mic" here is an andriod phone
@vale vapor Also, here's the full mix so far (with midi drums)
It sounds slightly off and I'm not sure why
No😭
Kick bro out
Heyyy! lol
Are they recorded with guitar di or a real amp
di?
So are you using a plug in for distortion
Archetype Gojira
what sounds off about it
Idk how to describe it
for one the differing bpms of the intro sample into the song gives it weirdness
kick could come up a little and could do with some more top end
I think it just sounds distorted and raw
Might be their style tho
the guitar sounds fine imo, could use a little scoop
it's muddy, just needs some clarity is all
Really?
yeah
sounds like some mud in the mid/lowmid area, and lacking a little bite up top
I'd try a scoop at around 400-500hz and a little boost at 2k-3k
I don’t think so
im thinking of doing a shaddow song but idk whast one
im thing from ruin we rise
ik the lyrics ik the song layout
There is a synth layer but I think it’s does have some distortion
the synth layer is too loud and distorted probably creating an illusion
I brought that one down a while ago
After I saved it
oh cool
Also are you multi routing your drums?
Oh god I understand it now @vale vapor thank you haha
No
Do that haha
better?
@formal hedge just did a little eq on the master so it
well you beat me to it
lol
what drums are you using
MT Power Kit 2
Was just about to ask haha
I Knew it!
oo i dont know if they can be multi
I think xenon said they could
lowpass it up to 8k, there's some fizz at the top
but yeah should be fine
it says they can
That sounds way better
are you willing to send the stems?
Yeah
cool
Just about to ask that too
pluh
drums?
Oh my bad
are you only single tracking your guitar?
ok yeah that's your problem
you need to be double tracking your guitar dude
that and multirouting the kit
spiritbox and blessthefall had a child
@vale vapor would be proud of this rise
thats pretty sick ngl
full song
needs more cowbell
LOL
actually sounds sick tho i love that funk groove in the verse and pre breakdown
Ty
It’s very circle with me inspired
clealy haha
Ey I just relised the smiling friends pfp
HOW DO I LOOK YELLOW MAN
HOW DO I LOOK YELOW MAN
HAHAHA
LOL
hello people, just wondering if yall think this mix sounds ok, and if anybody has any thoughts on anything else about these two things im workin on, any advice is appreciated fr 🙏
where is the line between music and noise
oo i like it those drums could use a little more processing
turning the room down
trying something with this mix. Guitars are just placeholders (waiting on my new guitarist)
Since we're going with a more nu metal style, it felt appropriate to do some weird mid focused screams
def gonna re-record teh screams at some point to fix the timing
The second one is the one i was talking about in dms, the orher is another song i wanna revisit @tribal orbit
very of mice and men
woahhh i like that a lot!
my first advice would be swapping the midi for real guitar, i always say this but its true, midi guitar sounds so robotic
The mix is good, snare could use some more processing?
the drums in general sound kinda raw
oh it is real guitar, i just recorded it in half speed and then sped it up because i kinda liked the robotic sound 😭
oh 😭
i much prefer it at regular speed
it sounds more human
and it sets a more realistic standard
bet sounds good, ill take a look at what i got goin on
true true, i usually dont do the half speed thing but i just liked how it sounded in this instance lmao
gotcha
@vale vapor how is this mix? i glued the guitar and drums together for the first time and i dont know if it works well
its really similar to bless the fall lol
Yeah it’s the lead
mix wise the drums sound like theyre clipping, especially the kick and the overheads
guitars are kinda dark
drums im assuming are not multirouted still
oh lol
if you want, before next saturday you can send me the stems, and when we call i can go over exactly how i'd mix it and why
Oh sick that sounds good
Just boost the High end or is there more to it
I think I have decapitator on them
I tend to stay away from clipping on drums
especially drum bus
it destroys the transients
it can work sometimes for a snare but you need to compensate by giving it more transient after the clip
Oh ok
(by clipping in this instance i mean a distortion/hard clip/soft clip plugin like decap)
I’ll fix that now
i was also using rbass
whats that
rbass?
