#Offering help with bass stuff
1 messages · Page 5 of 1
He didnt even do normal vibration bass-
But also, gollum doesnt just dampen the volume
It dampens the texture
Remix's vibration is still full texture even with the super heavy gollum
so let me list my train of thought
remix uses the way louder whispered remix vibration bass as glottal part
then has a free standing epiglottis for the small oscillation
this vibration dampens, smoothens the texture but carries the gist of it
this vibration naturally occurs in a more gollum position
just tell remix to 3d print a laryngoscope to end this guessing 🙏
yea but that doesnt sound quite like what I mean
look at nr 32 maybe that might give a better idea of what i mean
something sort of like that just with the nr 59 in the larynx
or like just the 20 vocalized chest bass
even though that doesnt really look like it would be a normal vocalized chest bass
Lol
I mean also vibration bass does use the epiglottis anyway to some extent
By that i mean the walls of the epiglottis
yea I thought something like that as well I mean the air stream hits some regions anyway so what if the oscillations induced by that are just a main feature of remixes vibration bass
Maybe, but i mean litterally- vibration is throat bass + aryepiglottic folds. After that its chest bass or not vibration
what if epiglottis and arypiglottics just sync up
Bass ventura bass
Thats what it is
Syncronized vocalized chest bass + aryepiglottic folds
does that have the epiglottis touch the throats back wall with that
Looking at alot of the chest bass stuff doesnt seem so, should only have to touch it as much as vocalized chwst bass does
maybe with remixs bass the epiglottis is completely free standing and "reoscillates" the vibration basses frequencies and thus dampening by taking some energy away and also smoothening by catching "air velocity spikes" due to its mass
very theoretical but I love brainstorming about stuff like this
long ahh way to say free standing and synchronized epiglottis I just realized
im understanding nothinjg that you guys are saying 😭
what is this?
my chest bass is so weird
i was doing it right now
and it switched to poly chest for 2 sec during a beat
on 7 and 8 sec
the poly is loud
but on the rest of the beat there is no poly
atleast i dont hear it
That whole recording sounds like poly chest&
really?
idk why but i really cant hear 2 chest bass notes
and if I do it unvocalized it just sounds like regular chest bass
it sounds too much like vibration to only be one pitch
could be true sub chest bass
which is only one chest bass note, one voice note, but theres a 3rd note
i dont think so
if i do and f with chest bass
and stop doing the chest
my voice is on a c
so the voice is not a 5th under the chest
the voice is a 5th up the chest
yeah
i hear another pitch sorta fullness
its weird because its really full
(i dont know my pitches by ear lol)
Bb is a 5th up Eb
ah ywah
see 5ths i get so confused about cause i have no clue what makes a seminote or whatever different from others-
seminote?
semi something
thats what a 5th means- the notes in between notes
yeah i know lol
i just dont know the correct name in english
everything i learned studying music theory i learned in portuguese
so sometimes its a little bit hard to understand lol
semitone
ah
its actually the interval between the notes
like
if you go from a C to a G
you get a 5th because is the distance between C and G
but if you go from C to E
its a 3th
typed wrong sorry
it makes no sense to me-
take all the notes
C, D, E, F, G, A and B
just count the intervals between then
from C to G
5th
from C to E
major 3th
oh, including C, you count, theres 5 notes
yep
thats what intervals is
sooooo
when I do an E with vcb and I stop doing chest
my voice in on B
its a perfect 5th
with the voice being a 5th UP the chest, not a 5th UNDER like in vibration chest
but yeah, it sounds way fuller
which is weird
if my voice was a 5th under the chest note, my chest would be on E and my voice on A
since we are confused about this, can you actually send this audio to suharmonikz to see what he thinks it is?
because if vibration chest bass is with the voice being a 5th up, that whats im doing
still.. also, 2nd subharmonic is an octave and a 5th correct?
BUT, that would mean say C3, the bass note would be E1
idk about subharmonics lmao
yeah
E1 would be 2nd sub?
yes
cause 1st sub is 1 octave below the base note, 2nd is 1 octave and a perfect 5th, 3rd sub is two octaves, 4th sub is 2 and a 3rd
and then on progressivly getting more reduced-
idk the exact notes i just know 7th sub is 3 octaves
so
if the fundamental is C3
first sub would be C2
2nd would be F1
and 3nd C1
E1 is closer to F1
so yeah
2nd sub
why G1? we would want to go down 5 notes from C2, which would be closer to F1-
yep
would probs all help if i had any form of pitch
so
if u get C
and go from C to C#
its a semitone
then
just count from C to the 5th, which is G
C, C#, D, D#, E, F, F#, G
7 semitones
yeah u should learn how to play something
used to play piano, but i learned it based on visuals and note names
and muscle memory
not pitch
same with kalimba
I first learned guitar by that way
but after a couple years practicing, now i can recognize notes
actually its funny, i learned the physical stuff, and for bass i know and use the muscles and know what textures sound like what-
u just really need to practice
i played my piano kinda for like 3 years- but never taken a band or music class
yeah I learned guitar by myself too
I only started taking classes when I wanted to learn music theory
thats what i do with electric guitar lol
idk nothing about sheet music
I only learn by ear
and with tas
tabs
ive never been able to learn by ear-
im always a ntoe above or below
or somehow both at the same time
it comes with time
its hard to explain
idk
first try to learn easy songs by ear
or a song that you played at some point
and forgot how to play it
well i cant use my piano now lol
its in the basement and i dont have the space no plugs to use it (its a electronic keyboard lol)
and try to really pay attention to each note of every thing that you hear
these days I was at school trying to indentify the pitch of an air conditioner with my friend
lmao
yeah taht sucks
most i can do is hear the difference of notes, if you put them next to eachother
tho recently been kinda finding strats to guess general note ranges?
