#Animation Analysis
1 messages · Page 1 of 1 (latest)
I honestly made this thread just so I can talk about Mobile Suit Gundam and the scars of war but anything is appreciated
I love lots of different animations - but I especially love when it feels "organic", or "weighty".
I'm not sure if Devilman Crybaby particularly is like that, but I do love how it's done. It feels very emotional, the story obviously, but the visual art as well. so visceral!
I also love frames/moments like this in animation
it's like art within the art
"inbetween frames"
or in animation when they make "low budget frames"/details like this from JoJo part 4 anime
cool animation fact's: animation is awesome
I love Devilman Crybaby but I admit this kind of art with "unhuman" proportions feels weird to me
Like, I understand what's the point of this and I appreciate it for that, but it's simply not to my taste
why so?
Dunno, I guess I prefer when it's more "real-like" ?
I LOVE Pop Team Epic
and yet!
I think what I don't enjoy is some weird proportions for characters designed with a "realistic" setting?
Like the animation technique of specifically deforming characters to convey some meaning
I get the meaning that's conveyed
I just don't really enjoy the feeling the technique gives me
I see
It doesn't stop me from watching it, so whatever
waiting for the duke msg talk to drop
I have it written but it's got tons of spoilers
It's also long asf
Might fuck around and make a video essay
This is the doc of what I have written but I'll probably add more
Still haven't even watched victory Gundam lmao
That being said MASSIVE spoilers for Universal Century timeline
I'll be checking it in the following 48hs -- this was meant for the text hehe
do itt
Epic
It'll take so long tho
That'll be my one hour long Magnum opus and then I fall off the face of the earth
Actually it'll be this and an analysis of turn A Gundam as an afrofuturist masterpiece
That'll take a really long time tho
this one has similar exaggerated animation techniques and it works amazingly. the director uses it a lot in all his works
https://youtu.be/ItlDaDfLBn8?si=VzsuCikNoCEymVeI
Real life manga adaptation travelling at 140 kmh... Out August 31. Get it at http://www.madman.com.au
A fast and funky manga-based tale of table-tennis obsessives in a Japanese high school.
The ultra-competitive 'Peco' Hoshino and the talented but retiring 'Smile' Tsukimoto are best friends and rivals in the high-powered sport of ping pong....
Finished reading it, great writing, thank you Duke. I had not known Gundam from that perspective.
Thank you
Have yall watched 2020 Japan Sinks, from the same creators of Devilman Crybaby? it was fr the only anime that i scream cried
Just watched Sonny Boy, really really good
But I think it’ll take another watch through to get all my thoughts organized
However, right now it feels like I have the core of it, the seed from which the rest of it will flow
Okay, I got the seed written down
SPOILERS FOR JJK CH 120/SHIBUYA ARC
The ending especially but really the whole show at the time of writing reminds me of ||Nanami’s parting words to Yuji||; “You’ve got it from here.” In this there’s a whole host of connotations and effects in the source material, but there’s one core I want to bring up. It’s the assertion of and damnation to the future. That such future will exist and that it will be dealt with not by those who kept a firm hand on their shoulders, but the miscreants, bottom feeders, the children at the feet of giants.
Such was a curse for yuji, and it is the same for our protagonists, but where Sonny Boy differs is that it focuses on the freedom of damnation and not the tragedy. If all is lost what left is there to lose? As Nagara said, the world can’t be changed but the die can be cast. The future is here and we have nowhere to run, which is, as life often is, cause for great joy and sorrow, damnation both the catalyst and outcome of incomprehensible freedom!
I really do recommend this show, I watched it on Hulu but it’s probably other places too
these are great, I wanna find more now
I think sometimes in bigger productions these sorts of frames get tasked to the lower level artists with less creative input, with just the keyframes at either end of the bit as the references
we've probably all heard that in a videoessay or 20 at some point or another
tbbbbhhh