#Feedback Requests
1 messages · Page 18 of 1
Does 1d6 damage every playtime
lol
@vale vapor this is what i have
really bass heavy mix
bring the bass way down cause it's overpowering everything else
the mix is very dark
snare is kinda clicky and needs more body
also your mix sounds kinda narrow is everything panned out properly?
yeah?
@wicked berry @mortal dock
Try using a stereo widener then.
guitar tone is nasty
sick af
any feedback would be appreciated.
it cuts off at a random time, and the vocals havent been all tracked (everything past breakdown isnt tracked). also all of the vocals are scratch takes so theyre messy and not my best work. also unmixed.
can you send be that shaaa song its so cool
if you know which one im talking about
do you want the link to the spotify? i didnt write it but i believe i know what youre talking about
oh yeah sure!
i would advise against it actually
artificial widening can lead to a weird digital sound
if anything, you can boost the side a tiny bit but start by making sure everything is panned correctly before you resort to any type of artificial widening
sub drop needs to come down for sure LOL
shock factor ;)
yeah but when it makes the entire mix duck like that it sounds bad
you can have a loud sub drop that doesn't kill the entire mix LOL
Damn this is brutal af.
Also wtf is that drop my guy.
try using a longer, cleaner one and make it less loud
this is one of my all time favs
Bruh this be hittin harder than Master Chief slapped those ODSTs did in the books.
is it silent?
no 😭 what are you listening on
monitors
For the uninitiated to the Halo books, Chief killed two ODSTs right after he got his augmentations.
At 14.
your monitors apparently suck LOL
this is a very clearly audible drop on mine
ah discord was muted
you were hearing other audio just fine LOL
I was definitely shocked harder than Dante using Beowulf.
Im glad someone got that XD
All depends on the algo the widener uses. JST and Izotope have great wideners.
The stock Stereo Field Manipulator is p good too.
still, its better to rely on regular panning
the most i ever widen my masters is like 10%
dw I do that in my demos cus I thinks it's funny af but ima make it better when songwriting is done
lmao
i only widen techno, with metal and crap it just doesnt work
i wouldnt widen any genre past like 10%
def not needed imo
the halo books are goated
thoughts on the angle and the lighting?
cuz thats all i have atm, my 6 string is back at my hometown
plus, i feel way more comfy on the 7 vs the 6
i would definitely get used to the 6
no use having to mute that extra string for no reason
it's just way more tedious
fuck yeah dude
my god
.
@vale vapor
but why
i mean i like that song
i beg to differ
It literally just makes playing more complicated
play on what the song was written on
not if your autistic
????
nah im joking, im really stupid and like doing things the hardest way possible
at least hes playing metal on a 7 string lol
Honestly I find the ability to actually play 6 string songs on a 7 fine especially because I think the wider 7 string neck is very comfortable. But I still learn 6 string songs and often play them on a 6 string because I find looking at the tab and looking down at a different number of strings tricks my brain up, especially when sight reading and playing along with the song the first time.
Just get an Ibanez they got wide necks for 6 strings.
I don’t like the ibanez wizard neck shape
And that’s like their staple neck shape
Otherwise my first 7 string would’ve been an ibanez but the shecter necks were just a million times more comfortable
Schecter necks do be comfy af.
I considered getting a Schecter but then I found my current LTD SN-200.
It's been my number 1 ever since. Though I still have my old MIM Strat from 02.
I’ve yet to try an ltd or esp :(
If you have a local GC they should have one.
Need more monies before buying another guitar
There’s no guitar centres in aus
ESP/LTD necks are a bit odd. The necks are thin u shape but the width of them conform more to the style of guitar they're on.
So they are similar but also different.
My local shop is hectic though, they have a wide range and some of the staff are awesome and give me discounts on stuff.
Oof.
Hell yeah. Sam Ash did that for me. But that's cuz the staff at my local Sam Ash when it existed knew me.
Yeah, it’d be cool if there was a larger shop because seeing youtube videos of guitar centres and stuff they’re huuugee compared to any local shops but every store I have visited here have knowledgeable staff
Just saying if you ever visit the US and go into a Guitar Center, all the stereotypes are true XD.
Haha
Interesting
Yeah it's kinda weird.
So the Eclipse for example has the thin U shape, but width wise it's more like a Gibson Les Paul neck so it gives you that sense it's a modernized Les Paul.
The Horizon series feels similar to Schecter's C1 but a bit more modern with the thin U shape.
The Mirage is much more shreddy so think of like a Jackson style guitar with how the neck is.
The MH kinda combines elements of both but still comfy.
I haven't tried a Viper yet but I can imagine them feeling similar to a Gibson SG.
The Snapper (which is what I have) is definitely a take on a Strat buuut it's also different. It's kinda hard to explain because Im a big traditional strat guy. It does kinda feel right though.
I want to try the XJ which their take on the Jazzmaster (I love Fender guitars) but they be rare and expensive af.
I've never disliked a guitar's neck shape
Its always been such a miniscule difference to me that it doesn't make a difference in my playing
all guitars are valid and okay
(except headless guitars)
only difference is that my dad's PRS has the thickest fucking neck I've ever played
Facts headless guitars are ugly
I played a Strandberg once. Specifically an early Plini signature model.
I was so sad I couldn't afford it I'll leave it at that.
v shape necks are the only ones that suck in my opinion
@vale vapor if you were to produce this what would you add?