that being pronounciation
each notes pronounciation of the vowls changes the lower or higher you go
maybe try to recognize 2 notes that are really far from another
like A and F
one thing that really helps is actually remembering the feeling of the interval
not the note itself
so like a friend send a recording, and it sounded like how you would pronounce low 2nd octave to high 1st
that really helps with chords
thats interesting
like major and minor third
cause your epiglottic position automatically changes depending on the note
and that changes pronounciation
so going ooo on say b2 sounds WAY different then going ooo on C2
(which is my absolute lowest)
but the pronounciantion would not be something apart from the pitch itself?
idk for me that doesnt work
it would be the same thing but with a semitone higher
idk for me its just really ooo while changing the pitch lol
lol
i dont think my bass sound similar to this
the 3nd pitch is way more noticeable
but its weird because of how full it sounds
there is a chance you are straight up doing perfect 5th chest bass-
where instead of it being an octave and a perfect 5th below, its just a perfect 5th below the voice
simular to how bv bass is in some ways
on the same octave?
def not
can you send it to subbharmonikz? lol
not rn, because he is sick
Why am I only hitting the throat bass when looking up ? ( That too is requiring a tight voice )
Although I am sure it's not slizzer bass anymore, I relaxed my epiglottis and dropped the vibration so much down that sometimes I feel to vomit lol.
( in this im going from my natural voice to throat vibrations ( vocal chords and not epiglottis for sure) )
do I need to tighten my voice ? ( And why is kermit sound still there 😭 atleast it's a little down the scale instead of proper kermit)
old followup
my only problem is why am I so tight ? ( Event my jaw muscles are tight and when I losen them, I loose the vibrations as if the chords are not close enough to vibrate )
I'm missing something and it's only sounding like old Napom's throat bass lol. ( Another Dimension )
So here you are hitting vibration bass
And thats slizzer bass/vcb
how do I go from normal inward bass to dlow inward bass?
Like going between or learning dlow inwars
All i know about dlow inward is it uses the uvula with inward bass, but no clue how to do his texture itself
learning it
Ah, thats the hard part with textures
Learning different textures is how in bass learning to start perfecting a bass
In beatbox, mastering means you can do a sound easily and impliment it easily
In bass, it goes as beginner: you can hit the bass but its poor and inconsistant, need special strats to hit it maybe, intermediat: you can hit it pretty consistantly but cant change it much and may still need strats to hit it, pro: you can hit it consistantly and has a consistant texture, and may be able to change the pitch a little, and no longer require special strats for hitting the bass, master: you can do everything as pro, but you can do the bass on most pitches easily, maybe change the texture slightly to fit needs, perfected: you can easily change the texture and do those different textures on most pitches, simular to voice impressionists
But it's vibrating in my vochal chords
Slizzer bass sounds like slizzer :3
(And I can feel the difference because I've been doing slizzer bass since years )
I guess it's the epiglottis getting tight hmm
But vibration is in vocal chords
The same place where I hit the Vibration bass lol
Or maybe it's with my voice because it's not a tight voice so I need to tighten my throat to hit the Vibration.
I'll give an update after maybe 2 weeks 🤔
I mean first recording is def vibration
Have to remember vibration bass uses 3 muscles
And one of those muscles are right under where slizzer bass/vcb happens
Which both of those basses can feel like they happen way lower
Also... By definition no? It USES the vocal chords, but vibration uses throat bass and aryepiglottic folds
Only two basses that use just the vocal chords are fry subharmonics and shield poly
And bass singing i guess
And wanna know how i can tell? Acrually two things
You going kermit voice ofc
And how round the vibration is
Throat bass DOES NOT get that round or gurgly
And kermit throat bass sounds very different
MAYBE its slizzer bass + throat bass, but thats a heavy maybe
Slizzer bass can feel like itd everywhere, i can make it feel like the top of my throat, or i can make it feel like its happening where my throat bass does
Just because of how big the muscles that do it are
Or muscle
maybe he is doing slizzer bass with constricted voice
like I was doing before learning actual throat bass
Yeah
the feeling is not that different
because of the constricted voice
u still feel a little bit of the false folds, even tho its not throat bass
going from that to throat bass is anoying as hell
so it makes sense why learning new textures is so hard lol
I would say that the main difference is that with this slizzer bass + constricted voice the vibration is way more bigger and round
throat bass is more sharp on the throat
I think this is a good way to differentiate them
I dont think anyone does it spacificially like that, but sucker punch combos have existed for ages
Exhibit A: alexhino
I got it yesterday so it's not clean af since I don't use the clop sound and sucker punch that often
I'm tired of my epiglottis being tight even when I am vibrating in my vochal chords.
