#Offering help with bass stuff

1 messages · Page 5 of 1

narrow pike
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also the whispered remix vibration bass is wayyy louder

fervent crow
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He didnt even do normal vibration bass-

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But also, gollum doesnt just dampen the volume

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It dampens the texture

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Remix's vibration is still full texture even with the super heavy gollum

narrow pike
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so let me list my train of thought
remix uses the way louder whispered remix vibration bass as glottal part
then has a free standing epiglottis for the small oscillation
this vibration dampens, smoothens the texture but carries the gist of it
this vibration naturally occurs in a more gollum position

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just tell remix to 3d print a laryngoscope to end this guessing 🙏

fervent crow
narrow pike
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yea but that doesnt sound quite like what I mean

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look at nr 32 maybe that might give a better idea of what i mean

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something sort of like that just with the nr 59 in the larynx

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or like just the 20 vocalized chest bass

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even though that doesnt really look like it would be a normal vocalized chest bass

fervent crow
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Lol

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I mean also vibration bass does use the epiglottis anyway to some extent

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By that i mean the walls of the epiglottis

narrow pike
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yea I thought something like that as well I mean the air stream hits some regions anyway so what if the oscillations induced by that are just a main feature of remixes vibration bass

fervent crow
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Maybe, but i mean litterally- vibration is throat bass + aryepiglottic folds. After that its chest bass or not vibration

narrow pike
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what if epiglottis and arypiglottics just sync up

fervent crow
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Bass ventura bass

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Thats what it is

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Syncronized vocalized chest bass + aryepiglottic folds

narrow pike
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does that have the epiglottis touch the throats back wall with that

fervent crow
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Looking at alot of the chest bass stuff doesnt seem so, should only have to touch it as much as vocalized chwst bass does

narrow pike
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maybe with remixs bass the epiglottis is completely free standing and "reoscillates" the vibration basses frequencies and thus dampening by taking some energy away and also smoothening by catching "air velocity spikes" due to its mass

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very theoretical but I love brainstorming about stuff like this

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long ahh way to say free standing and synchronized epiglottis I just realized

fervent crow
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Lol

random tundra
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im understanding nothinjg that you guys are saying 😭

random tundra
fervent crow
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Chest bass

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That is the largest vibration ive ever gotten from it

random tundra
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my chest bass is so weird

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i was doing it right now

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and it switched to poly chest for 2 sec during a beat

random tundra
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the poly is loud

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but on the rest of the beat there is no poly

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atleast i dont hear it

fervent crow
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That whole recording sounds like poly chest&

random tundra
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really?

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idk why but i really cant hear 2 chest bass notes

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and if I do it unvocalized it just sounds like regular chest bass

fervent crow
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it sounds too much like vibration to only be one pitch

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could be true sub chest bass

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which is only one chest bass note, one voice note, but theres a 3rd note

random tundra
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if i do and f with chest bass

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and stop doing the chest

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my voice is on a c

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so the voice is not a 5th under the chest

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the voice is a 5th up the chest

fervent crow
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k

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it still sounds more full then 2nd sub or 3rd sub vcb is

random tundra
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yeah

fervent crow
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i hear another pitch sorta fullness

random tundra
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yeah

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if I do a Eb

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my voice is in Bb

random tundra
fervent crow
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(i dont know my pitches by ear lol)

random tundra
fervent crow
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ah ywah

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see 5ths i get so confused about cause i have no clue what makes a seminote or whatever different from others-

random tundra
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seminote?

fervent crow
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semi something

random tundra
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aaah

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i know what it is

fervent crow
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thats what a 5th means- the notes in between notes

random tundra
random tundra
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everything i learned studying music theory i learned in portuguese

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so sometimes its a little bit hard to understand lol

random tundra
fervent crow
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ah

random tundra
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like

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if you go from a C to a G

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you get a 5th because is the distance between C and G

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but if you go from C to E

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its a 3th

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typed wrong sorry

fervent crow
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it makes no sense to me-

random tundra
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take all the notes

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C, D, E, F, G, A and B

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just count the intervals between then

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from C to G

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5th

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from C to E

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major 3th

fervent crow
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oh, including C, you count, theres 5 notes

random tundra
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yep

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thats what intervals is

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sooooo

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when I do an E with vcb and I stop doing chest

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my voice in on B

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its a perfect 5th

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with the voice being a 5th UP the chest, not a 5th UNDER like in vibration chest

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but yeah, it sounds way fuller

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which is weird

random tundra
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since we are confused about this, can you actually send this audio to suharmonikz to see what he thinks it is?

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because if vibration chest bass is with the voice being a 5th up, that whats im doing

fervent crow
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still.. also, 2nd subharmonic is an octave and a 5th correct?

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BUT, that would mean say C3, the bass note would be E1

random tundra
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idk about subharmonics lmao

fervent crow
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that just seems so low..

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cause then yeah 3rd sub would be C1

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then B0 for 4th

random tundra
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E1 would be 2nd sub?

fervent crow
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yes

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cause 1st sub is 1 octave below the base note, 2nd is 1 octave and a perfect 5th, 3rd sub is two octaves, 4th sub is 2 and a 3rd

random tundra
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ah ok

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that makes sense

fervent crow
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and then on progressivly getting more reduced-

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idk the exact notes i just know 7th sub is 3 octaves

random tundra
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so

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if the fundamental is C3

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first sub would be C2

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2nd would be F1

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and 3nd C1

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E1 is closer to F1

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so yeah

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2nd sub

fervent crow
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why G1? we would want to go down 5 notes from C2, which would be closer to F1-

random tundra
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oh yeah sorry

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pressed the wrong key lmao

fervent crow
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ah lol

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and one 5th is 7 semitones

random tundra
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yep

fervent crow
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would probs all help if i had any form of pitch

random tundra
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so

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if u get C

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and go from C to C#

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its a semitone

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then

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just count from C to the 5th, which is G

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C, C#, D, D#, E, F, F#, G

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7 semitones

fervent crow
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yeah, just for utilizing all that i cant do-

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lol

random tundra
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do you play any instrument?