Nice title
Tambourine in the chorus
f SHAAAAAAAAAAAAAAARP
tyy
what abt synths?
sounds like you got some good synths already
drums are overly processed imo, the snare is suuuper boomy
and the kick sounds like it's all click without much body
ok lemme try that
i like over proccesed
@vale vapor this better?
its overprocessed in a bad way
what is your kick and snare eq
does anyone know much about james paul wisner
ok that's your problem
your drums ALWAYS need to be routed separately
always
ok ill export midi and split in reaper
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you should probably relearn producing from the ground up lol
i don't have one set kit i use
i switch kits alot and mostly use custom kits i create myself
i cant split it its not letting meeeeeeeeeeeeeeeeeeeeee
booo
@runic adder @vale vapor I redid my entire mix and master based on what I was sent earlier, wdyt?
Actually saw those guys live once
It was at Riot Fest a couple years back
ICP, Death Grips, Sleep Token, and 100 gecs were also there among others
but the first performance I saw that day was Enter Shikari
I only bought tickets to see ST (they showed up like an hour and a half late, it was a bit of a nightmare)
But holy shit
Looking back
The best performance that day was ES
They just kicked in to gear right off the bat with You're Not a Winner
Core memory right there when I saw them getting up one second, I look away and suddenly I'm in the middle of a moshpit
On my phone right now but the drums fs sound much clearer
this is soo much cleaner yeah
youre getting there
also @kind trail i noticed you had four rhythm tracks all playing the same part
i would heavily advise against quad tracking like that because it really makes mixes sound warbly and muddy
almost every time, just your typical left right pair is gonna sound way better and clearer
Yeah, no I scrapped 2 of the tracks and it's just regular dual track. I thought it would give me ultra toanz or something but all it did was make a mess of everything
I might do it for specific section I want to sound super sludgy tho
But I'm better off with Dual for most stuff
What kit do you use?
I remembered that Devin Townsend did a lot of Quad and sometimes Octa tracking (?), and his stuff sounds absolutely insane so I thought I'd try that
Low-key it's why I like his stuff
speaking of weird
It's like Djent with Thall production into an early Babymetal Chorus
Low-key wish the part from 0:13-0:23 went longer
I didn't add any thall production 
LOL
gd nu metal
definitely enjoying the amount of bass in this
much better than previous demos
Ohhhh.
Eww Kontakt
@vale vapor @ anyone else who wants to take a look at this, How can I improve the mix, especially on the vocals?
yeah lol
vocals sound like there's too much treble and not enough body to them
How can I fix that?
EQ!
I kinda figured, could you give me some more specific things to try with that? I'm watched like 10 videos on it and I still can't get it the way I want it 😂
Just tone down the highs and give it more mid
I'll give it a shot
is anyone here willing to scream over a part of my track
What exactly is the problem with Kontakt btw? I never really ran into major issues with it other than occasionally abrasively long loading times
@vale vapor @runic adder I also changed up the drum part a bit as I'd been hearing the same thing for far too long.
I also re-evaluated the way I used my Limiter/Clipper and now I've got 13dB of Gain Reduction with it on my master bus
How many LUFS do you mix/master to?
idk, I don't check that stuff
maybe I should
I think -8 integrated lufs is ideal usually
Huh, I managed some -5 this time
It's a bitch to route out. Once I figured it out, I saved it as a template so I never had to do it again.
Ah yeah. That's true.
I'm down possibly, hit me up with details
Its annoying af to use
Between -6 and -4 LUFs Integrated for metal
Isn't that pretty loud?
Look at any big radio metal hit like falling in reverse
If you analyze the loudness its always around that range
Hmmm
-5.5 integrated is the most common one i see for big metal mixes
I always thought it got normalized in the streaming platforms anyways so you'd get more definition out of it if you mix quieter
I've seen some as loud as -3 but i never try to aim for that cause atp you'd just be absolutely smashing your mix
At least thats what I've been told
Thats kiiind of myth
Yes you'll get turned down
But you'll still be perceived as louder
If anything it's a taste thing
As long as you have a good mix it doesn't matter much
The loudness war is over and loud won lol
I did that on the UBR album and it's noticeably much quieter than anything on spotify :(
I didn't notice that
Play it back to back with a big modern metalcore name and you will
But yeah i do see -7 sometimes in metal
Older mixes
The song I just did was -7
But anything modern, you can analyze with the youlean loudness file analyzer
And you'll see 99% of it is around -5.5
The new Woe is Me album was mastered to -3.5 lmao
Woah
The dude who mixed it, I'm im his server
He just said he tries to smash it as much as possible without audible distortion
Thats crazy
there is definitely some audible distortion in some of scott's mixes lol
yeah lmaoo
i think he softclips his mixes too
but it works for the genre!
its metal
id honestly rather have softclipping that works well with the music than tons of pumping
You're making Metal, you don't need dynamics
jk I know that's loudness wars talk
idk i've always been told dynamics > loudness
Again, it depends right?
If you're going for a super sanitized sound, that's pumping the whole time
I could very easily make my mixes loud as shit I jus don't feel the need to lowk
Dynamics isn't key
though for my labyrinthian cover I could...