Trying the loose the epiglottis makes me loose the vibrations happening and just opens my throat.
Don't to know to rewire my muscle controls.
Well, learning to breath differently helps
Chest bass will allways use deep breathing
And will kinda sound like you are breathing to the top of your throat
Throat bass feels more low
And sounds
A good thing to do i find if you are struggling is to spam ALOT of constricted singing
Is this the false folds vibrating?
Yeah
That really helped me
And if you don't want to just spam random notes with constricted singing, try to learn khoomei style of throat singing
It uses constricted singing and sounds way better than just randomly going "hmmmmmm" with it
Sounds either like it or form of vbass
Vibration?
Actually I was trying to vibrate the false folds without vocalizing it
I think that I need to push more air
But idk if this sound is being made by the false folds or not
same here
Did that, and it's like growling
I think pushing more air helped the vochal chords to vibrate in a flatter variation ( Like growling like a zombie )
OBVIOUSLY without making the throat tight
@fervent crow is this the right direction ?
( Because this is the only vibration I am not tightening ANYTHING and just letting the air go as a whole )
yeah im searching for a growl actually
im trying to learn false folds scream technique
and for what i have searched, if i do throat bass without vocalizing i can get it
but i suck so much with false fold sounds lmao
@random tundra do you think this is throat bass
( Been doing vocalised chest bass since years so consider me a noob )
This
Maybe is it
Kinda sounds like slizzer bass + constricted voice
Idk
I'm not that good recognizing textures
Yeah I think is this actually
Sounds pretty round
Is this something close to dlow inward?
@fervent crow
Could be skeletal vibration bass then
Which is unvocalized vibration
Sounds closer but either needa be tighter or looser, idk which
Thats throat bass yeah
Wtf is that name lmao
Ah ok
So I just will experiment with this position
Ty
Any idea on how can I turn that to a vibration only with the false folds?
Hmm... I wouuuld recomend falsetto throat bass for it
Its a good way to feel how an unsyncronized throat bass feels
sounds more similar to what I do for poly sub tho imma be real
cuz what hes saying also makes sense poly sub feels weirdly flat and super loose even when doing it as throat bass
also how it completely blares the mic
happens for me with shield poly as well
maybe just poly sub throat bass actually cus that ones actually more prone to happen when just exhaling a little more with barely any other adjustments having to be made
when I got sounds similar to his I always mistook it for a weird unsynced poly sub but now im pretty sure thats just throat bass + poly sub
in this burst at the end I think its just barely poly sub, also the way these frequencies "in between" fade out here is very easily recreatable for me
idk, i hear constricted singing, poly sub usually sounds WAY differenty
way softer
and the seperate pitches are fully noticable
the way hes explaining it leans more poly sub, buit also i think hes including false folds in vocal chords-
yea theres is false cords in that for sure
thinking its poly sub throat bass
and his false cords are just a tad too tight
the tighter I make my false cords the less clear the higher frequencies get
yet the lower ones remain
still there just weirdly interwoven and jumpy
happens in the same manner when I do my vibration bass as well
would make sense on that part, because throat bass and shield poly DO NOT and CANNOT harmonize
atleast correctly
it will allways be somewhat dissonant
same with poly vibration
yes 100%
like thats what im trying to get right atm
and its definitely insanely hard just cus the position in its nature obviously doesnt harmonize well
you can get pretty close but I dont think itll ever be perfect
I think the only theoretical way to do it would be to not just power your vibration bass using poly sub but to create 2 vibration basses for both pitches of the poly sub if that makes sense
yeah, and theoretically doubel vibration bass is possible
HOWEVER, to do it, you would need to do shield poly, under double throat bass, THEN try and get TWO oscillations of the aryepiglottic folds
a muscle that is insanly hard to do on its own
like the easiest way to use it is inward, and even that is rediculously hard to do
I think I was actually somewhat close once cus one of my aryeppiglottic folds started feeling really scratchy
and there was another new frequency that showed up in the spectrogram relatively weakly
but there was an audible difference and it looked way more harmonic
lemme try and find it rq
I think this was the recording
also I cant hold that for long at all
uses soooo much air
im kinda getting the double throat bass part rather consistently but the aryeppiglottics are a different beast
no still just vibration bass
ah
yea kinda figured cus it was also just one aryeppiglottic fold that felt weird
yeah makes sense
they are naturally lopsided
my friend noticed he got a different vibration depending which way he tilted his head or presses on his throat with his finger
yea thats a thing ive noticed as well
like tilting to the right my vibration bass works worse than to the left
yeah they are the most lobsided muscle really
like naturally
well ok, usable muscle
my teacher got mad at me for saying muscle- cause ultimately they are organs
maaybe,but you also end up loosing control when they are lopsided
you're the one with a lopsided tongue right?
ye
imagin trying to do double tongue bass
yea youre right
but what I was thinking is more like you bend the airflow to hit more of one than the other which might be done easier on the more lopsided one
the more symetrical they are, the easier the muscle is to do two of as they can share pressures or close to it
when lopsided tho, the smaller one will require higher pressure and the larger one less
or even be in a slightly different spot
yea ight
imma still try around with that a lil tomorrow
but what would a double vibration bass realistically sound like if theres even a way to really describe it
no clue
Really?
