You can get Bazille or Satin for free when renewing until September 29th
Anyone have any thoughts about these two? On first look Bazille doesn't appeal much to me but I'll have to listen to some sound demos.
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You can get Bazille or Satin for free when renewing until September 29th
Anyone have any thoughts about these two? On first look Bazille doesn't appeal much to me but I'll have to listen to some sound demos.
Oh also "On top of this offer, we're giving all our Bitwig Studio license holders an exclusive 25% discount coupon code* for the u-he webshop. Your code is waiting for you in your Bitwig account."
I wonder if I can use that 25% discount to get Bitwig upgrade and then get Bazille or Satin for free?
Does u-he sell the bitwig upgrade plans in their webshop?
No, they give a code but it won't work for upgrade plans - just saw that on Bitwig's site π¦
Ah right I see, that's too bad
Well, that would be too good to be true.
I'll still extend my upgrade plan for sure, just need to decide whether I want Bazille or Satin? I had Bazille & sold it because it was collecting "dust" what we me having Grid, VCV Rack v2 and Realtor 6. But I've no idea what "tape" plugins are for - gotta test it this weekend, I guess π
I've owned lots of hardware and software synths and have a bunch of eurorack. If I could only have 1 synth of any sort, it would be Bazille. Bazille is my favorite synth I have ever used.
And in the next week there will be a CLAP beta of Bazille which means a whole lot of additional capability using Bitwig's per voice modulators!
I have the 3rd Wave synth arriving in the next few weeks... but I'm more excited about the CLAP version of Bazille π€©
Could you expand at all on any particular features that make it so revered for you? I checked out some YouTube demos earlier and my immediate impression was it sounded fantastic (at least the filters did) but I was turned off by the interface, specifically the modulation system of needing a ton of attenuator knobs to be always visible and all the other utilities, bitwig has spoiled me in this regard. I feel like all the extra modulation knobs and ports, and the repetition of modules makes something that I think is actually only medium-complexity a bit overwhelming when presented all at once on one screen. Of course this is just my impression from the video demos and not from actually getting my hands on it.
@mossy snow Yeah, the interface is not the easiest. And it can be overwhelming for a new user. The first time I used it (original public alpha version) I didn't even know how to make a sound at all!
At this point, I've used Bazille so much that I am comfortable using the interface and I love the Gearporn skin where everything is on one pane. No tabbing at all which I really like.
It's the sound and the incredible diversity of sounds and the complex feedbacks that create these gorgeous nuances. Bazille can create these beautiful ephemeral lead sounds... so expressive! I'm most drawn to the edge of instability and being able to control that expressively and that's where Bazille shines for me.
The Oscillators are each like a synth by themselves. The range of sounds from just one Osc is huge. An Osc can go from 0 hz to well beyond human hearing. They can modulate anything including themselves. The filters are fantastic and deal well with feedback and drive and the resonance sounds great. The multiples are very useful (will be even more so with the CLAP version in Bitwig). The Envelopes are more flexible than they might appear. I could make an Env that fades out over 5 minutes if I want to. The Sequencer is underrated. I have a bunch of sounds where the sequencer is the sound source.
I could gush on for a long time... hehehe
Thanks for the gushing, it's very informative! You're really making me want to cash in my upgrade plan as I love those on-the-edge of feedback sounds as well. I've also realised that I installed the free BazilleCM a while ago and I've barely touched it. On first look it seems BazilleCM does about 75% of what Bazille does, I think most of what is missing are mostly features that exist but are doubled up in the full version e.g. it only has 2 oscillators, one filter, one LFO (bitwig laughs at this). Bazille looks like it also has some additional post fx and voice stacking controls as well. I'm going to explore bazillecm some more tonight to try and convince myself that I don't need it's big brother π
@mossy snow There will be a CLAP beta of Bazille in the next week or so. So lots of parameters that cannot currently be modulated, will be available to per voice Bitwig modulators
That's cool, I wonder if they will also release bazillecm in clap as well?
That is complicated since Bazille CM was commissioned by CM... so it will be up to them. I'd say it is unlikely to have a CLAP version anytime soon.