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that really helps

fervent crow
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besides myself

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no

random tundra
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yeah u should learn how to play something

fervent crow
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used to play piano, but i learned it based on visuals and note names

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and muscle memory

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not pitch

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same with kalimba

random tundra
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I first learned guitar by that way

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but after a couple years practicing, now i can recognize notes

fervent crow
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actually its funny, i learned the physical stuff, and for bass i know and use the muscles and know what textures sound like what-

random tundra
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u just really need to practice

fervent crow
random tundra
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yeah I learned guitar by myself too

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I only started taking classes when I wanted to learn music theory

fervent crow
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piano i just used tabs lmao

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all i did

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sheet music boss frfr

random tundra
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idk nothing about sheet music

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I only learn by ear

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and with tas

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tabs

fervent crow
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ive never been able to learn by ear-

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im always a ntoe above or below

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or somehow both at the same time

random tundra
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it comes with time

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its hard to explain

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idk

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first try to learn easy songs by ear

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or a song that you played at some point

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and forgot how to play it

fervent crow
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well i cant use my piano now lol

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its in the basement and i dont have the space no plugs to use it (its a electronic keyboard lol)

random tundra
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and try to really pay attention to each note of every thing that you hear

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these days I was at school trying to indentify the pitch of an air conditioner with my friend

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lmao

fervent crow
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most i can do is hear the difference of notes, if you put them next to eachother

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tho recently been kinda finding strats to guess general note ranges?

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that being pronounciation

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each notes pronounciation of the vowls changes the lower or higher you go

random tundra
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like A and F

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one thing that really helps is actually remembering the feeling of the interval

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not the note itself

fervent crow
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so like a friend send a recording, and it sounded like how you would pronounce low 2nd octave to high 1st

random tundra
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that really helps with chords

fervent crow
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cause your epiglottic position automatically changes depending on the note

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and that changes pronounciation

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so going ooo on say b2 sounds WAY different then going ooo on C2

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(which is my absolute lowest)

random tundra
random tundra
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it would be the same thing but with a semitone higher

fervent crow
random tundra
# fervent crow

idk for me its just really ooo while changing the pitch lol

fervent crow
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lol

random tundra
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i dont think my bass sound similar to this

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the 3nd pitch is way more noticeable

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but its weird because of how full it sounds

fervent crow
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there is a chance you are straight up doing perfect 5th chest bass-

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where instead of it being an octave and a perfect 5th below, its just a perfect 5th below the voice

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simular to how bv bass is in some ways

fervent crow
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ok

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idk then

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it does not sound like 2nd sub at all

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not even 3rd sub like sxins

random tundra
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can you send it to subbharmonikz? lol

fervent crow
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not rn, because he is sick

random tundra
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ah ok

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np

fervent crow
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Ah @random tundra, asked him

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And that makes more sense

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Its undeveloped bv bass

random tundra
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aaaaah ok

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ty space

karmic igloo
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Why am I only hitting the throat bass when looking up ? ( That too is requiring a tight voice )

Although I am sure it's not slizzer bass anymore, I relaxed my epiglottis and dropped the vibration so much down that sometimes I feel to vomit lol.

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( in this im going from my natural voice to throat vibrations ( vocal chords and not epiglottis for sure) )

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do I need to tighten my voice ? ( And why is kermit sound still there 😭 atleast it's a little down the scale instead of proper kermit)

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old followup

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my only problem is why am I so tight ? ( Event my jaw muscles are tight and when I losen them, I loose the vibrations as if the chords are not close enough to vibrate )

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I'm missing something and it's only sounding like old Napom's throat bass lol. ( Another Dimension )

fervent crow
fervent crow
random tundra
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how do I go from normal inward bass to dlow inward bass?

fervent crow
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Like going between or learning dlow inwars

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All i know about dlow inward is it uses the uvula with inward bass, but no clue how to do his texture itself

random tundra
fervent crow
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Ah, thats the hard part with textures

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Learning different textures is how in bass learning to start perfecting a bass

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In beatbox, mastering means you can do a sound easily and impliment it easily

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In bass, it goes as beginner: you can hit the bass but its poor and inconsistant, need special strats to hit it maybe, intermediat: you can hit it pretty consistantly but cant change it much and may still need strats to hit it, pro: you can hit it consistantly and has a consistant texture, and may be able to change the pitch a little, and no longer require special strats for hitting the bass, master: you can do everything as pro, but you can do the bass on most pitches easily, maybe change the texture slightly to fit needs, perfected: you can easily change the texture and do those different textures on most pitches, simular to voice impressionists

karmic igloo
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I guess it's the epiglottis getting tight hmm

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But vibration is in vocal chords

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The same place where I hit the Vibration bass lol

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Or maybe it's with my voice because it's not a tight voice so I need to tighten my throat to hit the Vibration.

I'll give an update after maybe 2 weeks 🤔

fervent crow
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I mean first recording is def vibration

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Have to remember vibration bass uses 3 muscles

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And one of those muscles are right under where slizzer bass/vcb happens

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Which both of those basses can feel like they happen way lower

fervent crow
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Only two basses that use just the vocal chords are fry subharmonics and shield poly

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And bass singing i guess

fervent crow
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You going kermit voice ofc

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And how round the vibration is

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Throat bass DOES NOT get that round or gurgly

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And kermit throat bass sounds very different

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MAYBE its slizzer bass + throat bass, but thats a heavy maybe

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Slizzer bass can feel like itd everywhere, i can make it feel like the top of my throat, or i can make it feel like its happening where my throat bass does

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Just because of how big the muscles that do it are

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Or muscle

fervent crow
random tundra
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like I was doing before learning actual throat bass

fervent crow
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Yeah

random tundra
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the feeling is not that different

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because of the constricted voice

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u still feel a little bit of the false folds, even tho its not throat bass

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going from that to throat bass is anoying as hell

random tundra
random tundra
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throat bass is more sharp on the throat

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I think this is a good way to differentiate them

fervent crow
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Yup

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Thats usually how i explain

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Also yk, slizzer bass being way subbier

frank crane
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@fervent crow

fervent crow
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I dont think anyone does it spacificially like that, but sucker punch combos have existed for ages

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Exhibit A: alexhino

frank crane
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I got it yesterday so it's not clean af since I don't use the clop sound and sucker punch that often

karmic igloo
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I'm tired of my epiglottis being tight even when I am vibrating in my vochal chords.