All it takes is me editing my mixbus comp, clipping the SHIT out of the mix, and then limiting the fuck out of it
would be fun to do rn if I was at my rig
sadly, I am in class 😔
Lol, nerd
Relatable
entirely taste related
what works for the music
You have people who are old-fashioned like Ross and your Dad, and then you have Zoomers like me who are basically EDM fans masquerading as Metalheads, as an example.
i'm 22 💀
I actually agree more with what you guys have said, it's completely taste, style and genre related
The many times i've critiqued a lack of dynamics it's usually more due to people overdoing the dynamicless vibe
i.e., transient of the snare at the same volume of the vocals lmao
People be slapping on 7 clippers across their mix and wonder why their snare aint hitting
You're younger than me, damn. My bad g💀 😂
yeah LOL
Welp
With guys like Celldweller, Blue Stahli, and Zardonic around, EDM x Metal will always cross paths.
Hell Skrillex had a metal band before he became Skrillex.
I think he also worked on a couple of songs on Korn's Path of Totallity, which in my opinion got shit on way too much. Thought it was a really cool experiment
i got a few ideas for a song, rn they are just seperate pieces that could potentially go together in some structure. J looking for feedback on if any of the clean parts at the start are jank or if the heavier parts are not it
yeah lol im using someone elses mix template so i j threw on some clean tracks and lowered the velocity for the clean parts so def not the best mixing but it's good enough for me to j start puting down ideas
tyty
When do y'all think when a mix is good enough? I've been kinda sitting on an album for a year or 2 now because my production was complete shit and I knew nobody would listen to that garbage so when do I know if it's decent enough to be heard?
i don't do much production but usually i either let it sit for a bit and if i like it after not listening to it for a day or two it's usually good enough. also i normally j hit a point where i feel like the amount of time im puting in is not worth the amount of improvement for the mix and atp i move onto the next thing because it's easier to improve that way. I do suck at mixing tho so maybe im wrong
i j feel like it's really easy to get paralysis from constantly trying to make the best thing u have ever made and sometimes it's better to j move on to the next thing if you are getting significantly diminished returns
i have a friend that did a similar thing too where he had an album that he had sitting for about 2 years, he ended up frontloading it with the best songs (which were also the most recently made songs) and ended up j wanting too be done with it by the end. the biggest vibe we got were that his songwriting tendancies kind of drifted after that amount of time so it felt a little loose between the really old mixed and written and the really new and written songs
Unless you're working for a client lol.
Let me put it this way. Art is never finished, only abandoned. It's done when you say it's done.
And sometimes it's better to leave a mix as is. Regardless of how you did it.
I only revisit old mixes for practice or if I really feel strongly enough to revisit it.
When I get annoyed enough that I stop, or when I get that stank face from how a certain part sounds
For example, the first verse and last breakdown in this was my point of “ok I’ll stop”
did some cleaning up to my mix
slightly more locked in vocals, idk how to improve this mix further tho so advice would be appreciated!
big man devin townsend couldn't have said it better
https://youtube.com/shorts/AGduKrUZU5s?si=mKAanlYrwyFAXpFl
need help
back to FOP kit
@vale vapor
K
K
I took a short break from metal, & branched out into this orchestral piece. Kinda inspired from film & VGM scores.
Wrote something proggier than usual
Meter is something really weird: 7 bars of 7/4 followed by a bar of 11/8. It comes out to 109/8 which is a prime number so I have no choice but to keep repeating the time sig changes instead of changing it to something more convenient
aggressively trying to count it in 4/4
Everything is in 4/4 if you count it wrong enough
Ding ding ding
vocals sound a little weird
whats goin on there
instrumental mix is cool tho
i feel like it could be clearer
instrumental?
in what sense
lead too loud or something
i think it may just be the vocals making the whole thing overall sound less clear
what processing is on the vocals
limiter and multi band to control high freq
no eq?
I live in Vegas, do vocals and am looking for a band. How do I find one?
wtf have i done
new alarm sound unlocked
I tried writing a solo, not super good since I consider myself more of a rhythm guy but what do y'all think?
@vale vapor I recall you saying you're more of a solo guy, wdyt?
Wait
its pretty cool tho
ur mixes are sounding better
def wasnt me
I think I'm just illiterate
All thanks to you lmao
Ok well 75%
But yeah big ups thanks to you for sure
Tbh I'm tryna get on that Abasi Concepts roster list
That's the dream
be so good that Tosin hits me up and gives me free guitars and an endorsement
what is that lol
ah i never got into them
Prog Extraordinaire
That makes sense
So that guy
Started his own guitar company
With 2 cool body shapes
Really really nice stuff
I had the opportunity to try one out in a Guitar Center
Really comfortable
unfortunately it was a 6 string and was like 2k
So 0/2 on both fronts
I only play 7+ lmao
i only play 6
mainly 7s
My hands fit better on a 7 neck
and also. I've been playing exclusively 7s for the last 8 or so years
So at this point going to a 6 feels like amputating a limb
ive played both as long as i can remember but 6 riffs just sound way cooler and are funner to write imo
sounds like you should practice more on a 6
guitarists should be well rounded!
