#Feedback Requests
1 messages · Page 15 of 1
so much treble
i dont like bricking my mixes that much LOL
i use hyperx cloud stingers 😭
hmm that might be an issue on your side then, ill do a second mix with less treble but it sounds fine on my monitors
this better?
yeh just bricked to hell
this new one?
oh god
the one i sent is just the chorus thats bricked
this what you sent me
my band just released a song and all the mix and production is done in house
do you guys like the sound of it
oh damn the production sounds pretty solid imo
the guitars are solid while the bass is pretty audible
the drums punch through the mix and the vocals are heard through the instrumentals
update
chorus is a bit underwhelming imo
I may have gotten a little angry
vocals still need to be aligned and remixed, it's a copy pasted chain from another mix lmfao
guitars also need to be mixed a little
nice
Beethoven Cover
no bass?
I SWEAR THERES BASS IS IT STILL TO QUIET??
tryna get the drums right 🥀
When it comes to your bass, what does your EQ look like?
Top one is the electric bass
and the bottom is the sub
Dog
Why are you high passing your bass at 100
It should be around maybe 25-50 hz at most
And that sub is super mid heavy
Okay notice how you’re cutting the EQ at 100
Move that to 25-50 instead
And the sub should have boosts around the 85-100 mark instead of the mids (like where they are now)
Is this better?
Better
I’m not sure you need that boost around 1k though
You typically cut mids in most EQ profiles for bass and guitar to leave room for vocals and the like
You don’t need to like full on neuter the mids, but maybe just lower the gain on them
okayokay
Def look up some EQ tutorials when it comes to guitar and bass tho
Yeah that’s getting closer
okayokay
I don’t have my daw in front of me. Remind me to screenshot what my typical bass EQ looks like
I’m off to bed in a bit
See ya man
if we're talking bass Eq, this is typically what mine would look like
i usually split the sub at 200-ish hz, hi-pass at 55, and for the grit track i'll usually just look for ringing frequencies I don't like
sometimes I'll boost 800 on the grit track for a cool growl sound
I will look into this more, how much is pro q tho bc I've wanted it for a bit but I'm poor
you don't need pro q for this, it's just what I use
okayokay, can you send me a sample of what it sounds like by chance?
it's what I have on my bass here, I can send it solo too but that'll take a minute
most of the sound comes from my chain in parallax, but for splitting the bass and processing the parts separately the idea is basically the same
okok and if you can send isolated that'd be swag
.wav
chat I think your file is cooked
omg bass
yea that's a lot better, at least using the beethoven virus track as a reference
I would raise the sub track by a db maybe but yea that's def better
okok
you don't have to, just see hwo it sounds
okay I'ma throw some vocals on this and I'll send it again when its done
I did also turn up the snare
cuz I felt like it was quiet
the snare sounds fine imo
I'll turn it back down
lol
but yea esp listen to how much better the guitars sound with the sub of the bass
that's kinda what you're aiming for
typically in a mix I'll mute the top end track of the bass and mix in the sub track with the guitars, drums, and bass first
@runic adder Hows this?
Something I've just started working on:
bass is present
the guitars a little scratchy but like it's def an improvement
I know this is kinda the opposite question that tends to get asked for modern metal mixing but at the moment I'm stuck trying to get a nice sounding tone for regular 6-string stuff? I'm used to doing low-tuned 8 string tracks and the tone I use for that gets a bit abrasive on the high notes
too much methinks
yea thats good
as in too much bass?
too much eq
Needed a more "mainstream" metal song to include in a set I've got coming up. Our normal style is NWOBHM so tried to keep elements of that theme whilst making a more accessible song. Provisional title. Feedback appreciated thank you.