a popular audio plugin by Waves that enhances bass by generating subtle, higher-frequency harmonics, creating the perception of deeper, richer low-end even on small speakers that can't reproduce deep bass frequencies physically, making tracks fuller and clearer
lol the ai overview
lol
enhances bass by adding high harmonics that makes the low end deeper?
the ai overview does not understand this plugin
LOL
LOL
idrk the plugin well enough to say
i think its just an eq pretty much
this better?
also i had it at the wrong sample rate before do that's probably a reason it sounds like crap
@vale vapor made some tweaks, here is what i did
Rbass is a bass centric compressor / saturator from waves. It's fucking goated imho. I've used it in a few mixes of mine and it simply makes bass present and buttery.
You can chose a frequency and it does some magic with mix compression / saturation / eq at that frequency. I think it might use upward compression too which I know is present in rvox. There's deeper breakdowns online.
Ahh gotcha
I get a similar effect by putting an LA2A after my bass amp
Oh yeah for sure. The la2a is a peak compressor for mostly anything you're looking for silk on
I call it Mr. Smooth. Just makes shit sound nice.
drums sound kinda weird but i cant put my finger on it, wanna send me stems?
i limit tf out of my sub bass channel 💀
helps get rid of the lumpy performance lol
i never actually use a sub layered with my bass
i think it kinda sounds weird, especially if the bass wavers in tune you can get some weird beating fx
i don't do that either
i just split the bass "grit" and "sub" and on the sub channel pump it into pro-l and crank it up by like 19 db lmfao
gets rid of the inconsistencies better than a standard compressor imo
yep!
i use Sam Guianas honeycomb overdrive into parallax https://www.canvasaudio.net/plugins/honeycomb-bass-od
its really good
I use parallax on the top end
Fun fact, apparently, ndsp darkglass will hi-pass the bass until 80?
When I don’t use it all of the sub information is much more defined, though that might just be from removing the extra low end boot
Sometimes if I pop darkglass into parallax on the grit channel it makes the grit sound more slippery in a cool way
freddy fazbear type beat
really don't hear freddy fazbear but this is cool
Thank you
I know the playing needs a tidy up. This is like Invent Animate from wish but in drop A#
This is awesome. Good job 😎
I’m p happy with the riff as a first recording of it
I was choosing tunings of like what do I choozd
It was Drop A or A# I still got stock strings on this so it doesn’t hold lower than G# well
(Maybe I’m just an idiot idk)
@tough creek @hollow tulip @mossy ore here's one of my fully finished songs from Ashes of Sakura called Spiral Complex (it's about silly straws btw)
When I say finished I mean like
I've written all of the parts
Not produced obviously LMAO
Bro that clean tone is fucking 🔥
i wish my shit sounded that good, but alas im currently stuck with an orange amp
LOL thank you
Thanks :D
Kinda reminds me of Ascendancy/In Waves era Trivium with a mix of J-rock chords
And yeah I like the clean guitars very much
Oh interesting, where did the Trivium vibes come through? I wasn't directly inspired by Trivium which is why I'm asking lol
I love trivium btw
I think it's the fast palm mutes with the single notes in between that kinda remind me of Ascendancy
i had this cool idea for a riff so i made a short fl studio project to immortalize it before i forget (it's played by virtual instruments bc i can't play)
very abrb inspired if you couldn't tell by the filename and riff
also tried to replicate the slight dirty edge of 2000s metalcore/deathcore mixing
Ohh like this sorta thing?
Yo that's sick as hell
I see another fellow padawan of the fast palm mute technique of the old school metalcore days
I might be shit at guitar but that technique is one of my favs whenever i play any song
Especially in some old school rock like Led Zeppelin
Late reply but yes, like that
all good lol
I fear... I may have cooked (my first non metal piece in a hot minute lmao)
it's also like not mxied at all
just midi instruments slapped onto the notes
This is cool. Could def hear this in a JRPG battle theme.