Lmao real
For me, I just like having extra range
drop C is the only tuning i need to make bangers honestly
low doesnt equal heavy automatically
heavy is in how you write it
I like the low A sound but I don't like losing that high E
as long as you arent in E standard
I mean that in terms of notes
I like to use my top strings a lot for layers and leads and the occasional mid solo
Yeah that's also fun
With a 7 I feel like I can do both without sacrificing one or the other
in my mind at least
for me once you go below drop A it sounds really muddy trying to do any chords or 578 mid range riffage
so my fav tuning range is drop A to drop D
anywhere in that range
Tbh that's always a tone issue, in my experience
Nah you straight up can't play chords once you go super low
If you cut out mids and low-mids you can manage the mud
Oh yeah
Lower Interval limit low
thats what i mean
if you play the types of riffs i enjoy writing below A they just lose energy, and sound muddy
regardless of tone
Yeah I bet, I remember hearing one of your demos and was like
trying to play this below A just sounds way less cool
mid 10s core got it
yeah the year
2010-2015
yeah just making sure
That reminds me
I wonder when it was that Djent basically took over Metalcore
Like, for a while this technical syncopated stuff was super niche
i kinda hate it cause like djent is cool but now it's become almost synonymous with modern metalcore 😭
i want more traditional melodic 578 riffs in modern metalcore, it's basically been phased out
and then now everyone's tuning to like Drop Zb and what not
yep
i think more people are returning to that style though because of the myspace deathcore revival
its pulling some of the myspace metalcore guys back around
@runic adder is very happy about that lmao
It's definitely nice seeing that come back
I sometimes like to go back and listen to Earthbound by Bury Tomorrow
Great album and great song
Honestly one of the best executions of that style of metalcore imo
idk if you know that band
only heard of em
Listen to Earthbound
Incredible album
2016
I promise you, you'll love it
Drop Bb
The only reason I own a 6-string is to tune it to that tuning and play those songs every now and then
its pretty cool instrumentally but not a fan of the vocals at all
screams are fine
clean vocals are too deep for my liking
LOL
yeah nah i mostly only listen to high male vox
my voice is naturally deep but i trained it to sing high
Like Kellin Quinn, and whatnot
Blocked by UMG 😢
bruhh
but not on discord?
discord is goofy
That's odd
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Merch: http://riserecords.merchnow.com/catalogs/Ten-After-Two
This hook feeds me all that I want cause I lost all that I want
Inject me with drunk thoughts cause I'm wasted
Far beyond gone
I can't wait for an answer
Don't change the subject
Wait
Give me more
I need something extravagant
I never felt so ...
also this type stuff
You into Issues?
You might like their Self-Titled Album and the Black Diamonds EP mostly
yeah ive heard it
I'm lowkey partial to Headspace because it kinda goes nuts and is basically prog imo
but yeah
Purchase REVISION:REVISE on iTunes: http://bit.ly/ABFPB
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stuff like this too
ive always been a fan of electronic elements as well
I See Stars then?
I was pinged
Oh yea fs
no you weren't
stop being delusional
not everything is about you
yeah specifically their end of the world party album
gaslighting isn't even a real word
i like their other stuff but that album specifically is peak
For me, I like EoTWP, but I reall really like New Demons, probably because that was my first ISS intro
Low key their new album is shit tho
its mid 😭
we need risecore to come back lol
it would make the scene less stale
its been 10 years at least
I loathe that they obviously tried to replace all the screams with this whiny ass bitch gang vocals
I don't know man
or are they trying to appeal to critics and be more radio friendly
😭
i feel like modern cookiecutter core bands are just trying to supplement the lack of actual heaviness by just playing in super low tunings
but not having any real breakdowns or screams
Dawg, I can't believe they kicked out Zach so they could put out this shit
😭
New Demons was so peak
Treehouse I could vibe with
But like
Not this new album man
Yeah no, it made me think of that one song from Arcane
when Jayce and Vi raid the Shimmer factories and those roided freaks show up
😭
YEAH IT WAS PVRIS
I wanted to say PVRIS but I wasn't sure
Get ready to fight with PVRIS and Miyavi's "Snakes" off the Arcane Original Soundtrack.
Riot Games presents Arcane, a new animated streaming television series on Netflix from the world of League of Legends. In the cities of Piltover and Zaun, unrest stirs as inventors and thieves, politicians and crime lords chafe against the constraints of a s...
IT SOUNDS JUST LIKE IT WTF
Exactly lmao
bro bring back edgy white boy music that doesnt appeal to the masses 😭
Difference is, I actually like it here.
stop trying to appealllll
It makes sense in that song
cause it isnt trying to be metal at the same time
Exactly
I think it would have been a cool sound if it wasn't trying to obviously be a scream vocal stand in
On the ISS album
yup
thoughts on this? just noodling along to a simple drum beat
could use more blast beats
@kind trail https://youtu.be/b1tTYL6a95w
I See Stars has been one of my favorite bands and influences since 2009 and honestly, I just can’t get behind these new “yells”. Super annoying on the ears imo. So, I took out that crap and did the screams myself lol! In essence of if Zach was still in the band and this song was done live with both of them. Anomaly is a banger, just needs ...
THIS IS SO PEAK
No fucking kidding
It's way more bearable this way
It's actually really nice
How are the vocals and the mix on this?
I always have a problem with overcooking vocals so I hope this works
fair, i was just seeing what i can do with a simple drum beat tho
dude you songs are so fucking cool
i think i have nailed down productio for this one
thoughts on the mix? I'm trying my hand at some tech death metal so ignore my shitty playing
recorded some vocals
Got a decent slam instrumental from another writer online, wrote and recorded my own vocals over it. Recorded and mixed in Reaper. Let me know what yall think! 😁
This has a very mid 2000s metalcore feel to it in everything from the vocals to the instrumentals and overall production. Actually a bop.
