#I feel like I learnt nothing

26 messages · Page 1 of 1 (latest)

wary ledge
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I finished this digital painting. I feel like I learnt nothing, I did it in a rush, all the study part was great, then I did this in two minutes and it just... sucks. It's the worst thing someone could do, a kid would've done it better I can say. I don't know how to learn, I swear I tried everything but I just can't learn. But I want to learn to draw, it became my only way in life

whole pollen
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just keep going

wary ledge
whole pollen
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it's still an improvement no matter what

wary ledge
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it's cool to continue, but if I can't even find a good method how am I even improving professionally

whole pollen
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watch some tutorials on how perspective and shapes work

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then practice and over time you'll notice changes

wary ledge
whole pollen
whole pollen
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its really usefful

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your drawing is good nonetheless you just need to learn the essentials

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and practice

wary ledge
sacred plover
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Thinking of yourself badly won’t get you anywhere. This was a good attempt! The first few times trying something new will be really rough. Did you use references for this? It’s a lot easier to try to copy an image than to try to apply it to your own work at first. I think you did a great job with the leaves. I think adding some more shading on the train and moving the sign a bit will help. I think it’s really just shading and perspective that are your main thing to focus on.

wary ledge
sacred plover
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I think starting from the more fundamental principles are best, so I recommend start in with shape and then moving on to shading.

whole pollen
tall isle
# wary ledge I finished this digital painting. I feel like I learnt nothing, I did it in a ru...

everyone's advice about taking it step by step is key. I'd advise learning how to do basic construction of forms using only pencil on paper, or a sketch pen on white background for digital. drawing is the base fundamental from which you can build out towards perspective, color theory, lighting and shading, etc. Focus on drawing forms first. The best way to do this is to look at objects in real life and draw them, taking note of curves, planes, and other basis for form.

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If you try to pursue too many fundamentals all at once, you'll grow more frustrated if the results aren't what you desire. I know plenty of art teachers get flak for telling students to practice a bunch of stuff that a student may want to ignore to get straight to the parts they like. But the advantage to doing this (that I'm willing to bet your average teacher doesn't even realize) is that building up pieces of art skill builds confidence. And confidence builds skill in a positive reinforcement loop.

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So build up one skill, build your confidence, then branch out

wary ledge
wary ledge
whole pollen
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yeah i did it myself aswell

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most people here and almost every historical artist did it themselves