witch one is better
mix wise
1st one, snare is pretty boomy and echo'y in the second
anyone have any tips on how to make this less repetitive. I want to continue more with the song but I just keep playing the same things over and over
personally i would say second
lead lines maybe, doesn't have to be complex just needs to fit the vibe, could be distorted or clean up to you, also maybe you if slip out of key just before it repeats again for 1 chord, it would change the feel though probably quite alot, up to you
I don't know what I've made but I'd like feedback on it
@tribal orbit @runic adder
volume is rather low but sounds sick imo
kinda gives me a similar vibe to the guitar ring modulation fuckery that Car Bomb does
ooh very deftones-y
i'm not the best guy when it comes to shoegazey stuff but i suggest you add some lead guitar (try something very ambient; tremolo and lots of reverb) for the chorus
depends on the genre
i could see the 1st one being used in a 2000s melodic metalcore song, with the short but clicky kicks and boxy snare
2nd one sounds more suited for hard rock with the very clicky kick and booming snare and very hearable reverb
update
added some lead guitar stuff for the chorus, slightly changed mixing for kicks and snare
no song extensions since i'm experiencing writer's block for the 2nd verse and forthcoming sections
bro ts is FIRE 🔥 man I fucking love Beethoven Virus
shoutouts to Beethoven for making the original Pathetique Sonata
and BanYa and Diana for the banger remix I'm still hearing today
(and SAWTOWNE for that one song that had the motif in it)
yeah im not sure what that's about, any louder and it red lines the master out, i probably need to change how i approach reaching appropriate LUFS. love car bomb ❤️
yes it is too quiet
if what i'm hearing in the beginning is the bass then it's got a whole lot of treble trouble
increase the low end substantially
(oh crap i didn't see your future projects in this channel. the bass is finally hearable)
listens to recreant once
once again there is no bass
sounds good otherwise
i very much hear CG self titled, the cleansing, and depths in there though, which is so sick
first time writing a guitar solo feedback apreciated
good job i say, fits the vibe well, would need to listen to the whole rest of the song though to understand how well it completely fits though
not bad for a first song
I think the vocals has a bit much verb
but you did a good job in creating the vibe i really like it
0-5-7-8 riffs always goes hard
Realest
Only just seeing this now. I’ll listen to it when I get home
Tbh if you want me to see it sooner, dm me it. I haven’t been too active here
using buster plugins really feels like cheating
did not do a lot of mixing on this one and it just works
yeah the plugin is crazy.. I can finally use an outrageous thall tone and play in real time with barely any latency since I'm not using a million plugins
what's the plugin called?
odeholm drums user here. trying to do some cover on depeche mode
Me when the amp is thall
helo which type of rock is this?
We tried something different with this release. No pitch correction on main vocals, guitars not super snapped to grid, real drums. Prod / mix / master by Spencer from Periphery. What do you guys think about it?
very good stuff, a breath of fresh air in a sea of every modern metal production sounding the same
could probably use some more unique elements/ear candy here and there, very much is a "metalcore" track for sure
but the chorus is catchy and verses go hard
Super super super duper props for doing real drums. I'm so tired of every band using superior drummer 3 lol
good stuff guys!
glad to see people finally doing more with less
The drums were a fuckin pain in the ass hahaha but honestly I think so worth it. I'm glad you dig it tho & appreciate the compliment. Definitely a much more "straight forward" song for sure, gonna try and experiment a little more moving forward
yeah for real, i recorded drums for my band's album all from scratch so i know the pain
but yeah definitely keep working with real drums, it only gets better as you do it more
and don't be afraid to chop it up and keep the production interesting. a realistic mix doesn't always have to mean less interesting and ear catching production!
Take influence from literally anything you enjoy, even non-metal genres
If you ever need help with that i've been producing for almost a decade, so don't be afraid to reach out if you need some ideas or insight ;)
also the dude on the right looks like ryan reynolds 😂
I'm just trying to process how he got spencer sotelo to mix/master for him 🤯
nice track
Hahaha we flew out to hang for a week to record with him. Honestly was kinda random. We ended up tracking 2 songs, he's flying to our HQ in Nashville to stay with us for a week while we bang out the rest of the EP 🫡
Appreciate you homie!!