That was the aim. Glad I could execute it
Thank you
I’ll give a listen to yours tmr 
Definitely nailed it. And sick thanks!
idk why i just dont send flac
idk how i never heard of em
what!
the snare sounds a bit roomy
and i feel like the vocals might need a slight bit more reverb]]
spiritbox if it had a child with northlane, then had an affair with baby metal
i kinda forgot to turn on reverb on guitars here but whatever its not that noticeable anyways
Hi, guys. So there has been a band/artist as of recent that is just pushing out basic metalcore slop. And what I find frustrating is that people eat this shit up. So, I kinda thought to myself, like how hard can it be to write a song in their style and this came out and because unlike that band/artist I am a broke 18 y.o. student I still need some advice on mixing/mastering etc... So please I'd love your opinions or criticism🙏🙏🙏
https://youtu.be/bYEu1eN0nAg?si=ppVBQCIILPHrTR0J
https://open.spotify.com/artist/4yF9cVWpMKU5iQFcHgb0iL?si=dtnCmy8dQI6Tx4rmv9Q04A
All my heroes
All done by Kirwa.png
Stage 2 - dissapointment
Lyrics:
I understood for a while
That this whole thing is benign
But it's hard to stomach
And it kept taunting my nerves
That I'm just trying my odds
But it's so hard to cling on
Knowing my heroes are f...
Looking for feedback on the vocals here, first thing I produced in Reaper and first bit of writing and mixing I've done in a few years. Thanks!
guitar tone could use some work, and guitars are a little quiet. The kick and snare also kinda sound a little weird
a little thin
sounds good overall though, besides those few things
Yeah I did what I could pulling sound out of the raw mp3 I downloaded. You should hear the original lol. My main focus was getting the vocals to sound good and clear.
Thanks man!
oh yeah vocals are very clear
my mistake
i didnt read the message above it
LOL
Vocals sound great
Disregard everything else i said LOL
Lol all good, appreciate that brother! Felt good to shake the cobwebs off the mic for a change.
yes bro
wip something
vocals may be added soon
if you're looking for feedback mixing-wise, i'd say it's sufficient imo
Sounds like a track from a Killing Floor 1 level
In the best way lol
This is blasting as I slow mo pop zombie heads with the MK42s
if you're looking for a more modern metalcore sound, i suggest maybe making the kick more punchier and the snare more thicker
i know these are vague words i just can't describe the "how" part of the sound well enough, primarily because I don't consider myself a mixer; EZmix does like 60% of the work
https://youtu.be/nDzwQfJzLZs?feature=shared
i think this may be useful
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#producer #tutorial ...
This can be achieved through a medium to high ratio compression with a fast attack and medium to slow release. Try an optical compressor like any LA2A emulation. They're gorgeous on drums of all kind. Also run side compression at an incredibly high ratio with some sort of FET emulation like an 1176 on an aux send and blend to taste. Will bring your drums up in the mix without distorting or over clouding the rest of the mix. Also apply side compression to vocals, makes them sit above the mix.
1176 may be too fast for drums but good advice overall
might sound better blended like you said
Yeah, the idea of parallel compression is like you do super fast attack compression with the longest release time at an incredibly high ratio (like 50:1) which if done directly would sound like shit but put on an aux send and blended up between like -30 to -20db will give it this dynamic and loud but not overpowering sound. I usually would run opto on the main track and then fet for parallel compression. HelpMeDevvon has a lovely explanation on YouTube about it that explains it better but it goes from sounding like a recording of drums and vocals to sounding like you're in the room next to the drummer or vocalist
oh yeah for sure
Realest of real talks can I throw some vocals on this? I've listened to this quite a few times and have an idea or 7 for this. It does have a circus or dark theatre kinda feel to it and I can have some fun with that.
@vale vapor A bit of short demo but I have more to write.
Also I did not use my LTD SN-200 on this one for everyone else.
I used a Fendy Strat loaded with Laces.
This is fire
Listening on phone speakers so can't comment on the mix yet
I like it tho
Dankies ^_^
Feel free to add some vocals as some sort of unofficial version. But know that I'm planning to use vocals of my own. Not ACTUALLY my vocals but by using Synthesizer V since I can't do vocals
Good luck :D
1176 in parallel is fine
LA2A on snare is a bit cursed though icl
And on an 1176 the highest ratio is technically 20:1
Which no, is not “basically limiting”
Limiting is inf:1 among other changes to their design
Don’t know where people got the idea that limiters are compressors with hard ratios
Yeah they're not. Limiters are super useful but they're not to be used in place of compression. Id sooner run a clipper on a drum track if it's seriously peaking so much.
And I specifically have the CLA-76 from Waves which has an "All" button which is virtually a 50:1 ratio which is nice for parallel, but yes typically the 1176 is limited to 20:1
I'm actually pretty happy with a mix for once, it sounds half decent
@vale vapor I mixed it a bit louder than I normally do, to about -6
How do you guys handle your bass?
I feel comepletely lost on bass sometimes.