But what would be the difference between unvocalizing throat bass and falsetto throat bass?
Is it easier to do it?
well, one has falsetto the other does
doesnt*
its just falsetto throat bass the false chords work differently
more on their own
Why this sounded poly af
evil bass or zombie bass
if its zombie bass, then makes sense as the oscillation is so wide you get inconsistant vibrations
if its evil bass, may be a early hard bass
So it's probably hard bass
I was practicing evil bass
Then I noticed that this vibration was different and started to record
Why u don't learn eppiglotis stuff ?
i am
i just suck at it rn lol
very typically its either you are good at throat bass but not great at epiglottis, or really good at epiglottis and have throat bass just to have it
lmao
yeah
this cant still be just vibration bass right?
sounds and feels way different
feels like im actually getting some epiglottal or weird aryepiglottal action, not sure tho
wasnt entirely what I was trying for but here it is ig
sounds closer to remix vibration
yea thats what ive thought as well but its definitely deeper in a couple aspects
and mid frequencies are way more defined
and weirdly looks like theres almost two of each component
probably due to poly sub
either way it sounds way better than before tho so ill take it as a dub
also just the "vowel" remix says in his sounds more like and o while mine sounds more like a mix of o and a as in apple
I mean I legit just accidentally got it this morning so not sure but even at the lowest frequencies it looks like I have "a pair" of each that remix has
clean as hell
a thought ive had now: might it be that remix's vibration bass has the aryepiglottics hit the front laryngeal wall?
like im not sure at all but it really rather feels like a cracking in the front rather than the epiglottis really hitting anything for me
like i dunno if its really even possible but it feels weird asf
also seeing his method of overtightening jayton voice to get a crack in his tutorial might somehow lead to this
Maybe
interpolating from my bass to remix's and just doubling it at an octaves up or whatever would yield to me that the recording actually was double remix vibration bass and the top 2 most prominent frequencies were the aryepiglottics at 2 different frequencies
it would make sense that having the resistance against the aryepiglottics of the laryngeal wall would make it way easier to actually hit a double ary vibration
and only one side is hurting right now for me after spamming it lol
at exactly the spot where Id presume that vibration would happen
so the smaller one maybe idk tho
maybe relay this information to subharmonikz so he can either debunk or confirm my yappage
cus it really seems plausible to me
adding even more on to that i think if allat is true then he might be actually slipping into a slight poly sub sometimes as well just due to the nature of the sound just for me its how I fundamentally power my vibration bass and for him its a side effect
would also explain the poly-ness you two have identified in his bass
again purely theoretical so ion kno but it would line up
Thing is- he cant do poly sub
Otherwise you KNOW he would be spammin that shi every chance he gets
I mean vibration allready has a poly to it, its just weathee or not it was vibration or a form of chest bass
ok yea i mean I havent seen an unedited or uneq'd version of his bass so might be that the part I was talking about looks completely different normally
main thing for me is just that the crack hes getting is pretty much exactly what im getting and I dont really feel the epiglottis hit anything at all and it rather just spawns once your arys are tight enough
also theres some almost unnoticable wiggle in there sometimes which I definitely get sometimes as well when my arys feel like they arent hitting that vibration to its full extent
and the fluidity of my bass just increasing immensely once I started doing that
@fervent crow can you show how do I tight my falsetto?
so I can try to do falsetto throat bass
its weird
almost every time i instantly get into chest bass position
my voice doesnt even tight
it just goes straight into chest bass
shi thats crazy
i think i have seen tomazacre doing it
on his instagram stories
i feel like im going to be stuck with this for a long time lmao
when i first found falsetto throat bass
it took awhile to get it even close to useable
its a hard AF sound
Cauze the thing is, falsetto throat bass is allready super niche
lol
Where is this high pitched sound coming from?
Is this a overtone? Sounds different from what I'm used to
Outward fry sub.. Could be an overtone
Could be a weird squeel that happens when you do fry sub
insanely loose fry sub?
ive never hit one even remotely that low
maybe I actually do more of a falsetto fry sub idk
but Ive found that sometimes with weird neck and mouth positions weird tones can spawn with fry sub
maybe just an overtone resulting from the general cavity the sound is thrown into
maybe even a tone youre actually singing
fry sub gets weird
Sounds simular to enels 2nd sub, but not
Probs just wildly low
My vocal fry?