Wait that's sick as hell
lmao tyty. Got challenged to write a MH battle theme for lunagaron. I think it works, but I rarely ever write orchestral stuff
lol ye thats pretty much what that is
IDK ANYMORE TF IS THIS
Devin Townsend Vibes
am i cooking or did i burn the kitchen
Honestly Cookin
:D
i have been wanting to cover infant annihilator for forever
i need advice on the current state of my mix por favor
got a bunch more done
...
one second
this is
good information
to have
This is pre post production and vocals
Did a little throwback cover from one of the best metal albums of 2016 (arguably of the modern era)
Gotta do the misc production work, some guitar editing, and throw on vocals
but yeah
@runic adder wdyt?
I'll probably do 91367 too
sounds good
some parts i think the guitars might be a bit loud? but i think its solid otherwise
can someone give me a good video on how to mix deathcore vocals im so ass at it
Compress in stages
With different compressors
watched a crappy alien abduction movie over the weekend
Last time I did it I went
Compress > limiter> saturate > saturate some more > EQ > reverb > delay
Also why’s only half the vocals there 😭
Do you record highs and lows separately?
TYSM
I'm learning hwo to safely do goblin highs
i was trying to track them and i killed my throat a little bit
Real
You’ll get it in time
I’m not much of a vocal coach I couldn’t help ya there but it’ll happen, trust
Now I want to another infant annihilator cover…
Dew it
Do cuntcrusher twin
Wait no flayed and consumed
Thats my favorite on that album u should cover that
I was lowk thinking decapitation fornication or soil the stillborn
busted ass buster kit bruh
There’s no instrumental for Ov Sacrament and Sincest so that’s off the table, my favorite one unfortunately
Almost has like those 00s-10s nu/electronic metal vibes
Idk smthing about it reminded me of like blue stahli or celldweller
guitar feels lacking idk what to do with it ive changed the amp like 20 times
the ir is in triple digits
Guitar sounds fine lowk
You could scoop it a little more maybe?
I think it’s fine tho
what do we think
Guitars could come down, they’re louder than the drums
Snare needs more compression
Riffs and song are cool though
At that breakdown at 1:40 the kick sounds a little off sync with the guitar trem part, try putting the kicks in triplets instead of straight?
Not sure about deathcore mixing but the vocal chain I've been trying out is; EQ, Compression, EQ, De-esser, Multiband compression, Saturation, Delay, Reverb, and then a Limiter.
Return tracks for Delay and Reverb. Little bit of Autotune as well
Hm, interesting
Yeah idk why I put the limiter at the start, putting it at the end seems a lot more reasonable lol
Yeah
When it comes to deathcore lowk saturation is basically autotune lol
So mostly similar approaches
I guess yeah. Don't know much about deathcore but we're all on the same journey.
I limit sometimes
sometimes i just put a compressor on the entire vocal bus
Acting as a limiter
Yeah typically I need a limiter just because of the difference between my highs and lows
Might start recording them on separate tracks
Since I typically go main, sub, and dub
But usually a comp isn’t enough alone to balance it
Unless I’m doing it wrong
You should def be using multiple compressors
I work with some very versatile vocalists who do all types of screams on one track
And usually multiple compressors always balances it perfectly
Reacomp on aggressive vocal preset with auto makeup gain turned on and limit output checked
JST gain reduction for slamming it and a little saturation
Then EQ
Then usually a 1176 or LA2A (3 to 6db gr)
Then de ess
Then another compressor on the entire vocal bus to smooth all the tracks together
Sometimes a brickwall limiter
Just realimit on default settings
I see
I typically put the vocals straight into a 76 and then two saturators
Well typically into one but the second one I did recently and I like the sound
Honestly i dont saturate my vocals much
Most saturation i do is just the natural saturation that JST Gr adds
If i want a saturated vocal it won't be a main take and I'll literally just send it through a guitar amp
I
can make you one
and we can do it together
i can do instrumentals for you
however
i'd need a few weeks to learn the parts
i mean yeah if you want to im down
though programming in all the pinch harmonics and slide noises is gonna be a bitch, im warning ya
you dont
I’d play it
Like actually learn the oarts
I played my cover of three bastards
i mean hey if you can pull off the sweeps then go for it
sounded like midi guitar lowk, mb
Bc i can NOT cleanly transition
It’s all clipped tg
I’m not THAT good at my instrument
fair
i mean most of Ov Sacrament is lowk not difficult
the riffs arent bad, it's just those crazy sweeps that are the killer
Yeahh
We sharing screaming vocal chains? Feeling cute, might mix later?