BTW here's a better mix
bass amp
LOL
Usually i use neural dsp parallax but recently ive been using old versions of podfarm for fun
challenging myself with more limited options
there's a good free bass amp called The Growler
Kek. I mean I get that but like idk. It could be my headphones (I'm not in a position to use speakers atm).
headphones dont really matter as long as they aren't total crap and you're used to how they sound
Normally I just use NDSP Parallax and just call it at day but I've been quite nitpicky lately.
the best parallax preset is arc reactor
Plus y'know. Tinnitus be a bitch sometimes.
that's the closest to a super clean modern bass tone
i think i got minor tinnitus too lol 😭 it sucks
Oh no I'm like half deaf in my right ear.
Playing a Mesa half stack with no ear pro as a teenager really messes with you lol.
But yeah I don't know. I'm not a big fan of Neural's presets. Sometimes they're good like the Jacob Umansky ones. But then others are pure dog shit (sorry Jon Stockman. Love ya but your Parallax presets suck).
Compression is key. Waves RBass is basically a cheat code. But you can get the same effect with other compressors.
DANG BRO
arc reactor is perfect imo
i use arc reactor every time then adjust per the needs of the current song's mix
yes
bass sounds like crap uncompressed
in metal at least
Opto compressors make bass sound gorgeous. You can get the brainworx opto pedal for free and use it on just about anything.
yes
Opto makes everything sound gorgeous tbh lmao
Lol yeah. Went to local rehearsal studio a lot when I was in a band and used em almost exclusively (for the record, they were usually old 2 channel Dual Rectos. Sometimes Triple Recs and sometimes og multiwatt Rectos that sounded like ass).
I'll give it a try next time then.
Tbh the Waves free pack and the Plugin Alliance free pack are OP. All you would need to get started on home mixing and mastering.
Tons of tools with tons of features.
My issue with those packs is that you usually gotta make an account. And I avoid those like the plague lol.
Not me. I'll make 20 for extra licenses lmao
Especially on those free giveaways. Got a bank a license for if I ever change PCs and they try to fuck me lmao
A lot of my freeware I don't gotta do that.
I just download and go. No license required.
Makes it less of a hassle.
Behold: The row of plugin downloaders. It is awful, yet glorious.
Jesus fuckin Christ.
Lol I haven't paid for Reaper.
I should but I'm a cheap ass lol.
Nor have I, nor have many. But hey, should I ever want to commercially release something it's only $60
90% of my workflow is free plugins
Ive been trying to find a replacement for saturn 2 but i haven't found one
also ozone
ozone is unbeatable 😭
specifically the limiter
I used to use the EQ but not anymore cause i've noticed it introduced some weird distortion i wasn't liking
(maybe that's the "vintage" mode on the EQ doing that or something)
Pro Q does?
Ozone built in EQ
Oooohhh
They have that WinRAR Trail setup which I greatly appreciate. I used Pro Tools Intro for a few years and learned the ropes. Realized 8 audio tracks wasnt enough for solo writing. It's good for covers but when you're tryna do reverb throws and layers on layers, nah. In comes Reaper with as many tracks as my CPU can handle. We love Reaper for that.
I'm mostly on the Waves ecosphere. Renaissance plugins are peak.
simple and fast workflow too
I just saw a free EQ plugin today hol up
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Dis one.
Completely free on github.
oh yeah i have that one
there's a few workflow things that are dealbreakers for me that TDR nova has and does better
but for those looking for an almost exact Pro Q replacement, that's the best one
Like wot. Just out of curiosity.
Scroll wheel to adjust curve slope instead of Q
With ZL EQ i have to constantly click dropdown menus to get it to do what i want
whereas with Nova it's all keyboard/mouse shortcuts and buttons in plain view
I can work much faster in TDR Nova because of that
Fair enough. I'll probably play around with it tho just cuz it free.
Sometimes I need moar that 4 bands that Nova gives me.
And while I like ReaEQ, it does something to the signal I don't always like.
im just cheap 😂
Lol I felt that.
probably gonna get GE at some point
TDR is one of the best plugin developers right now imo
they have some insanely good stuff
like TDR Prism
Kotelnikov
Molotok
I just tried out the precise+ mode on Nova. I didn't have to go as hard when cutting.
yes
I'm like 
my most used plugins of all time are likely reacomp and nova LOL
Oh I use Kotelnikov on everything I do.
its so good right??
NOVA is a parallel dynamic equalizer. Appearing in the familiar layout of a parametric equalizer, each band also includes a full featured dynamics section allowing the processor to cover an impressively wide range of applications.
Be it a master lacking density, the drum bus asking for more crispiness, or a sibilance problem in your perfect ta...
heres this just to post it btw
All the work you've heard from me has Kotelnikov.
i need to use it more honestly
I specifically use it on drums, drum bus, and master.
yesss
@tender oak i recently got UA's LA2A cause it was free for a limited time
i need to test it out
😂
Bro I found out about that 3 days after it ended I was so sad
LOL
So I use Analog Obssessions FET compressor in its place. It's extremely subtle but certain things its great.
any gem freewares you guys like?
I tried the AO plugins. The only one I liked in comparison to the real deals was the BusterSE which emulated the SSLG Bus comp. It's decent. I found the FET mudy and LALA to be just okay.
Analog Obssession's got some good stuff and it's all free. I use their SSL eq all the time.
Yeah its not bad at all. I got a lot of what those emulate as part of big bundle sales from waves and was able to do direct 1:1s. For freeware, theyre definitely great.
Imma try that out
Dude reaper's 1176 JS clone is great
It sounds buttery smooth on vocals
BusterSE is actually a pretty good bus compressor when you click the logo and put it in Overdrive
Its called 1175 lol
Ooo
It's not as in depth as the one from waves you see all the big pros on YouTube use but it gets the job done.