Trying the loose the epiglottis makes me loose the vibrations happening and just opens my throat.

Don't to know to rewire my muscle controls.

fervent crow
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Well, learning to breath differently helps

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Chest bass will allways use deep breathing

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And will kinda sound like you are breathing to the top of your throat

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Throat bass feels more low

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And sounds

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A good thing to do i find if you are struggling is to spam ALOT of constricted singing

random tundra
random tundra
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That really helped me

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And if you don't want to just spam random notes with constricted singing, try to learn khoomei style of throat singing

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It uses constricted singing and sounds way better than just randomly going "hmmmmmm" with it

fervent crow
random tundra
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Vibration?

random tundra
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I think that I need to push more air

random tundra
karmic igloo
karmic igloo
# karmic igloo

@fervent crow is this the right direction ?
( Because this is the only vibration I am not tightening ANYTHING and just letting the air go as a whole )

random tundra
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im trying to learn false folds scream technique

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and for what i have searched, if i do throat bass without vocalizing i can get it

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but i suck so much with false fold sounds lmao

karmic igloo
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@random tundra do you think this is throat bass

( Been doing vocalised chest bass since years so consider me a noob )

karmic igloo
random tundra
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Kinda sounds like slizzer bass + constricted voice

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Idk

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I'm not that good recognizing textures

random tundra
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Sounds pretty round

random tundra
random tundra
fervent crow
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Which is unvocalized vibration

fervent crow
random tundra
random tundra
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So I just will experiment with this position

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Ty

random tundra
fervent crow
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Hmm... I wouuuld recomend falsetto throat bass for it

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Its a good way to feel how an unsyncronized throat bass feels

narrow pike
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cuz what hes saying also makes sense poly sub feels weirdly flat and super loose even when doing it as throat bass

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also how it completely blares the mic

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happens for me with shield poly as well

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maybe just poly sub throat bass actually cus that ones actually more prone to happen when just exhaling a little more with barely any other adjustments having to be made

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when I got sounds similar to his I always mistook it for a weird unsynced poly sub but now im pretty sure thats just throat bass + poly sub

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in this burst at the end I think its just barely poly sub, also the way these frequencies "in between" fade out here is very easily recreatable for me

fervent crow
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way softer

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and the seperate pitches are fully noticable

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the way hes explaining it leans more poly sub, buit also i think hes including false folds in vocal chords-

narrow pike
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yea theres is false cords in that for sure

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thinking its poly sub throat bass

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and his false cords are just a tad too tight

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the tighter I make my false cords the less clear the higher frequencies get

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yet the lower ones remain

narrow pike
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happens in the same manner when I do my vibration bass as well

fervent crow
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would make sense on that part, because throat bass and shield poly DO NOT and CANNOT harmonize

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atleast correctly

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it will allways be somewhat dissonant

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same with poly vibration

narrow pike
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yes 100%

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like thats what im trying to get right atm

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and its definitely insanely hard just cus the position in its nature obviously doesnt harmonize well

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you can get pretty close but I dont think itll ever be perfect

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I think the only theoretical way to do it would be to not just power your vibration bass using poly sub but to create 2 vibration basses for both pitches of the poly sub if that makes sense

fervent crow
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yeah, and theoretically doubel vibration bass is possible

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HOWEVER, to do it, you would need to do shield poly, under double throat bass, THEN try and get TWO oscillations of the aryepiglottic folds

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a muscle that is insanly hard to do on its own

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like the easiest way to use it is inward, and even that is rediculously hard to do

narrow pike
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I think I was actually somewhat close once cus one of my aryeppiglottic folds started feeling really scratchy

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and there was another new frequency that showed up in the spectrogram relatively weakly

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but there was an audible difference and it looked way more harmonic

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lemme try and find it rq

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also I cant hold that for long at all

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uses soooo much air

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im kinda getting the double throat bass part rather consistently but the aryeppiglottics are a different beast

fervent crow
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no still just vibration bass

narrow pike
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still hard to hit

fervent crow
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ah

narrow pike
fervent crow
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yeah makes sense

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they are naturally lopsided

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my friend noticed he got a different vibration depending which way he tilted his head or presses on his throat with his finger

narrow pike
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yea thats a thing ive noticed as well

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like tilting to the right my vibration bass works worse than to the left

fervent crow
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yeah they are the most lobsided muscle really

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like naturally

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well ok, usable muscle

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my teacher got mad at me for saying muscle- cause ultimately they are organs

narrow pike
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lol

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maybe this could actually be a good thing for double vibration tho

fervent crow
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maaybe,but you also end up loosing control when they are lopsided

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you're the one with a lopsided tongue right?

narrow pike
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ye

fervent crow
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imagin trying to do double tongue bass

narrow pike
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yea youre right

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but what I was thinking is more like you bend the airflow to hit more of one than the other which might be done easier on the more lopsided one

fervent crow
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the more symetrical they are, the easier the muscle is to do two of as they can share pressures or close to it

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when lopsided tho, the smaller one will require higher pressure and the larger one less

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or even be in a slightly different spot

narrow pike
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yea ight

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imma still try around with that a lil tomorrow

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but what would a double vibration bass realistically sound like if theres even a way to really describe it

fervent crow
random tundra
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But what would be the difference between unvocalizing throat bass and falsetto throat bass?