@mossy snow and yeah... Bazille CM is like half of Bazille. It is missing MPE timbre (cc#74). Not sure if it is multi-channel at all. Bazille also has 4 filters to the 1 in CM. Bazille also has the 2 ramps and neither are in CM
But otherwise it is quite capable
CM had a fairly recent update, but tbh that might make it less likely to be updated to clap since I think it was more of a long term-support update
CM now has MTS-EPS support... which means it is multi-channel aware
BazilleCM still has multichannel pressure, which is absolutely fantastic to give expressivity
what about satin, still holding up?
yes
I assume BazilleCM also uses less CPU... I had never thought about it, but it might be worth having in addition to Bazille for that reason.
dan did a video on the compander aspect of satin https://www.youtube.com/watch?v=ZRP5uI9mbzQY this makes satin actually look very attractive
seems to be useable as a bus fx
Thanks this is great
Website re: u-he plugins: "This is a limited offer, please send us your choice by October 31, 2022."
Post-registration email: "This is a limited offer. Please send us your choice by October 14, 2022.
π€
Interesting, I was dismissing it per "how many more tape plugins can I possibly need" but now I'm unsure again. Is their compander unique enough?
well only you can decide but i stopped looking at it at 170β¬ i dont want to renew now for free satin tbh
ha, i wish i could!
on the surface it looks like both Bazille and Satin sit in a territory that is already pretty well covered, at least on my end. For tape there is CHOWTape, Ozone Vintage Tape, a pretty neat Reaktor VHS Tape ensemble β seems like with the exception of the latter they all have similar implications for mastering despite all being unique.
how do you cover bazille? it seems pretty unique to me
Well there is Vital and Massive X on one end, Reaktor and VCV on the other, Surge somewhere in between, Bitwig Polymer/Grid all over
vcv is polyphonic too isn't it? but yeah that covers a lot
I get that Bazille is a unique combination of components, but the goal is to avoid getting a new tool to do what I already can without too much fuss
I believe so (altough I don't really spend any time in VCV), Reaktor has polyphonic blocks too
then you're probably set with those. as long as you like the workflow
Or rather, the goal is to decide between Bazille and Satin :)
Satin has a nice tape delay and the flanger on top of a good tape model which sets it a bit apart from other tape plugins but delay and flanger is probably covered by other plugins for you
The compander aspect and it's mastering implications are really interesting
Have you seen the Dan Worral video on the compander already?
I'm half way throught that
It would have lead me to buy Satin if I didn't have it already
earlier it wouldn't have occurred to me that tape plugins have uses beyond making things sound warm and tapey
as a counterargument you could just set up a chain of eq and multiband compression and another reversing it to kind of have something similar
I don't know if the dolby filters are publicly available tho
that has occurred to me, and the countercounterargument is how fiddly that would be
But you would just have to do it once and the just dial in a wet dry
so you tend a bit more in the satin direction?
i'm still torn :( My one indicator is the Hive2 from last year, which hasn't done much for me beyond the new toy excitement (then again, I've been mostly programming controllers instead of making music). If Bazille were to end up like that, then Satin seems a more prudent choice as there are just more reasons to use it.
If they weren't free I wouldn't be buying either and instead focusing on exploring existing toys of which there are plenty.
I wonder why Satin didn't include separate mix knobs for encoder/decoder
I'm going to explore bazillecm some more tonight to try and convince myself that I don't need it's big brother
How did your exploration turn out?
Today's Studio One v6 reveal took the pressure off of me to decide whether to early upgrade Bitwig. But I'll likely use the U-He 25% off code for MFM2.5.
I think I do, the group mode looks sweet
I think the reasoning is sound. And theres a CLAP beta of it coming soon if thats something you value (Bazille too)
I guess that could be clutter as you would use them together most of the time
Neither Vital or MX or Surge come close to duplicating Bazille. Reaktor Blocks is too cpu intensive and is not easy to work with for polyphony or for saving presets. Bitwig's Polymer/Grid cannot do the types of feedbacks that Bazille can.
I have not used VCV because it is too complicated, too many options. I also have a lot of Eurorack.
Nothing else has scratched my Bazille itch. Bazille is quite unique.
I value that in principle :) In practice there is nothing currently impeding my work with existing VST plugins, at least until I run into unmodulatable parameters.