The main reason im trying to move most of my workflow to free plugins is to prove a point
TSE R47 pedal
You can get a industry standard professional sounding mix and master with only free stuff
Emulates a Rat fuzz pedal, which is the predecessor to the big muff that knocked loose uses
I have the TSE 808 its pretty good
I like mercurials version a little more tho
The TSC 1.1
Lol I'm only using this free stuff cuz I ain't got money like that XD
I think I've gotten pretty far with free stuff.
Oh yeah your mixes sound great
Tank you my doot!
God I'm brainrotted lol...
LOL
Got the Arch Gojira brainrot for so long I forgot how good granophyre sounds
Only thing holding this mix back now is that the guitars were recorded with dead strings
Noooo
that sucks lmao
I can't remember the last time I've changed strings.
bro
Yeah I was too broke for strings for a minute there lol
Then again Elixirs and Dadarrios last a LOOOOONG fuckin time.
you gotta change em when they get dead 😂
That was the last thing I recorddd on my Schecter before the strings rusted and broke LMAO
LOL
I think the strings snapped while recording actually
I usually use those NYXLs from Daddario and they last a good while.
The 5th string snapped while I was recording that lead so I had to pop my 6 string on it
nyxl is great
Daddario is great, but got hella inconvenient once I started needed custom gauges on my strings
Stringjoy
Now I use stringjoy for everything but my basses
YES
my goats
wow
Lol
My dad gave me a bunch of bass strings from Ampeg I think.
Still in the box.
Never used from when he did play so I'm good for a bit XD.
Test take of Like a Villian by Bad Omens. Single take. I kind of hate singing with the original singer if that makes sense. I feel like it throws me off in my headphones.
i usually track my vox with one ear off and that helps
pretty fire though i like it
ive only ever heard like 2 bad omens songs so
They're a single band now. First album was fire. Ever since they've kind of been an industry push, like they have the entirety of Sumerian behind them. So basically they just have a few very good singles per mostly safe albums now. First one had some not so mainstream music on it. :/
But Villian is a banger lol
And thank you!
yeahh really true
i hope in 2026 we get a resurgence of non-octanecore metal
Yeah octanecore is cool every once in awhile, a band will pull off a neat sounding one, but for the most part it's all just Imagine Dragons with more distortion lmao
yep 😭
Realest
something
Niiice
You mean to tell me dethrone isn’t a mainstream friendly song? Since when smh
Something something sleep token
something something sleep token 😂
Thank you kindly!
so i got my first seven string and i'm really messing with drop g and i was wondering if anyone had any good virtual bass plugins that can do drop d.. i've done lower by pitch shifting modobass before but it never sounded very good so any suggestions would be helpful, i'm trying to budget to around $50 at most so
I’m thinking about doing the sanguine bass from solemn tones, does anyone know anyghing better thats closer to my price range? Sanguine comes out to $65
cool song (its a cover)
i went with sanguine and i really think it fits the bill but its also time to chgange up my mix to fit the lower tunings so advice plz!!
i think i have an idea of a mix @tribal orbit @vale vapor
This is leagues better than what you were doing a year ago, good shit
I’ll listen on headphones in a sec
But through speakers it sounds a lot better
drums sound pretty good, though guitars are quiet
turn up the room mics on your drums, they sound pretty narrow and small
for a mix like this i'd definitely be using a ton of room mics
especially on the snare
This is mostly just thanks to you bro like ur mixes have inspired me to get my shit together and actually take this shit seriously
I thought about that so i need to figure out my compression settings
Bc thats the reason
Okok
Yeah its really hard to figure out how to emulate good room mics bc its just samples but i have everything routed to a serperate drum buss that filters out everything below like 100 htz and just a goo amount of room reverb and it sounds pretty decent, i have been wanting to make my snare sound more roomy so i’ve been tbinking about making it its own room bus that focuses mids instead of highs to bring out the snare more
And just a shit ton more verb
Okok lmk what u think
Do you not have any room mics?
what drum vst are you using?
also are you filtering EVERYTHING below 100hz out?? your entire drum bus?
Just the room mics emulation bus
I don’t think krihm has room mics bc i’m not changing too much all i really have going on is some eq shaping and some compression
Oh bro you cant emulate rooms
Gotta use the real thing
Rooms are THE most important mics
Close mics only capture a stick hitting skin. Room mics capture the actual sound of the shells
It definitely should
I don't think there are many drum plugins without rooms
It might be in the paid version or something
I’m too poor to afford paid drums
If i had that kind of money i’d mic up my kit
Most of my mixes are with free drums
Do yourself a favor get Liquid Death Snare, it's free
Just replace your snare with the liquid death snare
And use the room mics
I have liquid death snare i honestly don’t lnow how to dial it for a tone i really like
I really like how the krihm one sounds
Then look up a tutorial on krimh drums
Okayokay
The key is sidechaining the room mics to the close mic
And then compressing it together
Room mics are THE most important part of drums
Without them your drums will sound stale and flat
Do you use resper?