Idk I just learned it watching subharmonic singing tutorials
Sounds weird af
ok so I just woke up and tried around a little bit and there definitely seems to be 2 big ways to do fry sub
- voice + falsetto fry (weird one I did all the time for some reason)
- voice + chest fry (the common one ig)
yours is a very deep version of the 2nd
falsetto fry might be a bit confusing but it clips the vocal cords in a similar manner to going into falsetto in order to create a spot where a separate fry can happen
while in the normal one your voice just starts frying on top of the normal tone
So it's not common fry being like that?
I thought it was the regular way
How that sounds?
Yeah I kinda feel like my throat is really relaxed when I do it
If I tight it just a little bit the fry stops
Not just deep
Also insanely full
Just about enel fry sub i think
Maybe lower
What would be Enel fry?
A mastered, full 2nd sub fry
He does it in the main drop of feel my bass
Yours sounds almost the exact same
ah ok nvm its nasal in the vid, was hard to tell for me due to the quality
so yea that deepness isnt actually that crazy
its more just how full it is yea
which I think results from the insane looseness
which I cant hit
Yeah, it's nasal
Isn't 2nd sub one octave and a 5th lower? I'm only getting 1 octave lower with fry
Maybe it's a really loose fry sub
Could be loose fry, i did also notice how it wasnt quite slower
Fry is also hard to tell for subharmonics
Like listen to enels, and compare it
yea fry sub is weird its almost like a spectrum that starts at 1st sub and ends at 2nd sub and theres super many other configurations in between
ive never managed I think
might be my technique tho
and again i havent really done it in ages
just this was what I was able to just weirdly slide around in between
Slower?
The lower sub you go, the slower the bass oscillates
As thats how it goes lower octaves
Same way your voice goes slower when you bass sing
It's so quiet rn
As all subharmoniv sounds will oscillate at the same speed as long as they are the same subharmonic and pitch, regardless of the muscle
Ok and this you stsrted losing the full ness
You started adding constricted singing it sounds like
yea thats also how it sounds when for example indicator did his fry sub in the tutorial
the looser the fuller the fry sub
the less impedance the fuller
Basically the more false folds that are used the less full
Need all the vocal folds all day
fry sub hella inconsistent 💔
Seems louder now
Just a little bit
You need to practice this shi so much before actually doing to get it good
It's crazy
Yeah
Like half a hour just to get it right
yea fry sub warmup is insane
Yeah warm-up, I forgot the word lmao
a little trick i used to have to get it louder and shi is sing a fry sub tone, add more pressure from your lungs but take away pressure on the vocal folds
Here I was doing for like
40 min
Using more of the diaphragm
yes
Is really useful
Before that it was sounding pretty bad tbh
It's quite sad how this sound is quiet
I really like its texture
yea fr
but you can get a similar glowyness from other techniques as well
which is why ive ditched fry sub entirely by now
just try and be the first person to get fry sub vibration bass and it will be fine
Sad part is idk how well it will come through lol
OK SO, spread whenever people ask yall, CHEST BASS, ik you touched on this earlier, but chest bass ive been saying was epiglottis
Its actually more then likely the artyenoids oscillating
The epiglottis is more just the sound
(Or pronoucniation)
The only bass that actually used the epiglottis is zombie bass as far as we know
Maybe evil bass
Arytenoid cartilage?
Actually we should just see on a laryngoscopy vid of someone doing it lol
kindron or kindreon
he litterally has that
i noticed they vibrated more, asked my teacher
and yeah i had a misconception myself
it happens lol
hmmm ok then im asking myself what the throat bass in kindreon vid was
cuz that had the arytenoids oscillating against the front laryngeal wall
or at least looks like it iirc
or is chest bass then just a more free standing version of that
ive always wondered why i cant hit an epiglottis only chest bass but apparently turns out I was actually doing it correctly
kept wondering why I cant get any oscillation that didnt feel like it was right next to my esophagus
also by that definition theres definitely some chest-ness to my remix vibration bass on top of a very different aryepiglottal feeling
might be a weird concauction of the two
or remix might do only chest and I have chest + aryepiglottics
so then kindreons vid with the remix vibration bass probably depicts it very accurately
just not quite as tight
whatever bruh im yapping again
More freestanding, in throat bass rhey are vibrating more by assosiation
Chest + aryepiglottics is bass ventura bass
yea true i was still thinking by the "old" definition
weird in my mind
ok then whatever the fuck im doing for my vibration bass still remains a mystery
wouldnt there be varying degrees to this then tho
like way more than by the previous definition
Not really
So there is more aryepiglottic, more artyenoids, more voice, same spectrums as vibration bass just different muscles
Remixs bv bass dor example, more voice and aryepiglottic folds
so say throat bass + chest bass can yield a different type of vibration bass
?
* as long as it doesnt activate arys cus then its bv
damn cant even just say arys anymore now
aryepiglottics
Not really
So throat bass + chest bass is only possible with throat bass + slizzer bass
OTHERWISE their pressures are too different to work
And throat bass + slizzer bass harmonizes so it just sounds like a fatter throat bass or a sharper slizzer bass
is it possible wing does something closer to that?