I do EQ > DeEss (cleaning up signal at beginning) > JST Gain Reduction Deluxe > Rvox > Magma Stress Box (3 combo compression with their own little touches on the sound, all gain staged as to not overblow the sound) > Second EQ to SLIGHTLY boost some high end lost in compression for clarity > Magma Lil Tube for light tube saturation > Tape Saturation > L2 limiter. I also have an 1176 on a bus parallel compressing everything together. Shit sounds nice. I use a similar chain for cleans but swap out the magma for an LA2A. I like the LA2A smoothness on cleans.
my normal one is kinda similar to that
but i was lazy today and used a mantra preset i made
it holds up pretty well
Very similar to mine! Mine is a simplified version of that
ReaComp on aggr vocal preset, auto makeup gain, limiting checked
JST Gain Reduction
EQ to clean everything up
1176 or LA2A
De ess
For cleans, swap JST GR with Finality Advanced (less saturation)
Then final 1176 and sometimes brickwall limiter on the whole vocal bus
Also send main vox to verb and delay bus
Also, pretty much every time i EQ a vocal, I'm using a dynamic EQ
The voice is so incredibly dynamic, a static EQ doesn't always help when trying to tame it
I've been looking into dynamic EQs myself lately. ProQ is expensive lmao. Any good cheaper / free ones you would reccomend?
TDR nova all the way
some here swear by ZL EQ but it doesn't fit my workflow
Tdr is soooo smooth
I will absolutely check that out
since we sharing specifics, on my last mix I went:
gate (headphones dont have the best Isolation and you can hear the click in some takes 😔
slam tf out of it with a 76
brickwall limitar (no clue why I put it up front lowk)
decapitator for saturation and some high/low cuts
devil-loc for more saturation
EQ
then verb and delay
absolutely nuked any kind of dynamic range on these vocals
LOL
The exact chain I posted above was used in this track.
https://youtube.com/shorts/-GD112ZU_H8?feature=share
My take on one of the Jared and Friends songs! Hope ya'll like, had a blast working on it!
#jaredandfriends #jareddines #scream #sing #vocals #contest
Yummy
Should you put limiters on vocals??
I thought it was just a mastering thing
I’m stupid I know lol
Nawh, not stupid at all. There's cases where it can be beneficial. I find that having a limiter/maximizer on my vocals at the end of the chain specifically helps them sit more up front and clear in the mix. Not everyone does. I use the waves L2 maximizer. Basically just have it at the end lightly touching the vocals by a few db. The idea is to make them slightly louder without crushing the tone and clarity you got with your processing chain so they sit more clear without you actually having to turn them up in the mix themselves. It's like a balanced boost if done right. Also very useful at the end of your mastering chain. Again just hugging the song by a few db to get that pump and loudness without crushing or distorting anything. Limiters can be used effectively all over a mix honestly.
put up some acoustic paneling recently and put a lamp on my pc, very nice
It looks fancy but it’s kinda just an interface, monitors and an old tv
Kinda did this... What kind of genre is this dunno
https://open.spotify.com/album/4FRA3Dh3LJpk4OcbdklX4C?si=37c8df754f224b5c
Just relseased my second album. Atmospheric ambient fused with black/melodeath
I'm always open to what anyone has to say🙂
Sounds good bro. Bass might be a bit loud.
rohan bhai 🙏
Bolo
You have been mixing this song for so long!
Sounds really good
Lol. I wouldn't say that. I like coming back to projects when I learn new things as a way to try out what I've learned.
And thats the point of the ones marked Break the Glass. They're meant to be one offs I can do just to test out a quick riff for songwriting purposes, or to test new mixing skills I've learned that I can eventually come back to when I've learned more. Sometimes both.