Yessir dude keep it up!
doomy noise type stuff played on a bass vi, no lower bass though yet
yo what do u guys think of this
first track that i made with my new 8 string
@tribal orbit @hollow tulip @austere stag
@runic adder @versed remnant @finite coral
intro going strong
@fringe geode @kind blaze @muted breach
lessgooo
tapping part at 1:21 is real nice
really appreciate it mate
i had that riff in my mind for quite some time
just needed an idea to put it out
breakdown goes hard with the dotted note sounding rhythm
though i kinda feel the left/right guitars on the pre-breakdown could have their volumes lowered down to make the breakdown feel more impactful
noted
i might actually do that
also does anyone of you know some good band that utilize 8 string guitars xD just bought me a new one
imo mix-wise so far so good, the kick and snare should be a bit louder and possibly punchier
okii
0-0-0-0-0-0-0-0-0
lmao
love the ambience in the intro
and a natural harmonic in between xD
yeah but it's not as funny to say 0-0-0-0-<4>-0-0-0
personally, when the intro riff repeats at 2:40, I'd switch the cymbal to a china but that's just me
lofi guitars at 2:54 are too loud methinks
also, personally, when the breakdown repeats at 3:21, I'd come in with a double time feel snare
not really double time, but instead of having a snare every other 4 I'd put it on every 3 for that second repeat
again, just me and my tastes when writing
got the whole ping rotation on this damn lmao
didnt get this point
aight
145 bpm,

🫡
@shut igloo
drums only, example of what I meant
after it loops, the snare picks up in timing
made a screenshot for it, as in the snare originally is on the 4th beat opf every other measure, shown in yellow, vs in green where it's on the 3rd beat of every measure
no problem
gotye
imma do that tommorow morning
first thing
aight
my pleasure
i really need to get back to work on my 8 string songs but both my 7 and 8 are out of commission atm
why so? wut happened to em
miss my big boys fr
strings died and havent been able to get any yet
u can add a tapping or a looping lick whenever the main riff comes up
in the first one
ooh some ambience on that would be cool
love the riff in mirrors from 0:37
Yuhhh
This slaps but them drums got be upped.
Slam me in the face with those drums.
pretty nice
liking that shoegazy intro into the djenty stuff
intro riff goes hard with the triplet riff
outro riff was cool and gives it a nice contrast to the slow heaviness of the overall song, wish it was longer
overall nice, I suggest that the master should be a bit louder and the drums more louder/pronounced
Oh this is a slightly older version. It's the only one I had on hand.
oh okay
modern metalcore thing
vocals still done with Synthesizer V (only screams yet since I haven't written the chorus yet)
Yeee. I initially wrote this back in 2021 for something I was working on. Project went belly up so now I use this song as practice.
i see
How do you get SynthV to scream?
there's a script online that can make notes you put in the synthv piano roll "growl"
just search up "synthesizer v growl"
i usually put the screamed notes on the lower end of the piano roll (probably around c2-c4 whatever works best) and put the renderer on "prefer speed"
and apply synthv growl
after that i bounce the screamed vox into files and put them in my daw
and apply post processing
post processing does like 50% of the magic
i use howard benson vocals first (still pretty new to this vocal mixing stuff)
then eq it
and apply a miniscule amount of delay to make the stereo a bit wider (you can omit it if you want to)
How do I do that
Yo what's synthV
Ohhhhh
it's a vocal synthesizer software similar to the likes of Vocaloid
it's scary realistic
here's an example of a song using Synthesizer V so you can get a feel of what it sounds like
!! FLASHING LIGHTS / EPILEPSY WARNING !!
"i want it to be true, to be like you!"
this is a tribute to Song of the Eared Robot (耳のあるロボットの唄) by nwp8861, a song that is incredibly near and dear to me; if you haven't heard the original, i strongly encourage you to listen to it here, as Machine Love directly quotes and interpolat...
And how do u put screaming vocals innit
synthesizer v isn't designed for screaming vocals (except for a select few voicebanks)
the singer i'm using, Kasane Teto, isn't designed for screaming so i had to do some work to make it sound half-convincing
i explained it here but you can look for tutorials online
there will be cleans in this one but i haven't thought up the chorus yet
when you do hear the clean vocals they're pretty convincing
hi! can anyone give me some feedback for this?
I would really appreciate any thoughts on my polyphia inspired track 😁 “Rosaceae”
https://youtu.be/jDoLQYsDPzI
(Roh-Zay-See-Eye)
electric guitar original
Should I post it on Spotify?