No
his vibration bass always sounded weird to me
His vibrations just super soft
You need a softer throat bass for it and lots of air
thats a way ig
i was thinking about making something using total reflections in a fiberglass cable or sum and making a phone adapter for it so I can get slowmotion videos
dunno where to even start for that tho
shi frustrating
The comments seem good
Theres one where it broke but also it sent a pic of it compared to an sd card it looked like
Looks thin enough
sounds good imma look into it
But endoscope/snake camera is what you want
I cannot bear not even having a real clue besides poly sub and throat bass + ??? any longer
Lol
Throat bass + aryepiglottic folds is vibration, and vocalized chest bass + aryepiglottic folds is bv
Difference is, bv bass csn go first sub
Vibration cannot
Liitttlleee attempt at showing how throat bass with low to no vocalization vs chest bass sounds. Im not great at chest bass but the base elements are there
your chest sounds so much tight
yup!
sadly at school rn
as said im not great at chest bass, hard for me to get any oscillation without tightening my arytenoids
try to sigh with chest bass
relax the throat and do a sigh with it
maybe that helps
im practicing that to get zombie bass and my chest bass I getting pretty loose by just doing a little bit of that every day
Yeah
what would be the difference from unvocalized throat bass and false fold screaming?
both uses only the false folds
False fold screaming i bet is more a straining of the false folds
While unvocalized throst bass is an oscillation
ayo space is the 4th whistle he did subharmonic or am I tripping https://www.youtube.com/shorts/AslX56Thh0o
like cus hes combining 2 whistles "pash lazer" and his whale
and voice ig
Eeeh whistles would fit moreso into overtone stuff
Its moreso just a poly note
Or its his laser bass
yea ig just when I looked into the spectrogram it all the tones form a 1st sub
a variation yes
I cant watch rn just going through my knowlage
Yeah
His laser bass i BELEIVE uses tongue bass or vocal bass
His lip doesnt oscillate the same way as pash laser does
Ofc if he vocalized ir, yeah it will go subharmonic
in his laser bass its tongue against tooth and with this its more tongue against lower lip/cheek
you can see the tongue wiggle around in that clip basically here its just vortex abuse ig
It would be like doing throat bass and whistling, the bass with a whistle ontop
So vocalized laser bass
a more extreme version of it
guess it would be different enough to then just classify it as an even bigger concauction of airstream abuse
wild stuff
I just realized that I have much better control of vibration bass than throat bass
Idk why since vibration bass uses throat bass
Maybe its because I spam bv bass all day and both vibration and bv uses aryepiglottics folds
Idk if that actually makes sense or not
and thats odd to me because my throat bass has way more control then my vibration
but i think yeah you spamming aryepiglottic folds all day makes snese
sense*
the throat bass for vibration is also quite different from normal throat bass
so thats probably because of this lol
maybe I'll try to get falsetto vibration and unvibration it to get falsetto throat bass
lol
honestly, this is coming from one of the only people who can do it
its WAY harder to go from falsetto vibration into falsetto throat bass
that how I got throat bass
because its unsyncronized
yeah, infinitly harder in falsetto cause its unnatural
its unsycronized both with falsetto vibration and throat bass?
yes, because once you go falsetto, it can no longer be propperly subharmonic
so you get alot of texture variation
vibration bass can allready be subharmonic without voice
so you harmonize your false folds with vocal folds like with chest bass?
yeah lmao
actually if really try to do that its just to get falsetto throat bass
I dont like the sound of falsetto vibration
lol
falsetto throat bass is cool because of how eletronic it sounds
its good for some riddim
lmao
Dude
I forgot to say about it with u
But learning throat bass made my poly chest voice don't work anymore
Shields poly
I was starting to get it consistent and now I just can't do it lmao
yea they are weirdly close together id say
feeling and tightness wise also
try to transfer the tightness youd have in your false cords with throat bass into your true cords on top of your normal voice instead to get shield poly
odd way to say it lol but thats a good way i started feeling for it
was trying for literally 30 seconds to get something similar to crythix bass and I think especially the end of the latter burst sounds rather close
but even just this total 1 second or something of doing it my throat already felt scratchy asf
but damn this bass sounds like hot garbage until youre good at it
also was like 3am so I tried to not do it too loud
also yeah if it is it, dont do it too much
crythix messed up his throat doin that, like immensly
its a super dangerous bass
he can no longer learn throat bass
honestly wasnt planning on taking it further than maybe playing around with it sometimes
lol, just learn the better version- aka unsynced throat bass
like legit my throat hurt more after those 2 short ahh bursts than after half an hour of gutteral vibration bass
damn what happened
ye ye lol but like ripped some shi or sum
noclue
its not like you can just tell whats wrong with your throat lol
he cant do constricted singing even for like i think 30 seconds before it immensly hurts
thats mainly from whistle note singing, but imagine whistle register + what you do there
yea like it sounds insane but I cant imagine how hard that that would hurt
like this is by far the harshest pain ive ever had from any real vocal bass and then adding one of the most painful singing techniques?