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Is it easier to do it?

fervent crow
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well, one has falsetto the other does

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doesnt*

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its just falsetto throat bass the false chords work differently

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more on their own

random tundra
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That makes sense

random tundra
fervent crow
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evil bass or zombie bass

fervent crow
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if its zombie bass, then makes sense as the oscillation is so wide you get inconsistant vibrations

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if its evil bass, may be a early hard bass

random tundra
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So it's probably hard bass

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I was practicing evil bass

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Then I noticed that this vibration was different and started to record

fervent crow
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lol

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real

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me when i got my unsynced throat bass

random tundra
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Why u don't learn eppiglotis stuff ?

fervent crow
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i am

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i just suck at it rn lol

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very typically its either you are good at throat bass but not great at epiglottis, or really good at epiglottis and have throat bass just to have it

random tundra
narrow pike
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this cant still be just vibration bass right?

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sounds and feels way different

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feels like im actually getting some epiglottal or weird aryepiglottal action, not sure tho

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wasnt entirely what I was trying for but here it is ig

fervent crow
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sounds closer to remix vibration

narrow pike
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yea thats what ive thought as well but its definitely deeper in a couple aspects

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and mid frequencies are way more defined

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and weirdly looks like theres almost two of each component

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probably due to poly sub

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either way it sounds way better than before tho so ill take it as a dub

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also just the "vowel" remix says in his sounds more like and o while mine sounds more like a mix of o and a as in apple

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I mean I legit just accidentally got it this morning so not sure but even at the lowest frequencies it looks like I have "a pair" of each that remix has

fervent crow
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lol

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just to show how nice throat bass can be outside of its normal use

narrow pike
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a thought ive had now: might it be that remix's vibration bass has the aryepiglottics hit the front laryngeal wall?

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like im not sure at all but it really rather feels like a cracking in the front rather than the epiglottis really hitting anything for me

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like i dunno if its really even possible but it feels weird asf

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also seeing his method of overtightening jayton voice to get a crack in his tutorial might somehow lead to this

fervent crow
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Maybe

narrow pike
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interpolating from my bass to remix's and just doubling it at an octaves up or whatever would yield to me that the recording actually was double remix vibration bass and the top 2 most prominent frequencies were the aryepiglottics at 2 different frequencies

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it would make sense that having the resistance against the aryepiglottics of the laryngeal wall would make it way easier to actually hit a double ary vibration

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and only one side is hurting right now for me after spamming it lol

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at exactly the spot where Id presume that vibration would happen

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so the smaller one maybe idk tho

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maybe relay this information to subharmonikz so he can either debunk or confirm my yappage

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cus it really seems plausible to me

narrow pike
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adding even more on to that i think if allat is true then he might be actually slipping into a slight poly sub sometimes as well just due to the nature of the sound just for me its how I fundamentally power my vibration bass and for him its a side effect

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would also explain the poly-ness you two have identified in his bass

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again purely theoretical so ion kno but it would line up

fervent crow
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Thing is- he cant do poly sub

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Otherwise you KNOW he would be spammin that shi every chance he gets

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I mean vibration allready has a poly to it, its just weathee or not it was vibration or a form of chest bass

narrow pike
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ok yea i mean I havent seen an unedited or uneq'd version of his bass so might be that the part I was talking about looks completely different normally

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main thing for me is just that the crack hes getting is pretty much exactly what im getting and I dont really feel the epiglottis hit anything at all and it rather just spawns once your arys are tight enough

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also theres some almost unnoticable wiggle in there sometimes which I definitely get sometimes as well when my arys feel like they arent hitting that vibration to its full extent

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and the fluidity of my bass just increasing immensely once I started doing that

random tundra
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@fervent crow can you show how do I tight my falsetto?

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so I can try to do falsetto throat bass

fervent crow
random tundra
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its weird

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almost every time i instantly get into chest bass position

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my voice doesnt even tight

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it just goes straight into chest bass

fervent crow
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Yeah that can happen

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And guess who just found falsetto vibration bsss lol

random tundra
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shi thats crazy

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i think i have seen tomazacre doing it

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on his instagram stories

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i feel like im going to be stuck with this for a long time lmao

fervent crow
fervent crow
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@narrow pike

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its weirdly pleasing to the ear

fervent crow
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it took awhile to get it even close to useable

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its a hard AF sound

narrow pike
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never seen a falsetto vibration bass

fervent crow
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lol

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neither have i

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its why im coining it-

fervent crow
#

Cauze the thing is, falsetto throat bass is allready super niche

random tundra
#

Is this a overtone? Sounds different from what I'm used to

fervent crow
#

Outward fry sub.. Could be an overtone

#

Could be a weird squeel that happens when you do fry sub

narrow pike
#

insanely loose fry sub?

#

ive never hit one even remotely that low

#

maybe I actually do more of a falsetto fry sub idk

#

but Ive found that sometimes with weird neck and mouth positions weird tones can spawn with fry sub

#

maybe just an overtone resulting from the general cavity the sound is thrown into

#

maybe even a tone youre actually singing

#

fry sub gets weird

fervent crow
#

Probs just wildly low

random tundra
#

Idk I just learned it watching subharmonic singing tutorials

random tundra
narrow pike
#

ok so I just woke up and tried around a little bit and there definitely seems to be 2 big ways to do fry sub

#
  1. voice + falsetto fry (weird one I did all the time for some reason)
  2. voice + chest fry (the common one ig)
#

yours is a very deep version of the 2nd

#

falsetto fry might be a bit confusing but it clips the vocal cords in a similar manner to going into falsetto in order to create a spot where a separate fry can happen