#guitar #metal #guitarsolo #guitarist
#polyphia
(Prod. David Munich)
© 2025 David Munich. All rights reserved.
Everyone has their own chain but I'd start with compression on the drum bus.
Done that already
yeh the tapping part is cool, what guitar did you get?
Cort Kx508ms
lead needs to be a little less loud and rhythm guitars need to be louder, then post again
and i'll have another listen, tag me though plz
this is cool, tone sounds beastly, the composition might need some more dynamics to liven up the basic (although still effective) riffs
nice, also what thickness plectrum are you using?
maybe try a thinner pick like .7 or .6, sharp pointed tip if possible, it will bring the pick attack through more which is important for each note definition and you can get a nice bloomy sorta note pick for your recordings, you don't have to use it all the time, just recording.
I see, yea m pretty sure my jazz 3 pretty much blunt
mh hm! these sorta things become more important with the thicker strings on these extended range instruments.
there are production tricks you can do to create a similar thing but i would say if you can naturally do it acoustically on the instrument then do it, personally anyways
Noted 🫡
Do you put it on only the drum bus or on the shells too
just get a titanium pick smh then you won't have to worry about it going blunt
How much do they cost 💀
twas mostly a joke, but the one I have was $25
myself and the guys in my band use them, we have a good relationship with the maker, ohm picks
update
chorus is finally there
needs to be mixed better, but it sounds pretty dope
Update
the atmos/ambience goes HARDDD
wut are shells
Those are the actually drums themselves. Like Toms, Snare, Kick, those are shells.
Yeah I put compression on bus and shell both
Okay, do you mess with your attack and release at all or just a little bit, cuz that's partially how you get them to smack you like that.
I just put soundgoodizer 💀💀
Can u like explain what the important knobs are and what they do or send a vid that's to the point
Attack: How fast the compressor kicks in and grabs the signal.
Release: How quickly it let's go of the signal.
So for drums I find that you want a slow attack and a fast release.
Joey demonstrates how compressors apply attack and release and how understanding it can take your mix to the next level. Do you have any questions about compression? Let us know in the comments!
Song used is "Chemicals" by Conquer Divide
0:00 Introduction
0:35 ADSR
2:00 Attack
4:13 Release
5:39 Setting Attack & Release
8:33 Recap
More videos ...
Alrighty I shall look into it
Joey Sturgis has a bunch of YouTube videos on his channel on how to mix that are very helpful. The man is a metalcore mixing legend and mixed guys like The Devil Wears Prada, For the Fallen Dreams, and old school Attack Attack.
So you should definitely look at some of his stuff. That's how I started learning how to mix.
Alrightyyyy
Alrightyyyy
So what setting should I have on snares kicks and cymbal shells
@shut igloo to elaborate a little on drum comp:
You typically want between 3-30ms attack. That'll catch the transient (aka the initial smack) of the drum
I typically run a ratio of 6:1, and set the threshold so that I get 6db gain reduction when the compressor kicks in
I'm still toying with release settings but I typically run it pretty quick, like iirc 2-10ms
your shells are what you really want to compress, so the kick, snare, and toms
the cymbals, typically referred to as "metals", i tend to leave uncompressed
i have two main OH mics and one specific cymbals mic in my drum VST routing, I'll EQ the OH mics but leave them uncompressed, and then I'll hit the cymbals specific mic with Devil-loc because I like the way it sounds
if you have OH mics for specific drums, such as a snare OH or a kick OH, those get compressed, but I don't like compressing the main OH mics where the cymbals live, it tends to duck them a little too much and sounds weird
I don't typically compress my drum bus, though sometimes I'll send the toms and snare and sometimes kick to a separate channel to apply parallel compression, aka compressing the fuck out of them on a separate channel and miing it in with the less compressed channels through levels
I'm curious, you think these vocals are too quiet? I hear a lot of different songs out there that have vocals louder than the instrumental & vice versa. I personally like it a bit ducked beneath the instruments but the small adjustments are pretty tough at the end.
honestly kind of a bop i cannot lie and there's a blegh so bonus points
This is my first time trying deathcore anyone got any feedback on it ?
veil of maya meets chiodos type idea in drop C
metal plectrums are very interesting, i used to use a copper one, but it was shredding my string and the tone is a bit too shrill for me imo in recordings
Fair
For me I like the attack it gives, and the only time it’s broken strings were when they were rusted to all Hell
Though the different materials could probably interact with the strings differently
Yooo I would really appreciate any thoughts on my polyphia inspired track 😁 it’s definitely still a work in process “Rosaceae” (Rose-Ayy-See-Eye)
https://youtu.be/jDoLQYsDPzI
(Rose-Ayy-See-Eye)
electric guitar original
Should I post it on Spotify?