hell nah
I mean maybe its just the way hes trained it cus the tightening does feel oddly similar to constricted singing but just pushing it hard against the arytenoids instead of just tensing
and then that obviously wouldnt yield healthy constricted singing
kinda a similar thing to when I was recently doing a bit of alien bass again, ive gotten so used to my vibration bass that I was actually doing a more vibration like position and tightness of false cords while adding fry sub, it worked and the sound was definitely recognizable but it was scratching hard in my left vocal cord, kept having to cough, until I found the natural position again
yea with his bass it might be a combination of that and maybe even accelerated scarring
his whistle bass probably has one with the highest energy inputs onto the vocal cords
no healthcare in denmark?
ENTs do exist
that would be the first guy id hit up if I had the issues he does
But the feeling is different af
i mean a more powerful shield poly where it starts sort of cracking
ig my methods of getting certain sounds are generally weird so idk if any of this can be applied by a normal person
lmao
ah that makes more sense lol
are there any multi component inward subharmonic basses that arent based on inward bass
I want some to not loose the beats fullness feeling when using vibration bass cus obviously I need to inhale sometime
but hate training inward bass
hmm... not that i can think of no
just because of how inward basses work and how flappy they are, they are allready hardly subharmonic when vocalized
cause theres double inward, double liproll, double inward fry and subharmonic inward fry
and the rest are all the vocalized varients
but for the vocalized ones their intervals are so far appart you can hardly tell
(napoms vocalized liproll i beleive is 3rd sub)
yea ight shi
guess imma have to just learn double inward bass then 💔
cuz my standard inward is sooo quiet in comparison to my vibration bass
you can even only barely hear my airless kick when im using vibration as full on bass line
and with an open mouth its probably also louder than even screaming or something
shi tragic
lol
im pretty free rn
on most weekdays tho, 5:30 pm - 9 pm
PST
forgot to specify
Pacific Standard Time
or <t:1745022600:t> to <t:1745035200:t>
in whatever timezone you are in
thats only if im not doing anything ofc, my schedule is very sporadic
^^
HOWEVER i am about to start a live stream
yo ok so I can essentially do my inward bass from the exact same position I do my vibration bass, and like when the vocalization of that inward became very fluid all of a sudden it hurt for like a couple seconds on ig my vocal cords
so does it just hurt if the vocal cords start truly oscillating inwards the same way theyd do outwards
like hitting the trachea or some shi
Maybe? Idk
My teacher found it via doing inward throat whistle
For true vocal chord oscillation lol
i mean ig that would make sense
at least what kindreon did for a throat whistle had the vocal cords super loose
Yeah
man fuck inward bass, i think with the muscles i have trained it would be destined for a catastrophic injury
think imma really just stay off it sadly
Lol
Its so funny how i can do it inward but hardly outward
I actually only recently started getting normal vcb
i mean i guess it makes sense if youre used to throat bass which uses everything and more than chest bass also uses
hard to switch
im still having a hard time not accidentally putting a throat bass under my chest bass
Yeaaah, usually what happens with my slizzer bass
OH also, found someone who combines slizzer bass with shield poly
And it gets a MASSIVE overtone
Nexus
He came to ask me what he was doing and hes thought for years it was throat bass
is there any recording you can share?
Nah he did it in vc lol
shi ok
Hey @proven stone
cus if I push my vibration bass just right i can also get a very odd frequency to spawn in, probably not even vibration bass at that point tho ion know
cuz by now im definitely just doing shield poly remix vibration bass
maybe just modal falsetto fry sub then cus that would definitely make sense
cus modal falsetto can definitely fry
but ill tell you that even shield poly can also just fry and very much feel like a more powerful fry sub when just frying
lines pretty thin there ig cus youre getting the base tone none the less and the fry is just and irregularity, ig until you make it be sub
cuz modal falsetto is one component of shield poly
how lol, shield poly is all chest voice
cause theres shield poly/low harmonic, then theres stitch poly/high harmonic
i mean modal falsetto is fake falsetto
when looking at frequencies and laryngoscopy from kindreon it looks like its actually one of its components
seems to be the higher of both tones in shield poly
positions also looking and feeling very compatible
also just with how "springy" it is
would modal falsetto just be high chest voice then or head voice?