#

while in the normal one your voice just starts frying on top of the normal tone

random tundra
#

I thought it was the regular way

random tundra
#

If I tight it just a little bit the fry stops

fervent crow
#

Also insanely full

#

Just about enel fry sub i think

#

Maybe lower

random tundra
fervent crow
#

A mastered, full 2nd sub fry

#

He does it in the main drop of feel my bass

#

Yours sounds almost the exact same

narrow pike
#

ah ok nvm its nasal in the vid, was hard to tell for me due to the quality

#

so yea that deepness isnt actually that crazy

#

its more just how full it is yea

#

which I think results from the insane looseness

#

which I cant hit

random tundra
#

Maybe it's a really loose fry sub

fervent crow
#

Could be loose fry, i did also notice how it wasnt quite slower

#

Fry is also hard to tell for subharmonics

#

Like listen to enels, and compare it

narrow pike
#

yea fry sub is weird its almost like a spectrum that starts at 1st sub and ends at 2nd sub and theres super many other configurations in between

fervent crow
#

I mean you can go 3rd sub and beyond

#

Just difficult

narrow pike
#

ive never managed I think

#

might be my technique tho

#

and again i havent really done it in ages

narrow pike
fervent crow
#

The lower sub you go, the slower the bass oscillates

#

As thats how it goes lower octaves

#

Same way your voice goes slower when you bass sing

random tundra
#

Ah ok

#

Makes sense

fervent crow
#

Yee

#

Thsts generally the way i test for subs

random tundra
fervent crow
#

As all subharmoniv sounds will oscillate at the same speed as long as they are the same subharmonic and pitch, regardless of the muscle

fervent crow
#

You started adding constricted singing it sounds like

narrow pike
#

yea thats also how it sounds when for example indicator did his fry sub in the tutorial

#

the looser the fuller the fry sub

#

the less impedance the fuller

fervent crow
#

Basically the more false folds that are used the less full

#

Need all the vocal folds all day

narrow pike
#

fry sub hella inconsistent 💔

random tundra
#

Seems louder now

#

Just a little bit

#

You need to practice this shi so much before actually doing to get it good

#

It's crazy

random tundra
random tundra
narrow pike
#

yea fry sub warmup is insane

random tundra
#

Yeah warm-up, I forgot the word lmao

narrow pike
#

a little trick i used to have to get it louder and shi is sing a fry sub tone, add more pressure from your lungs but take away pressure on the vocal folds

random tundra
#

40 min

narrow pike
#

yes

random tundra
#

Is really useful

random tundra
#

It's quite sad how this sound is quiet

#

I really like its texture

narrow pike
#

yea fr

#

but you can get a similar glowyness from other techniques as well

#

which is why ive ditched fry sub entirely by now

narrow pike
fervent crow
#

Sad part is idk how well it will come through lol

fervent crow
#

OK SO, spread whenever people ask yall, CHEST BASS, ik you touched on this earlier, but chest bass ive been saying was epiglottis

#

Its actually more then likely the artyenoids oscillating

#

The epiglottis is more just the sound

#

(Or pronoucniation)

#

The only bass that actually used the epiglottis is zombie bass as far as we know

#

Maybe evil bass

random tundra
#

Actually we should just see on a laryngoscopy vid of someone doing it lol

fervent crow
#

kindron or kindreon

#

he litterally has that

#

i noticed they vibrated more, asked my teacher

#

and yeah i had a misconception myself

random tundra
narrow pike
#

cuz that had the arytenoids oscillating against the front laryngeal wall

#

or at least looks like it iirc

#

or is chest bass then just a more free standing version of that

#

ive always wondered why i cant hit an epiglottis only chest bass but apparently turns out I was actually doing it correctly

#

kept wondering why I cant get any oscillation that didnt feel like it was right next to my esophagus

#

also by that definition theres definitely some chest-ness to my remix vibration bass on top of a very different aryepiglottal feeling

#

might be a weird concauction of the two

#

or remix might do only chest and I have chest + aryepiglottics

#

so then kindreons vid with the remix vibration bass probably depicts it very accurately

#

just not quite as tight

#

whatever bruh im yapping again

fervent crow
fervent crow
narrow pike
#

yea true i was still thinking by the "old" definition

#

weird in my mind

#

ok then whatever the fu­ck im doing for my vibration bass still remains a mystery

narrow pike
#

like way more than by the previous definition

fervent crow
#

Not really

#

So there is more aryepiglottic, more artyenoids, more voice, same spectrums as vibration bass just different muscles

#

Remixs bv bass dor example, more voice and aryepiglottic folds

narrow pike
#

so say throat bass + chest bass can yield a different type of vibration bass

#

?

#

* as long as it doesnt activate arys cus then its bv

#

damn cant even just say arys anymore now

#

aryepiglottics

fervent crow
#

So throat bass + chest bass is only possible with throat bass + slizzer bass

#

OTHERWISE their pressures are too different to work

#

And throat bass + slizzer bass harmonizes so it just sounds like a fatter throat bass or a sharper slizzer bass

narrow pike
#

is it possible wing does something closer to that?

fervent crow
#

No

narrow pike
#

his vibration bass always sounded weird to me

fervent crow
#

His vibrations just super soft

#

You need a softer throat bass for it and lots of air

narrow pike
#

yea ok just a thought i had

#

man where do I get a laryngoscope that isnt 3 bands

fervent crow
#

Lol

#

Pen camera anf attatch it to a tube idk lol

#

And hope you dont gag

narrow pike
#

thats a way ig

#

i was thinking about making something using total reflections in a fiberglass cable or sum and making a phone adapter for it so I can get slowmotion videos

#

dunno where to even start for that tho

#

shi frustrating

fervent crow
#

Lol

narrow pike
#

ayo wtf

#

imma buy that rn if its page looks any good

fervent crow
#

The comments seem good

#

Theres one where it broke but also it sent a pic of it compared to an sd card it looked like

#

Looks thin enough

narrow pike
#

sounds good imma look into it

fervent crow
#

But endoscope/snake camera is what you want

narrow pike
#

I cannot bear not even having a real clue besides poly sub and throat bass + ??? any longer

fervent crow
#

Lol

#

Throat bass + aryepiglottic folds is vibration, and vocalized chest bass + aryepiglottic folds is bv

#

Difference is, bv bass csn go first sub

#

Vibration cannot

fervent crow
#

Liitttlleee attempt at showing how throat bass with low to no vocalization vs chest bass sounds. Im not great at chest bass but the base elements are there

random tundra
#

your chest sounds so much tight

tidal quartz
#

@fervent crow

#

can u vc pls?

fervent crow
fervent crow
fervent crow
# fervent crow yup!

as said im not great at chest bass, hard for me to get any oscillation without tightening my arytenoids

random tundra
#

relax the throat and do a sigh with it

#

maybe that helps

#

im practicing that to get zombie bass and my chest bass I getting pretty loose by just doing a little bit of that every day

fervent crow
#

I do that for chest bass lol

#

Issue is, its hard not to do unvocalized throat bass

random tundra
#

really?