#guitar #metal #guitarsolo #guitarist
#polyphia
(Prod. David Munich)
© 2025 David Munich. All rights reserved.
It's always so hard for me to make my vocals fit in my mixes. I don't really know what to do and I'm probably gonna sit with this one for the coming millennia before I get satisfied
Idk tried to do something
is that ezdrummer "metal!" ezx
nah this is a just the base FL Studio drum plugin that i put some extra sounds in, still mostly unmixed until i finish the song as a whole but right now it just has simple reverb and compression
i thought i heard ezdrummer "metal!" though
sounds the same
anyways your drum track has too much compression in my opinion
listening this on my phone rn - sounds really great imo
Toughts?
very metalcore, i think it fits
was waiting for you to hit those high notes lol
once i get new strings a friend and I are gonna work on a cover of takedown
Fire. When you guys make it send it to me
ill post it here and ping ya
probably wont be for a while but ill kjeep it in mind
went back to metalcore
I just spent 4 hours remixing this god forsaken track
This rules
this is what happens when you feed a guitarist too much fred again
Can't tell which sounds better
Something I've just started working on
both feel like the amp gain is at 11
but they sound cool
Definitely had a ton of gain in the bass department, the guitars had a lot less but I quad tracked most of them
how many tracks does it have
A lot. The intro was quad tracked, the next part was triple tracked, the next dual, back to quad, quad again, triple, then double, then quad again
i mean id have an atempt at mixing it for you but that sounds hard to export
The bass was just one track, straight through
I did some serious stuff in post just to get it to sound like that, the tones are intentional, the main thing I was struggling with mixing was the bass, had too much 200-500hz, then not enough
i mean id still do it but i dont wanna waste you time exporting
wip of whatever this is
trying something outside of metal
your drums definitely need alot of work
super duper muffled
also, definitely don't need to be quad tracking rhythm guitars unless the parts are very much different
you just get a weird phasey sound when you do all the same part
imo the snare is a bit too boomy or muffled for my taste
teto 🤩
ooo nice piano intro
I didn't hear any phasing issues with quad tracking. I panned two tracks hard left/right and the other two 70% left and 70% right
oh god
never partially pan
always ALWAYS hardpan rhythm guitars
yeah that's just phase issue central
and not only phase specifically, it just doesn't sound good unless the parts are occupying different ranges
you do not need to quad track for a thick guitar sound
They all had different tones entirely
Doesn't matter
it ends up sounding extremely cluttered and messy
especially with pick attacks
you like?
also
reminds me of MIW creatures era
the synth sound Is cool but hearing It during the whole Song makes It boring in my opinion
thanks for the feedback on this!
yeah, I noticed that myself after rendering the track
gonna try to record vocals soon and fix the synths
mix is a little smashed but nice hearing this kind of metal in 2025
guess which sample i used here
(it was used in games like half life 2 and postal)
sounds like somthing from the start of truth and reconciliation from halo
@vale vapor @hollow tulip I entirely redid the drums
The cymbals were grating and killing my ears so I turned them down and EQ'd some of the really high high end out 😭
@hollow sorrel your cymbals sounded better before
but in general, cymbals are way way too loud
Kick is almost inaudible
bass is too loud
snare is still super muffled
Try taking all processing off of everything and trying to do it as minimally as possible
what does your snare and kick eq look like? and what compression settings?