more high chest voice imo
I can vocalize cmz bass with either modal falsetto or shield poly and when hitting it right the latter just yields another frequency ontop
its why finding the vocalization for cmz bass took me so long, it doesnt really work with traditional falsetto
also just vocalizing a normal laser whistle doesnt really click until I get that more open modal falsetto airflow
I can also "double voice" into shield poly when cracking out of modal falsetto sometimes
sure
well youve certainly come a long way
my first vibration bass mustve been ass
tbf I only really picked it up 3 months ago but even then its way different to now
lol
starting to sound like liquid bass lmao
also this is the most progress on vcb i have lol
are you maybe tightening your false cords to the extent where they dont vibrate
idk man
cus I feel like you have to have em loose but they dont vibrate
thats like the clearest my voice can be
im guessing as well chest bass and vcb are a mystery to me
when doing chest bass
cause i know what muscles chest bass and vcb use
and i only got this far cause i figured out how to move them better
I mean these are probably around my best attempts ever
I try to just let the true cords swing with the arytenoids while doing chest bass
cus theyre connected n shi
its just so weird
but still sounds like im vomiting or something
yeah something i realized is you really needa focus on keeping the voice not constricted
its the only way i got what i have
I just aim for a lower vibration perpendicular to my vocal cords right where the arytenoids are and try to minimize any vibration higher up than that but its so hard not to get some weird false cord involvement,
thats my only way I feel for it
I try and let the arytenoids whip the vocal cords so to say
weird asf
yea that
and I guess im also trying to point to corniculates away from eachother in order to get less false action
for me i just keep adding more and more gollum to my arytenoids
and a littttle pressure
without going vocal bass
I just mostly accidentally slip into my vibration bass
annoying asf
I think I just hit a new milestone only to listen to the recording an realize its a weak vibration bass
always makes me realize just how much we actually have to thread the needle with certain sounds
but alot of us dont realize until we need to go to another sound
yeah-
while not unlearning anything
its way easier to go from chest to throat bass
is unvocalized bv bass possible?
Yes, just insanly hard due to how the ayrepiglottic folds work
it would be the same concept as skeletal vibration bass but no throat bass and with chest bass
💀
Yeah lol
aah ok
https://www.youtube.com/watch?v=mcz21B1MCrw what bass is he using on 1:06?
Hope you guys enjoy my GBB wildcard!
falsetto poly + chest bass
I mean its what he said and it does sound like it
Ig everyone has slight deviations in their poly most of the time
what does yours sound like
there are almost an endless amount of differently nuanced polys
from what I know about polys at least the whisper component of your vocal cords seems to be looser making your chest bass looser as well
for him its just way tighter
Could be doing a lower subharmonic of high poly
yeah probably
I can't go that high
ong

yo so how do I get different subs of nasal uvula
cus by now im pretty familiar with all things considering my vibration basses and wanna start adding routrine bass but my uvula stuff still very sloppy
or is it maybe unfeasible cuz of lopsided uvula
also like heavily deviated septum
I wouldnt say unfeasible, just very hard
Even for me irs hard to control the subs with cause its so unnatural
Genrrally it does right itself into 3rd sub when you add throat bass, as thats whats harmonic
Like i have to focus pretty good to do 2nd sub vocal bass + throat bass
damn ok ty
well I guess Im getting it to be somewhat harmonic for half the time im doing it but ig I still havent fully cut out shield poly from under my throat bass
damn you poly sub
Lol
Is your throat bass like that just normally? Unharmonic?
If not it shouldnt switch over
I mean ig somewhat but I think im more doing double throat bass most of the time
unless I really concentrate on not doing shield poly
cus like the thing with shield poly is it allows you to power sounds with so much less tightness its actually outrageous
like shield poly is easier to power with but subharmonizing anything with it yields less stable and less defined frequencies
cus like duh youre essentially doing 2 of everything youre stacking on top
but that also means it overpowers the uncleanliness and lets you force stuff to happen easier
whether theyll even be remotely harmonic is then a different thing
yea also forgot to mention using shield poly itself seems to strongly induce double oscillations in general but then its your job to make both oscillations line up and allat
i mean, how f'n tight are you doing your throat bass lol
you need to do throat bass to almost dying levels of tight-
I mean it depends on the throat bass
the one I do with chest vibration is pretty loose
its not the looseness lol, its doing tight throat bass
like the actual sound
or high octave vibration bass
double throat bass is normal throat bass + tight throat bass, same as poly chest being tight chest bass + normal
and poly vocal bass
even poly lip osc to an extent, it uses lipbuzz which is basically tight lip bass
I mean ig i use 2 different throat basses, the one compatible with chest vibration and the one that normal vibration uses, the latter does need to be very tight the latter one I can do very loose, the first im still in the process of getting down
yes, but the latter one also isnt tight throat bass
just constricted throat bass
loose throat bass is typically too precise to combine with much
its easy to go tight, loose is where it gets harder and more precise
ye but this one goes for using normal voice right cuz what im doing definitely is loose
i mean eh like my chest vibration by now is super loose
well, chest vibration wouldnt use throat bass lol
until I make it tight
like the actual sound itself doesnt
throat bass only combines with chest if its slizzer bass
otherwise 3rd sub chest is way too close to it and completely different pressure
I mean then you tell me what exactly im transition to and from here cuz then I must be wrong
my throat fried asf rn not clean but should get it across
like I just interpolated this from when vocalizing say a lip bass with shield poly I clearly have 2 distinct spot from where it oscillates on my lips
just sounds like a tighter unclean vibration
poly throat bass will sound like poly chest bass in alot of ways
and this? cus this the throat bass I was talking bout