If you have Vital, then there is quite a bit of overlap with Hive. What Hive does have is some gorgeous sounding Comb filters but besides a few other unique tidbits, Vital should have you covered.
Bazille however, has nothing else out there like it.
Not trying to convince you that you need Bazille. You may not and it also has a learning curve. It's just my favorite synth ever so I have to say some positive things about it π
This is valuable, so thank you. Just not making the choice any easier :-D
two very nice, very unique and very different plugins
I have both... so nothing to decide for me... hehehe
what if you had to choose one? :)
Bazille of course... π
If I could only have 1 synth... hardware or software and regardless of price, it would be Bazille. So of course that would be my choice
And Bazille has a bunch of parameters that cannot be modulated so I was thrilled to hear that the next round of CLAP betas from u-he will include CLAP Bazille.
CLAP ACE has been an eye-opener. It's like ACE v2 with all the new possibilities.
Well assuming all you wanted are synths then yeah, but let's say you were just as interested in tape mastering plugins.
I use Satin and can obtain results that I find useful and Sasha is an excellent developer. I'm just not as interested in tape mastering plugins so have less experience with them. Satin is the only one I have so I don't feel qualified to compare it to others or suggest which to buy.
You could get 2 upgrade plans and 2 U-He codes π
Better yet, I can find someone who needs an upgrade today but has no use for either code.
Going to sleep on it a little more, but Satin looks like a clear winner. In case it helps anyone else, here is why: there are so many ways to make interesting sounds, and so many different ways and techniques that end up sounding similar. Bazille is clearly very good as complex semi-modular synths go (especially dig the Mapping Generators and the multi-out filters) and I'm sure there is an extra margin of finesse in the sound β I just can't really hear it enough to appreciate, and upon reflection I don't really need a complex semi-modular when simpler things make other but equally interesting sounds.
Fantastically, the ease of feedback routing was something that made it unique versus other synths I use regularly and I was able to create some very expressive sounds with it that I wouldn't have created on other synths. I didn't feel limited by the more limited CM version of bazille, so I decided against cashing in my upgrade plan
Thanks! You probably could have created similar sounds in other synths (feedback is just one way to generate harmonics), but that's an argument more for myself than for you :) Oh well, I already cashed in on Hive last year, so my upgrade was coming up soon anyway.
Do you need CM subscription to get the CM version?
Yes you're probably right about being able to create the same sounds in other tools, I probably just never would have though!
You should just need any issue of CM and it gives you access to the filesilo download site where there is a zip of all the instruments and tools. There are some real bangers in there including thornCM, zebraCM, phonecCM which is probably my favourite
Nice! I didn't even know that existed (the "free" CM tools) until now, that's awesome. Gotta buy an issue now.
You wont get the same sorts of sounds in most other synths. Bazille is nicely controllable right at the edge of instability and then all these gorgeous nuances come out... little pitch fluctuations, bits of noise and unexpected timbral shifts. Bazille is beautifully organic.
At the risk of this turning into a Bazille thread, I'd love to hear specific examples if you have them. (as in, I believe you but want to understand this better)
Here are some examples. Each 1 Bazille instance, played realtime on my keyboard. No automation or any post processing.
https://dandelionaudio.com/sound/B-Melonkey.mp3
https://dandelionaudio.com/sound/B63.mp3
Plus of course you can do an endless amount of more 'normal' stuff.
https://dandelionaudio.com/sound/B75.mp3
https://dandelionaudio.com/sound/B62.mp3
Bazille is also great for interesting sequenced sounds. The sequencer itself can be the sound source!
https://dandelionaudio.com/sound/B-seq2.mp3
https://dandelionaudio.com/sound/B-Seq-3.mp3
These are just a sliver of all the possibilities in Bazille ππ»
@late wyvern thanks! Are those all your patches?
Obiously missing the how, but enjoying the result.
Yeah... all my own patches. I have some hundreds at this point!
Did you use modwheel or aftertouch for these patches?
all sound great
Velocity, sometimes expression pedal, sometimes aftertouch or poly aftertouch and sometimes poly Y-axis using the Linnstrument.
I still went for Satin and plan to get the CM version later. Lately I've been majorly preoccupied with NI Form anyway.
I think itβs the right choice especially with BazilleCM existing. I completely forgot that it did.