#

damn

fervent crow
#

Yeah

random tundra
#

both uses only the false folds

fervent crow
#

False fold screaming i bet is more a straining of the false folds

#

While unvocalized throst bass is an oscillation

narrow pike
#

like cus hes combining 2 whistles "pash lazer" and his whale

#

and voice ig

fervent crow
#

Eeeh whistles would fit moreso into overtone stuff

#

Its moreso just a poly note

#

Or its his laser bass

narrow pike
#

yea ig just when I looked into the spectrogram it all the tones form a 1st sub

narrow pike
fervent crow
#

I cant watch rn just going through my knowlage

#

Yeah

#

His laser bass i BELEIVE uses tongue bass or vocal bass

#

His lip doesnt oscillate the same way as pash laser does

#

Ofc if he vocalized ir, yeah it will go subharmonic

narrow pike
#

in his laser bass its tongue against tooth and with this its more tongue against lower lip/cheek

#

you can see the tongue wiggle around in that clip basically here its just vortex abuse ig

fervent crow
#

It would be like doing throat bass and whistling, the bass with a whistle ontop

#

So vocalized laser bass

narrow pike
#

a more extreme version of it

#

guess it would be different enough to then just classify it as an even bigger concauction of airstream abuse

#

wild stuff

random tundra
#

I just realized that I have much better control of vibration bass than throat bass

#

Idk why since vibration bass uses throat bass

#

Maybe its because I spam bv bass all day and both vibration and bv uses aryepiglottics folds

#

Idk if that actually makes sense or not

fervent crow
#

and thats odd to me because my throat bass has way more control then my vibration

#

but i think yeah you spamming aryepiglottic folds all day makes snese

#

sense*

#

the throat bass for vibration is also quite different from normal throat bass

random tundra
#

maybe I'll try to get falsetto vibration and unvibration it to get falsetto throat bass

fervent crow
#

lol

random tundra
#

vibration feels a lot more confortable

#

comfortable

#

idk

fervent crow
#

honestly, this is coming from one of the only people who can do it

#

its WAY harder to go from falsetto vibration into falsetto throat bass

random tundra
fervent crow
#

because its unsyncronized

random tundra
#

unvibrationing my vibration bass

#

lmao

fervent crow
#

yeah, infinitly harder in falsetto cause its unnatural

random tundra
fervent crow
#

yes, because once you go falsetto, it can no longer be propperly subharmonic

#

so you get alot of texture variation

#

vibration bass can allready be subharmonic without voice

random tundra
#

holy shi this thing is harder than I thought

#

lmao

fervent crow
#

yup

#

theres a reason only like 2 people including me do it lol

random tundra
#

so you harmonize your false folds with vocal folds like with chest bass?

random tundra
#

I dont like the sound of falsetto vibration

#

lol

#

falsetto throat bass is cool because of how eletronic it sounds

#

its good for some riddim

fervent crow
#

Lol

#

And super easy to get high with

#

Litterally just scream

random tundra
random tundra
#

Dude

#

I forgot to say about it with u

#

But learning throat bass made my poly chest voice don't work anymore

#

Shields poly

#

I was starting to get it consistent and now I just can't do it lmao

narrow pike
#

feeling and tightness wise also

narrow pike
#

try to transfer the tightness youd have in your false cords with throat bass into your true cords on top of your normal voice instead to get shield poly

#

odd way to say it lol but thats a good way i started feeling for it

#

was trying for literally 30 seconds to get something similar to crythix bass and I think especially the end of the latter burst sounds rather close

#

but even just this total 1 second or something of doing it my throat already felt scratchy asf

#

but damn this bass sounds like hot garbage until youre good at it

#

also was like 3am so I tried to not do it too loud

fervent crow
#

also yeah if it is it, dont do it too much

#

crythix messed up his throat doin that, like immensly

#

its a super dangerous bass

#

he can no longer learn throat bass

narrow pike
#

honestly wasnt planning on taking it further than maybe playing around with it sometimes

fervent crow
#

lol, just learn the better version- aka unsynced throat bass

narrow pike
#

like legit my throat hurt more after those 2 short ahh bursts than after half an hour of gutteral vibration bass

narrow pike
fervent crow
#

his bass

#

he overdid it

narrow pike
#

ye ye lol but like ripped some shi or sum

fervent crow
#

noclue

#

its not like you can just tell whats wrong with your throat lol

#

he cant do constricted singing even for like i think 30 seconds before it immensly hurts

#

thats mainly from whistle note singing, but imagine whistle register + what you do there

narrow pike
#

yea like it sounds insane but I cant imagine how hard that that would hurt

#

like this is by far the harshest pain ive ever had from any real vocal bass and then adding one of the most painful singing techniques?

