#Job For A Cowboy - Knee Deep | D Drop C | Oldschool Deathcore
1 messages · Page 1 of 1 (latest)
overkill with the staccato chords as separate handshapes/ crazy. I'd probably just make the first 2 separate handshapes then make the last 5 the same handshape and showing repeats with accents
can you also start adding sustain lengths to all chords
it would look a lot better
too short
try at least 1/16th note length if not 1/8th most of the time for sustain length
depends on the context of course
maybe it's just me but I'm moving to FHP4 there for that 4E then play the 7 with my pinky. then FHP3 for the 3E
seems a lot smoother doing something like that
first of all I don't think stretched FHP zone here is the right choice. but besides that, make that pickslide chord fingerless status first off. also remove the chord name (in fact you'd be best off changing settings so that double stops are not given chord names automatically)
we don't need to see fingering for pickslide using 2 strings
second of all I think you need to do something different with handshapes
like mark a short handshape in the beginning of the pickslide then repeat for every back and forth between fret 22 and 12
something like this short for the handshape, just the first 16th note grid length or so
then you have to repeat that since it's an up and down pickslide. I've actually personally never charted one like this
you've got auto fingerings everywhere where they should be barred fingers
everything is fingered 2-3
Think the FHP in general needs more tweaking too in a lot of places
stuff like that G5 in the 3rd + 4th screenshot shouldnt be shifted to that FHP
overkill here again with the handshape (crazy note) grouping
just keep these chunks together and use accents
of course up ahead for that next chunk you should separate that but keep the first chords that are closer together without resetting the handshapes
I don't think any of this section is hammer ons they all sound picked to me
missing some sort of FHP change for this slide
some of these open string power chord parts have a stretched FHP zone that don't need it try to reset the FHP for those so it's just 4 frets wide
and again, overcooked with the crazy/ new handshapes there. be very sparing and careful with how you use that, there's way too many chord boxes showing throughout the song where it should just be repeats
I'd like see that one again after some reworking 🫡 if you're still open to my feedback of course lol. It looks like in some places you spent a lot of time and put in some work and overcooked and in other places you undercooked (FHPs, fingerings)
you are objectively correct here
got it
can I just do this and increase all of them by 1/8?
100% correct thank you. where is that setting?
gdi on multiple occasions I have tackled this and put barred fingering accordingly, dont know how they keep sliping through
so it should be 3 and 4 instead of a separate one for 7?
will look into that
got it
I kept doing handshapes to get rid of the sustain to indicate staccato ripppp. is there a reverse notation for crazy like to specifically make it not show?
also sorry for spam. tysm for the feedbackl
?
yeah I think that looks better. as long as there's not a phrase change on measure 22?
why wouldn't this part be all one handshape though 🤔
yeah I think that also looks better
It might be missing from recent EOF updates unfortunately but check for it it should be here:
Good point
Yeah I think it's gone
😢 damn
I'm not sure I'd recommend doing that as a blanket function but depending on the song you might get decent results as a start? idk
I did it as a blanket function and it does look better
But def will learn when and when not to
yeah I guess just keep an eye on that. It's def an interesting function I didn't consider
@hoary ferry I think I fixed everything you mentioned, I'm not sure about some of my chord handshape and sustain choices, would like ur feedback again pls!
hell yeah this looks much better now
getting picky here but this last palm muted chord before the tremolo 1A could also use sustain
this looks a bit better too, if possible can you
- remove the chord name (open the note dialogue with "n" then add a space for the name so it's " ")
- make some of those handshape markings a little shorter? (first one looks like a good length as well as the 3rd)
- make one additional handshape for that last 22nd fret location?
if this is barred with finger 3 then FHP should be one fret higher, at FHP2
or you should change to pinky and keep the FHP at 1
same for a bunch of chords throughout
starting to look better here though as well for sure
much better
you could probably make that 2nd chunk a separate handshape tbh
something looks a little off here, kinda looks like there's a FHP change to FHP4 at the end of the slide out when it should just be placed on the next chord, right on that C5
awesome though that's it for the lead from me, thanks for implementing all my feedback I think it looks way better and if you adjust these last things it should be good to go
taking a quick look at bass, it seems to play fine, but any idea why the first phrase looks like this in the skyline?
there's no orange or purple in it, makes me think there's not a section placed along with it or something
looks like you do not have an empty measure for your count phrase
so that would be why
kind of important
probably just best to get in the habit of adding 1 empty measure to whatever tab you import if you are using a guitar pro tab and importing
before your first import
that way you don't have to deal with this issue later
you can add 4 beats now with the push offset back function in EOF menu at this point
I'd question some of these sustains on the open red string since they are less than a beat, I don't think they are needed, and they did stick out to me
should be FHP change to FHP4 on the 4E after the slide
same here, not sure how many more times this will repeat
also not a fan of that short sustain on the 1E
sweet and that's it for bass, pretty close and reasonably charted, I think the tweaks I suggested will be easy and help with the final polish of it
did a quick glance of rhythm and it seems like just implement any relevant stuff from my lead feedback and it should be good 👍
pretty sure that should be an unpitched slide too, unless you meant to make it linked
Yeah pitched was on purpose by the way it sounds, I thought itd look awkward without unpitched
Valid
You're right
Yeah when I was playing it earlier I felt those to be suspect as well, especially considering almost the exact same riff was charted with sustains in the song
No, thank u for all the help! It's all rly appreciated. I want shit to be as good as it can be
Forgot the chord name shortcut, will get rid of them fs.
Will take a look at the sustains, the degenerate levels of sync I needed to match a non-quantized group of amateur kids means a one size fits all solution is gonna need some tweaking
Rough day trying to get in the mind of guitarists that don't use their pinky LOL
Okay and will add the feedback u said to the rhythm and bonus lead chart
Glad to hear it's looking much better now!
I'm in the hospital for a few weeks tho so when I get out I'll probably hop on it
sounds good no rush hope you are well and everything is ok
yeah but unless it's linked to a note we shouldn't be using pitched slides at all, which is something I didn't learn until this year
Oh interesting