Ahhhhh good idea
Also I figured out how to separate route my drums, thanks for the help with that btw
Np. It's a pain in the ass so I saved it as a template so I didn't have to do it again lol.
Same haha
There was only ever one Break the Glass that was developed into a full song.
Oh!
Sonic style Pop Punk vibes. I like it.
Ty
Oo I like so far
I'm still not entirely happy with it but at some point you just kinda have to move on and work on new songs that you'll learn more from.
That bass tone is dirty and I love it.
It was my attempt to replicate Rabea's bass tone.
It eventually gave me the idea in my Endless Possibilities cover to combine Parallax's low end with the mids and highs of Darkglass.
Wondering if this sounds very ultrakill esc, and maybe some adjustments. (im trying to strictly use soundfonts) And Yes the pitching needs to be fixed
this is fire
kick is a little oversaturated for my taste but the mix is fire
snare sounds awesome
Thanks! Most of the tweaks were just adjusting levels. I did almost no changes to the processing minus tweaking da bass just a wee bit but that's it
My buddy mixed this shit and I think it's the best sounding material I've ever been on
Idk what Ultrakill is but I do know it sounds fire.
I’d say so, yeah
Sounds sick
God damn! That’s heavy, I like it alot
Thank you 🙏
I did the guitar and bass. Also wrote a couple lines of lyrics
Old track but this is something I did in a somewhat sludgier vein
@balmy forum also did some art for the 87angst band
Oh damn! I love it, very spiritbox vibes
what do you think of this?
Thank you! :DDDD
Listening now :3
Ok wow this is awesome. Not usually a fan of happier sounding riffs but everything on this is super tight. The mix is good too 🙂
Groovy drums too
Thanks!
You are very welcome! 🙂
Dive into the beautiful sounds of FACGCE tuning! This open tuning is a staple for Midwest emo and math rock, giving you those lush, jangly chords and intricate melodies. Whether you're a seasoned player or just starting out, this tuning will spark your creativity! #guitar #midwestemo #FACGCE #guitartips #indierock #music
just made another song. tell me what yall think
ill listen in a sec
now this is sick
snare could use a bit more mid
and drums could come up a bit
I will send the updated version once my buddy does vocals, it's not final
Oh that was him. No idea. I did the guitars and bass. He mixed it, did the drums, and he also did some guitar too
Ahhhhh
maybe turn the rooms up a bit?
D A D G Bb F Ab
Yeah I know, it's a fucking weird tuning
It's basically Drop D1 mixed with a Gmin7b9 chord as the tuning
The Gmin7b9 is great for Jazz stuff
This was AEBF#C#G#
This was BF#BF#BFF#B
Where as the stupidly low Drop D is great for riffing and djent
And this was G#F#BF#BFF#B
Indeed
I'm actually thinking of adapting this tuning to a 9 string later
Please do!