#

hell nah

narrow pike
#

and then that obviously wouldnt yield healthy constricted singing

#

kinda a similar thing to when I was recently doing a bit of alien bass again, ive gotten so used to my vibration bass that I was actually doing a more vibration like position and tightness of false cords while adding fry sub, it worked and the sound was definitely recognizable but it was scratching hard in my left vocal cord, kept having to cough, until I found the natural position again

fervent crow
#

again also the way he screams for it

#

both high pitch and his low pitch

narrow pike
#

yea with his bass it might be a combination of that and maybe even accelerated scarring

#

his whistle bass probably has one with the highest energy inputs onto the vocal cords

narrow pike
#

ENTs do exist

#

that would be the first guy id hit up if I had the issues he does

random tundra
narrow pike
#

i mean a more powerful shield poly where it starts sort of cracking

#

ig my methods of getting certain sounds are generally weird so idk if any of this can be applied by a normal person

random tundra
narrow pike
#

are there any multi component inward subharmonic basses that arent based on inward bass

#

I want some to not loose the beats fullness feeling when using vibration bass cus obviously I need to inhale sometime

#

but hate training inward bass

fervent crow
#

just because of how inward basses work and how flappy they are, they are allready hardly subharmonic when vocalized

#

cause theres double inward, double liproll, double inward fry and subharmonic inward fry

#

and the rest are all the vocalized varients

#

but for the vocalized ones their intervals are so far appart you can hardly tell

#

(napoms vocalized liproll i beleive is 3rd sub)

narrow pike
#

yea ight shi

#

guess imma have to just learn double inward bass then 💔

#

cuz my standard inward is sooo quiet in comparison to my vibration bass

#

you can even only barely hear my airless kick when im using vibration as full on bass line

#

and with an open mouth its probably also louder than even screaming or something

#

shi tragic

fervent crow
#

lol

tidal quartz
#

space

#

what are the hours when u are free

fervent crow
#

im pretty free rn

#

on most weekdays tho, 5:30 pm - 9 pm

#

PST

#

forgot to specify

#

Pacific Standard Time

#

or <t:1745022600:t> to <t:1745035200:t>

#

in whatever timezone you are in

#

thats only if im not doing anything ofc, my schedule is very sporadic

fervent crow
fervent crow
#

HOWEVER i am about to start a live stream

narrow pike
#

yo ok so I can essentially do my inward bass from the exact same position I do my vibration bass, and like when the vocalization of that inward became very fluid all of a sudden it hurt for like a couple seconds on ig my vocal cords

#

so does it just hurt if the vocal cords start truly oscillating inwards the same way theyd do outwards

#

like hitting the trachea or some shi

fervent crow
#

Maybe? Idk

#

My teacher found it via doing inward throat whistle

#

For true vocal chord oscillation lol

narrow pike
#

i mean ig that would make sense

#

at least what kindreon did for a throat whistle had the vocal cords super loose

fervent crow
#

Yeah

narrow pike
#

man fu­ck inward bass, i think with the muscles i have trained it would be destined for a catastrophic injury

#

think imma really just stay off it sadly

fervent crow
#

Lol

#

Its so funny how i can do it inward but hardly outward

#

I actually only recently started getting normal vcb

narrow pike
#

hard to switch

#

im still having a hard time not accidentally putting a throat bass under my chest bass

fervent crow
#

Yeaaah, usually what happens with my slizzer bass

#

OH also, found someone who combines slizzer bass with shield poly

#

And it gets a MASSIVE overtone

narrow pike
#

yo

#

who

fervent crow
#

Nexus

#

He came to ask me what he was doing and hes thought for years it was throat bass

narrow pike
#

is there any recording you can share?

fervent crow
#

Nah he did it in vc lol

narrow pike
#

shi ok

fervent crow
#

Hey @proven stone

narrow pike
#

cus if I push my vibration bass just right i can also get a very odd frequency to spawn in, probably not even vibration bass at that point tho ion know

#

cuz by now im definitely just doing shield poly remix vibration bass

fervent crow
narrow pike
#

modal falsetto?

#

judging by the breaks

fervent crow
#

Maybe idk

#

Either that or falsetto fry subs

#

Samw feeling as normal fry sub

narrow pike
#

maybe just modal falsetto fry sub then cus that would definitely make sense

#

cus modal falsetto can definitely fry

#

but ill tell you that even shield poly can also just fry and very much feel like a more powerful fry sub when just frying

#

lines pretty thin there ig cus youre getting the base tone none the less and the fry is just and irregularity, ig until you make it be sub

#

cuz modal falsetto is one component of shield poly

fervent crow
#

how lol, shield poly is all chest voice

#

cause theres shield poly/low harmonic, then theres stitch poly/high harmonic

narrow pike
#

when looking at frequencies and laryngoscopy from kindreon it looks like its actually one of its components

#

seems to be the higher of both tones in shield poly

#

positions also looking and feeling very compatible

#

also just with how "springy" it is

fervent crow
#

would modal falsetto just be high chest voice then or head voice?

narrow pike
#

more high chest voice imo

#

I can vocalize cmz bass with either modal falsetto or shield poly and when hitting it right the latter just yields another frequency ontop

#

its why finding the vocalization for cmz bass took me so long, it doesnt really work with traditional falsetto

#

also just vocalizing a normal laser whistle doesnt really click until I get that more open modal falsetto airflow

#

I can also "double voice" into shield poly when cracking out of modal falsetto sometimes

fervent crow
#

ah

#

hey, wanna hear my first ever vibration recording i could find?

narrow pike
#

sure

fervent crow
narrow pike
#

well youve certainly come a long way

#

my first vibration bass mustve been ass

#

tbf I only really picked it up 3 months ago but even then its way different to now

fervent crow
#

i dont even know what sub that is anymore

narrow pike
#

lol

fervent crow
#

starting to sound like liquid bass lmao

#

also this is the most progress on vcb i have lol

narrow pike
#

are you maybe tightening your false cords to the extent where they dont vibrate

fervent crow
#

idk man

narrow pike
#

cus I feel like you have to have em loose but they dont vibrate

fervent crow
#

thats like the clearest my voice can be

narrow pike
#

im guessing as well chest bass and vcb are a mystery to me

fervent crow
#

when doing chest bass

#

cause i know what muscles chest bass and vcb use

#

and i only got this far cause i figured out how to move them better

narrow pike
#

I mean these are probably around my best attempts ever

#

I try to just let the true cords swing with the arytenoids while doing chest bass