Yes
Do you know if i can have just one midi track that routes out to other tracks to trigger the sound
Wdym
Like i have the midi programmed on one track, but other tracks register the midi for certain things like the cymbals or the kick and such bc its so annoying having to hop between each midi for each individual thing
send a screenshot of what your drums looks like
I have each part eqed and stuff differently
How tf
your drums should look like this bro
One midi track to trigger everything, with audio being sent out to separate channels
how do i make it do that
Routing
i wil lwatch this and return to you
oops
that one was for a specific vst
one sec
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@versed remnant
But im also going to say
You don't need each mic routed out to separate channels
unless you're trying to get hyper specific
Just route all kick mics to st.1, snare mics to st.2, toms to st.3, oh to st.4 and room to st.5
i have it oh's on one, toms on one, snare on one and kick on one
or kind of
i use individual channels for each
because krihm free version doesn't allow routing
which is why i have it set up this way
Bro you need to use a different kit then
You have to multi route drums lol
Especially in metal
what would u reccomend for metal
Combine kits
ML drums has some good shells
Liquid death snare
Plus anything else for cymbals and toms
You can stack them all on one track, and route them out to different channels
Just make sure you're using stuff that has room mics
okayokay
Every mix i do with free drums is usually a combination of different free kits
Or samples
im installing ml modular drum sampler
another good one is Poise
it allows you to set up velocity samples and multi route
it's free
it doesn't come with any samples
i'll check out ml and then look into that one
ill screen record a little thingy showing how i do my free drums
okok
i figured it out!
i just need to figure out what sounds i wanna use
@vale vapor
Lets gooo!!!
I think the biggest thing would be bring back some of the sizzle in the guitars thats nbeing supplemented by the backing synth. The kick could use a little more high mid definition too
oh okay, just listened to this one now
the kick is a little too loud in comparison to the rest of the kit now
I know that drum kit from a mile away
ml drums is sick, i used it before i swapped to ggd nu metal
I’m not using any backing synth, do you means the chord synths?
Okay got it
Yeah it doesn’t sound have bad but i am gonna change the snare but i fw the other sounds
Ye the airy synths and all that
how do i fix it
should i boost mids a little
okok, so a slight bump in the high mids
For the guitars
You can do it on the guitar group rather than each one if you want
okok
how sthis
kick turned down plus i took out some of the mids in the guitar for when i put vocals on, killed everything below like 80hs on guitars and boosted 3k
thing
Sounds better. I’d drop that boost to like 1.5-2 rather than 4, however
Okok
eyyyyy ozone
Yeah i generally try to cut more than bpost
Boost
You can always boost, but keep it to a minimum
the vocal harmonies at 2:34 are killing me 🥀 😭
Yeah, I kinda set a goal to myself to not overthink this song too much like I usually do, so I got bit lazy with the bridge🙏
And also apparently people like terrible autotune in metalcore nowadays so🤷♀️
@tribal orbit @vale vapor Ignore that i can't sing for shit but i have vocal tests in there with a vocal test mix, also made some slight modifications to guitar + drums
10 minute remix for funsies
I re-eqd it with two different eqs (rEQ 6 at the track level for surgical equing and then a Maag 4EQ emulation on the master for color) and used a compressor chain to pull the dynamics out. Raxx into rbass into rcompressor opto mode.
fun fact, that "all" button isn't a ratio button
Yeah, it's not a traditional ratio setting but it's close to what like a 50:1 would be in terms of what it does to the sound.
Absolutley not lol
The difference between 20:1 and 50:1 would be very minor
everything else it does is what makes that button so incredibly useful
I also don't know where you're getting 50:1 from, that seems made up
Various explanations of the plugin from Waves producers on YouTube.
HelpMeDevvon specifically mentioned it in his parallel compression video detailing the plugin and the dude with the long hair and glasses on the actual waves channel broke it down that way. It's a lamens terms way of explaining what the all button does. It's not a 50:1 button but it's a high ratio that hits "all." They just described it that way comparing it to other compressors as a means to understand what it's doing.
A video on how to use parallel compression in recording and mixing, in any DAW i.e Pro tools, Fl studio abelton etc. from your bedroom.
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To underline all this, here's whats actually happening:
There isn't a single fixed "effective" ratio in all in mode, because the pushbuttons are mechanically shorting parts of the resistor network together in ways the circuit wasn't designed for. But tests and measurements (UA, Hairball Audio, Rev F reverse-engineering) have shown that the input level directly changes the ratio in this mode, that threshold is variable too (usually lower in all in mode) and that the release becomes multi-stage (program dependent) and a multiple time constant that works partially paralleled
Again, all of this is from the waves manual, not a youtuber
p.s., i wrote a paper on this (go to the appendix, and you'll find transfer function measurements)
https://jmp.sh/qCAXPZEF
So in lamens terms it's compressing at a high ratio. Which is all that comparison was saying. Did you come here just to argue with an old comment or...?
No, that's incorrect
Okay.
I don't know how you got "ratio becomes higher" from program dependent lmao
If all that was happening was the ratio became higher, they would've just put "50:1" as a ratio option
In fact, it's basically everything else that becomes different
Bro linked a white paper lmao. Its a comparison to other compressors to help understand what it's doing relayed from producers who have been using the plugin for years. No one cares it's not directly a 50:1 button nor that it's higher nor that it's dynamic based on the input, the explanation of what it's being used for in parallel compression carries. It's a lamens terms comparison which are never 1:1. I didn't think I'd have to explain broad comparison to someone over the internet.
Like brother you don't need to correct people on the 1s and 0s. The compressor works that way.