Add a low A below the D, and a high D (or Eb) above the Ab
All the range I'd ever need
I can see you're a huge sludge fan
Indeed 🤣
I would, personally, lower the bass a bit and let the guitars shine more, but also I'm pretty sure that might just be the sound of the genre too
So maybe nott
But consider using a multiband compressor on the bass so the low end rumble doesn't flub all over the fucking place
It's intentional. Bass full octave down, and we wanted it to feel like that 🤣
I do think it's a little floppier on The Ground Floor though so I will bring it up with him
Gundesvermin has less flub
However Gundesvermin was higher
Cool cool
B-1 instead of G#-1
It also partially has to do with me using a 200 gauge on a 34" bass since I don't have anything longer
Oh my goodness it just occurred to me, you're not tuning to normal G#, it's the low 5-string bass G#
On the Guitar
I thought it was weird for a second
Ok yeah
That explains alot
Yeah 🙂
G#0
Bass full octave down. No pitch shifting on my end
My buddy shifted his 8 down from F# to that low G# for his parts
Just the way God intended 🙌
I'm not really a fan of same octave bass for my own music so I always go octave down when I can
Same
I thought B-1 was my limit until he wanted me down in G# 🤣
Overtones are wild things
I use Umansky Bass so I'm stuck with a low C0 as my limit
Unless I do pitch shift shenanigans
I just play my own instruments. I used the same bass setup for Gundesvermin and The Ground Floor but the guitars were different on my end
These two for both
I'm gonna be honest, you should consider getting a 37" for the bass
It would get you so much more clarity
For Gundesvermin, I used a Digitech Whammy Ricochet on the +2 octaves momentarily, then a Peper's Dirty Tree, and that went into my Line 6 POD 2.0, Rectified setting, 0 bass, maxed mids, treble not far behind, maxed presence, some compression going on the POD, and one of the stock 4x12s
For The Ground Floor I used actual miced amps. No pedals, 1988 Ampeg SS-140C, maxed gain, 0 bass, mids almost maxed, treble maxed. Combo EVM 12L miced with a Shure SM57 and then I also had it going into my 1973 Sound City 6x10 which i miced with a cheap kick drum mic. Those when into my 1979 Sunn Alpha Six mixer and then my interface and phone
Bass for both was my Line 6 Bass POD XT, Sabotage preset, bass boosted, low mids scooped a bit, high mids and treble maxed. Some compression running. I think I used the Stadium cab model (based on a Sunn SPL8028 1x12/1x18) and I had clean DI blended in
I just like the weight it adds to the mix tbh. I wanted a Lignum 42" Sub Octave bass but I don't have that kind of money 😭
Damn
My nicest bass is a Warwick Thumb NT5 I paid just over $2,500 for
Lignum does. Kalium does the 40" Quake bass
I know another company that goes longer but I forgot their name
They're Australian
im cookin something here
Kalium pisses me off
Lmao still haven't gotten strings have you?
Gotta send them another email
Yeah I've never bought anything from them haha
Fuckers took my money and ran
One
It's not even "them". It's just one guy. That's why everything takes so long
Ah
It’s one guy
There used to be two but the other guy left
That’s hilarious
Yeah. Skip Fantry. Just him
Also doesn't he make the string after the order is placed
So it's not like he stores and ships a stock
Unfortunately there’s nowhere else I can get my heavy gauge bass strings so I just have to suck it ig
Newtone strings does up to a 200. Also cheaper. But they're in the UK
That's what I use
Yeah I’m not paying for international shipping 😭
God forbid a man wants to play drop G on a standard scale bass
It was only $55 after shipping for mine but that was pre-tariffs
That's not even bad. Try Rotosound Drop Zone Plus. 175s
So it's what, like $600 now?
Probably 🤣
Nowhere around me apparently
Buy them online. Won't find them in most stores
Where online? Their site redirects to other shops
Oh hey a use for stringsandbeyond for the first time in years
No 5th string lol
Gonna have to buy one separately ig
Ah sorry. For some reason I thought you were on a 4 😭
holy shit it has been years since I last heard audio from you, welcome back
All good lol
130 on a 35” doesn’t sound that good for G so I gotta suffer w kalium ig
I use about that on a 34" Warwick for F# 🤣. Surprisingly doesn't sound bad
thanks, did i ever send the single my band dropped last year?
that was probably the last thing i did lol
Just finished recording this track, any feedback or recommendations?
@runic adder this is how F# sounds on the Warwick. These were a couple isolated raw bass tracks from my band, no post processing
All fingerstyle
You do have to adjust your technique and instrument setup wise
iinstrument I get, how technique?