#

cus theyre connected n shi

#

its just so weird

#

but still sounds like im vomiting or something

fervent crow
#

yeah something i realized is you really needa focus on keeping the voice not constricted

#

its the only way i got what i have

narrow pike
#

I just aim for a lower vibration perpendicular to my vocal cords right where the arytenoids are and try to minimize any vibration higher up than that but its so hard not to get some weird false cord involvement,

#

thats my only way I feel for it

#

I try and let the arytenoids whip the vocal cords so to say

#

weird asf

narrow pike
#

and I guess im also trying to point to corniculates away from eachother in order to get less false action

fervent crow
#

for me i just keep adding more and more gollum to my arytenoids

#

and a littttle pressure

#

without going vocal bass

narrow pike
#

I just mostly accidentally slip into my vibration bass

#

annoying asf

#

I think I just hit a new milestone only to listen to the recording an realize its a weak vibration bass

#

always makes me realize just how much we actually have to thread the needle with certain sounds

fervent crow
#

but alot of us dont realize until we need to go to another sound

narrow pike
#

yea fr

#

and how much you have to unlearn again

fervent crow
#

yeah-

#

while not unlearning anything

#

its way easier to go from chest to throat bass

random tundra
#

is unvocalized bv bass possible?

fervent crow
#

Yes, just insanly hard due to how the ayrepiglottic folds work

fervent crow
#

it would be the same concept as skeletal vibration bass but no throat bass and with chest bass

fervent crow
#

and i didnt gag

tidal quartz
fervent crow
#

Yeah lol

random tundra
narrow pike
#

falsetto poly + chest bass

random tundra
#

really?

#

sounds pretty different to my falsetto poly + chest bass

narrow pike
#

I mean its what he said and it does sound like it

#

Ig everyone has slight deviations in their poly most of the time

#

what does yours sound like

#

there are almost an endless amount of differently nuanced polys

random tundra
#

here it is

narrow pike
#

from what I know about polys at least the whisper component of your vocal cords seems to be looser making your chest bass looser as well

#

for him its just way tighter

fervent crow
random tundra
#

I can't go that high

narrow pike
#

more tension Colaps

#

bro what are the emotes on this server

fervent crow
#

Lol

#

Dlow emojis better frfr

narrow pike
#

ong

random tundra
fervent crow
narrow pike
#

yo so how do I get different subs of nasal uvula

#

cus by now im pretty familiar with all things considering my vibration basses and wanna start adding routrine bass but my uvula stuff still very sloppy

#

or is it maybe unfeasible cuz of lopsided uvula

narrow pike
#

also like heavily deviated septum

fervent crow
#

Even for me irs hard to control the subs with cause its so unnatural

#

Genrrally it does right itself into 3rd sub when you add throat bass, as thats whats harmonic

#

Like i have to focus pretty good to do 2nd sub vocal bass + throat bass

narrow pike
#

damn ok ty

fervent crow
#

Pardon my throst bass my throats been bad today

narrow pike
#

well I guess Im getting it to be somewhat harmonic for half the time im doing it but ig I still havent fully cut out shield poly from under my throat bass

#

damn you poly sub

fervent crow
#

Lol

#

Is your throat bass like that just normally? Unharmonic?

#

If not it shouldnt switch over

narrow pike
#

I mean ig somewhat but I think im more doing double throat bass most of the time

#

unless I really concentrate on not doing shield poly

#

cus like the thing with shield poly is it allows you to power sounds with so much less tightness its actually outrageous

#

like shield poly is easier to power with but subharmonizing anything with it yields less stable and less defined frequencies

#

cus like duh youre essentially doing 2 of everything youre stacking on top

#

but that also means it overpowers the uncleanliness and lets you force stuff to happen easier

#

whether theyll even be remotely harmonic is then a different thing

narrow pike
#

yea also forgot to mention using shield poly itself seems to strongly induce double oscillations in general but then its your job to make both oscillations line up and allat

fervent crow
#

you need to do throat bass to almost dying levels of tight-

narrow pike
#

I mean it depends on the throat bass

#

the one I do with chest vibration is pretty loose

fervent crow
#

its not the looseness lol, its doing tight throat bass

#

like the actual sound

#

or high octave vibration bass

#

double throat bass is normal throat bass + tight throat bass, same as poly chest being tight chest bass + normal

#

and poly vocal bass

#

even poly lip osc to an extent, it uses lipbuzz which is basically tight lip bass

narrow pike
#

I mean ig i use 2 different throat basses, the one compatible with chest vibration and the one that normal vibration uses, the latter does need to be very tight the latter one I can do very loose, the first im still in the process of getting down

fervent crow
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yes, but the latter one also isnt tight throat bass

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just constricted throat bass

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loose throat bass is typically too precise to combine with much

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its easy to go tight, loose is where it gets harder and more precise

narrow pike
narrow pike
fervent crow
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well, chest vibration wouldnt use throat bass lol

narrow pike
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until I make it tight

fervent crow
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like the actual sound itself doesnt

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throat bass only combines with chest if its slizzer bass

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otherwise 3rd sub chest is way too close to it and completely different pressure

narrow pike
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I mean then you tell me what exactly im transition to and from here cuz then I must be wrong

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my throat fried asf rn not clean but should get it across

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like I just interpolated this from when vocalizing say a lip bass with shield poly I clearly have 2 distinct spot from where it oscillates on my lips

fervent crow
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poly throat bass will sound like poly chest bass in alot of ways

narrow pike
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and this? cus this the throat bass I was talking bout

fervent crow
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just sounds like a fatter throat bass

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i can get a simular one if i wreck my throat

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fat throat bass and loose throat bass can be mixed up because fat throat bass takes alot less effort or tightening, its also mastered throat bass