Hi, I've been trying for a while to create a video in which I want a first-person POV of a man riding a Suzuki 1100 motorcycle at 300 km/h on the highway, When the video starts, there are two buses that look like one because they are one behind the other and, due to the distance, they look like one. Then they move into position side by side, then the man in the motorcycle pass between them two. But no matter how many prompts I try, I can't get it to do what I want completely (probably because I don't know how to write prompts, lol). I asked chatgpt and got nothing either.
#A prompt that seems to hard for Sora 2
lapis blade
lapis blade
here are some of the prompts that i used (none of this one really worked, they are only for referencial purposes): First-person POV of a man riding a Suzuki 1100 motorcycle at 300 km/h on the highway between two buses. The man appears frightened but satisfied that he did not crash into the two buses. REAL LIFE, NO CRASHES.
Helmet/handlebar dashcam POV: Suzuki 1100 at 300 km/h. Two buses in formation, both traveling at the same speed (e.g., 95 km/h). Second bus changes lanes without slowing down, leaving both buses side by side. Gap between buses ~0.8 m. The motorcycle cannot brake and passes through the narrow gap. Real life dashcam, 4K, engine/wind/breathing sounds, no filters.
First-person POV of a man on a Suzuki 1100 motorcycle traveling at 300 km/h on the highway. In the distance, you can see the back of a bus, and in front of that bus is another bus. When the man on the motorcycle is close but still a little far from the two buses, the bus in front quickly moves to the left side of the one behind it (now on the right side), leaving a small space between the two buses. The man passes between the two buses; after passing, the man seems scared but satisfied that he did not crash into the two buses. REAL LIFE, NO CRASHES.
First-person POV, realistic dashcam mounted on the helmet/handlebars of a Suzuki 1100; indicated speed feels like 300 km/h. Scene on a road/highway at dawn or late dusk, shiny asphalt, light mist. In the distance, you can see the back of a bus; in front of that bus is another one. As the motorcyclist approaches (still some distance away), the front bus slides sideways to the left of the rear bus, forming a narrow gap between them just at the height of the lane—the gap is just wide enough for the motorcycle to pass without touching. POV camera: 24–28mm wide angle equivalent, stable tracking with simulated micro-gimbal and subtle vibrations. Start with a wide shot from the driver's position, cut to a close-up; at the moment of the maneuver, use a continuous POV shot that crosses the space between the two buses — feeling of lateral pressure (proximity of the bodies), strong motion blur at the edges, sharp center of the image. Realistic lighting: intense headlights, visible bus taillights, subtle flare and reflections on helmet. Color grade: cool tones (blues/grays), high contrast, warm highlights on taillights. VFX: slight chromatic aberration, directional motion blur, dust particles on camera; don't overdo it to maintain legibility. Audio: powerful and authentic roar of the Suzuki 1100 engine, intense wind, heavy breathing of the rider, sound of airflow and side steps of buses; Minimal musical pulse that builds before the maneuver and sound curtain as it passes. Emotion: the rider seems scared but then relaxes and shows restrained satisfaction — brief reaction afterwards (breathing, slight exhalation of relief). Strictly: REAL LIFE — NO CRASHES — NO DAMAGE. Format: 4K if possible, 60–120 fps (ideally 120 fps for slight slow motion when passing). Total duration 6–10s, focus on visual and sound realism.
lapis blade
First-person POV on a Suzuki 1100 at 300 km/h; helmet-mounted camera in realistic dashcam style, wide-angle 24–28mm. Road at dawn/dusk with light fog and somewhat reflective asphalt; two intercity buses in muted tones (gray/blue) ahead, one closer and one slightly ahead on the same line. Gloved hands on the handlebars and a vibrating tachometer are visible; hyper-realistic, cinematic feel, tense but controlled. Lighting: warm headlights and taillights cutting through the fog and bouncing off the bodywork; high contrast, cool tones with warm highlights; directional motion blur at the periphery, sharp center, simulated micro-gimbal with realistic vibration. The front bus moves to the left and aligns sideways with the rear, forming a narrow gap; the motorcycle accelerates and cleanly passes through that space while the camera shakes slightly, the wind and engine intensify, and at the end, an audible sigh of relief from the rider is heard. REAL LIFE — NO CRASHES — NO DAMAGE — NO VIOLENCE. Preferred format: 4K, 60–120 fps (ideally 120 fps), 6–10 s.
none of them work bruh 😭
reef fjord
They are to complex simplify the prompt and let Sora do the work. Too many specific details will cause artifacts.