is it like if I hit the string too hard itll fly out of tune
You have to have less force so the strings aren't constantly swept out of tune. I strike more through the strings than other them personally. I fret lighter too
Yeah give me thick strings and hard af pick attack
Downward force makes them stay in tune more than like striking across them with something like a pick. I just tap straight into them partially with my skin and partially with my fingernails
All fingerstyle
That's probably the only reason it stays in tune tbh 🤣
fair lol
yeah atp i need thick strings, even on my guitars I pick hard af
so on bass there is no way ts is staying in tune 😭
Hard pick attack works best in a mix
I usually go as light as possible to keep things snappy sounding. That's just me. All personal preference
Softer stuff can work but hard attack is just easier to work with
I mean considering these were fingerstyle I still hit pretty hard. I don't like using a pick for bass. Shattered was probably the one I hit the hardest
Warwicks also have crazy tight B strings for being 34" for some reason
lol i have problems with that in fucking standard letalone drop f#
I'm shocked I can stay in tune with how hard I use my picking hand 😭
I've adopted the Al Cisneros 3 finger strike for some droning notes
lol
same here
I do some Ryan Martinie and Les Claypool shit sprinkled in. Sometimes flamenco style strums. Ghost note chucks. I did tapping on one song. And I do the Mudvayne striked octave thing a ton
you see thats way to simple, with my picking style i hit the string with a pick
so complex
i know
I try not to wank off on bass too much but these tracks had some stuff peppered in just to keep things interesting.
in what the fuck-
are you Australian?
One technique I haven't been able to fit in a song yet is this thing I do where I strike through the strings with two fingers and then come back up with my fingernail essentially doubling the speed I'm playing. Keeps up with trem picking but this band doesn't have much of that at all
fucking typing is hard
Nah. My buddy is 😭
oh cool
dude i dont even know what that means im the most basic guitarist out there lol
I've been playing since I was 12 so almost 9 years. I'm not amazing but I've picked up some stuff along the way 😭
lol
i started when i was 10 i belive? but im only 13 so its not that long
english is hard
also does anyone know what sdc and ldc are
before i upload to youtube, is there something i should fix in the mix?
i do want to re record a few guitar takes cuz i dont like them
i know people who played for almost 20 years and they still splice guitars like crazy
and cant mix for shit
im not playing anything crazy advanced but i started 6 months ago
if youre ognna splice atleast do multiple takes instead of copy pasting 💀
I really do like it (no headphonse rn so not about the mix). But the writing is clean
Trying to think what it reminds me of but it's hype
I don't splice anything. I mean I do multiple takes per song but that's usually to be expected. Sometimes I do one take all the way through but not for 87angst so far haha
sometimes i splice just to make sure its on tempo sometimes i would be a little late for a chug or just re record
if my guitar is not in my hands and i notice it being off i will cut it and try to fix it that way but if i have it in my hands ill just re record 😭
Tracked vocals last night. How's my buddy's mix? Did my best Jens Kidman impression
Minor updates on my latest project
mix is super mid scooped, mostly the drums
the whole mix needs more mids imo
the mix is very harsh in the 3k range
what on your master bus?
everything sounds like it's being pushed into a limiter pretty hard
Yeah, I've put limiters on pretty much everything to get them louder without cutting. It's probably the drums, since for some reason they're low as hell. So I had to boost them the most
Make sure no tracks are clipping
Then only limit if you absolutely need to
I would limit a tiny bit in stages
Have each limiter just barely shave off the peaks
Don't smash stuff into one limiter all at once
Yeah, that's what I've done too. Should probably tweak the drums a bit more though, thanks for the advice🙂
Np
been listening to a bunch of silent planet lately, and then i made this track. if possible i would like some feedback on it
the guitars are :vst guitar for the main sound, then like 4 synth layers and 1 layer of real guitar panned left and right
drums are also a vst but with electronic drums under it
pretty nice, guitars sound great and djenty. pretty mick gordon-ish. the slow down at 1:28 goes hard
i suggest doing some automation on the synths/master bus during transitions (like slowly increasing the wet reverb on the master and slowly narrowing the stereo image during the buildup, then brief total silence before returning everything back to normal when the guitars kick in) so that they don't sound too flat
you should also raise the guitar, bass, and cymbals volume slightly as they sound a bit quiet compared to the kick and snare (imo). otherwise pretty nice 👍
a little something i made on fl studio. had to write it down before i forgot
An old project I forgot about.
I used a combo of the Soldano SLO-100 and Plini's Friedman BE100 to get the guitar tone.
I used two guitars as well. The beginning was using a LTD SN-200 and the heavy part was using a modded 02 Strat with Deathbuckers.
idk about the ai generated art man
if you're looking for feedback, i think you should learn your instrument before trying to distribute music on spotify
this is pretty cool
its a bit repetitive in some spots
and in a few parts i think it's clipping
Also not too sure about the slamming the keys part near the end lol
Tell me what ya’ll think of this demo of a song called False Memory Syndrome that my friend and I are working on:
god damn
harsh
OH its ai
the image is ai
But no, his song is just him strumming the guitar randomly
I think he should actually sit down and learn to play before he tries to upload to spotify
sounds like me trying to play jazz
Another demo that probably never will be finished
That's sick,kinda reminded me of one japanese band but I can't remember the name
Oh that's fun. Definitely finish that.
I'll try but I'm not sure I'm gonna be able to come up with more riffs and lyrics for it
I have a smaller vox demo too but I dont really like it
I'm not great with vox lol
I'd say sleep on it a bit and then keep working on it, definitely got energy to it.
I'll give it a try
I have so many unfinished demos that I like 
By design to be repetitive, leaving it open that way for a guitarist friend of mine to write thall over it
Its a rhythmic template for the guitarist who is featuring to follow
yessir
you can use the andy sneap multiband trick to reduce the mud in the guitar chugs and increase a little bit of high end for pick attack
I do this all the time, its the method
I'm not really good with mixing and probably not gonna be finishing this song anyways
Some older stuff that we never finished cause I couldn't find the second vocalist to do the male parts lol
That's some fire stuff✨
One of my favorite songs of all time, Deadhead by Devin Townsend. I do not own this song, it's a mere cover.
#devintownsend #metal #guitar #music #guitarcover #cover #smallyoutuber
Made a new guitar cover of one of my favorite songs ever :3
Haven't used my 6-string in a long time
Bevin Baldhead
I do like em actually haha
Some of my stuff is Inspired by Archspire
The baldness adds to the sound. I haven't figured out how yet, but I know it's true.
Fun fact about Devin, he uses Magma plugins from waves like the channel strip and their compressor. For anyone looking for part of his sound. Magma saturation helps a lot.
I never really got into devin townsend
Everything I've heard so far has been kinda eh
Just very not my thing
I wouldn't call myself a massive fan, but deadhead, Kingdom, and Spirits Will Collide are solid tracks. Particularly Deadhead live at Royal Albert Hall. The recording on youtube is magic, I can only imagine what being there was like. Devin has a very "wall of sound" approach to writing and producing music and it shines in that specific track in that specific performance so fucking well. And his voice tickles my ears, dude's got serious pipes and his toned yell screams are gnarly.
I highly (highly) reccomend checking out that performance if you havent already. Shit ima go listen to it now. Half way through he rips the crowd for not being able to clap on time hahaha
Oh man the tone in this is heavenly
https://www.youtube.com/watch?v=DrDM6V08wcE
DEVIN TOWNSEND PROJECT - Deadhead (Live at Royal Albert Hall). Taken from the DVD "Devin Townsend Presents: Ziltoid Live at the Royal Albert Hall). Inside Out Music 2015.
i think i pintpointed why im not the biggest fan
i can appreciate the sound but musically it's very like
dad rock?
it's like oldhead music
super talented guy
Yeah not for everyone, but I'm in my 30s and have a soft spot for tons of dad rock lmaoo
Plus, that voice. I wish I could tone scream like that
I would say definitely in the prog realm
I also like Strapping Young Lad. Way heavier.
i appreciate that this is in drop c though LOL
best tuning of all time
drop c will forever be goated
exactly
SYL is fire
Provided to YouTube by Century Media
Love? · Strapping Young Lad
1994 - 2006 Chaos Years (Best Of)
℗ 2005 Century Media
Released on: 2008-03-28
Associated Performer: Strapping Young Lad
Lyricist, Composer: Byron Stroud
Lyricist, Composer: Devin Townsend
Composer, Lyricist: Gene Hoglan
Lyricist, Composer: Jed Simon
Producer: Not Documente...
peak
update
Another unfinished demo lol
Older one
Found it while goin through my demos folder
Based