@hollow sorrel if you want to send me stems i can do a 30 second demo mix to show you an example of a mix you should aim for
I'll do that now! I finally compiled them into a Google Drive, I'll send them to @balmy forum too
When I did those I didn't even split the drums into separate stems 😭, I just did that now and sent everything over 🙂
I made a somewhat better mix
there's some cool elements here but not sure about the levels
I've been working on it, just made a new version
Made it too loud, lowered it a bit
that composition is wild ahah! it's sounding clearer but now it's like missing mids and low mids
This is the mixing style I'm going for with my limited resources 😭
https://youtu.be/io2c-v0Ro1Y?si=oBxCSvmLFKZTVeC4
Taken from 'Buster' by Admiral Angry, available digitally from Shelsmusic at http://shelsmusic.bandcamp.com/album/buster
For physical releases and other Shelsmusic merchandise, visit: http://www.shelsmusic.com/label/store.php
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I tried mixing Meshuggah, Obscura era Gorguts, and ska on that one
do you have any spectral analysis plugins?
or frequency analysis plugins
like an eq that shows you the waveform as it plays and you can pause it
Nope
lemme see if i can find a decent free one
upload your latest version in mp3 or wav format and i'll run some spectral analysis and compare it to what you want it to sound like
Does M4A work or does it have to be MP3/WAV?
yes please
needs to be at least mp3
the green is roughly the track you want it to sound like and the red is yours
Thank you
hopefully you can read that ok
I can!
want some tips on what to change and what not?
Yes please! I started by adding more sub lows to the kick and bass
ok im gonna dm you coz we be blowing this up with production tips otherwise (not that i'm against that it's just not what this thread is for)
Thank you 🙏
ah! thanks i really needed somthing to do lol
Sounds great man! Mix is good
working on an original, lmk what yall think
Post fx are a little too loud for my taste. Is this a demo or something you are mixing?
How long have you been mixing so I have some context on where you are at?
Currently working on some of my personal demos while I am waiting on my next prod/mix project. This is a demo I have been cooking up for a couple weeks now lmk what you think about the song. It's not mixed or anything keep that in mind.
Just a demo, I made this whole thing in about three hours before bed, barely mixed lol
Just a rough draft to get feedback if the song itself is worth developing
Finish this NOW!!! But seriously, with a different drum rack that fits it better, this would go crazy
(I just think the snare could be different, maybe a higher tuned one? Thinking of limp bizkit chocolate starfish style)
Not to mention my shitty guitar playing 
i kinda edited intro and made a bunch of tweaks to secondary track
i tried to match eskimo callboy's bury me in vegas snare because i really like its sound
Definitely worth developing
used drumforge joey sturgis for main snares (ember & matchbox), joel wanasek's snare attack for transience and kohle's death ring snare for ring
Less than a year
refreshing to hear metal that isn't in double drop F in 2025
kick and snare can come down a ton, main synth can come down too, maybe even a high shelf rolloff cause the highs on that synth are pretty buzzy
also, bass can come up
kind of a crazy snare setup lol, i've never layered more than 2 snares
wouldn't 3 be complicating all your velocity notes?
phasing issues?
Just because you said that
:(
every band sounds the same now 😭
im so burnt out on low tunings
they aren't fun anymore
Also odeholm drums lol
Oh yeah I don’t like odeholm drums
Wasn’t even interested in thall amp
One of the last songs on the album. Probably gonna tweak it a lot more and then add some vocals.
A little song i wrote and recorded and mastered in my bedroom, interested to hear what are some areas I can improve on for next time 🙂
idk i don't really hear phasing issues in my mix
i remember trying to replicate psycho frame snare
layering 8 snares + mixwave lorna shore
i tried to edit the mix here
imo bury me in vegas album has the best mixing in the EC's discography
bass feels a little drowned out, and the snare is a little snappy and static
are you using any sidechain compression at all?
no
listen i hate to say this but your gonna need to re do those drums
Been scavenging through my old stuff, found this cool track from 2024
I'd use it to have your cymbals duck a little from the kick and snare
And the bass duck from the kick about 3-4db
Here is a song demo, i need your opinion. Is the writing halfway decent for my first song?
yeah! playings great too!
short thall thing
The center guitar is the beginning is a little muddy on the tone IMO. Maybe add a tiny bit of low mids to the vocals they sound thin and crispy. Maybe also add a thicker drum room. Maybe focus on getting guitar takes more in time, some feel off time which makes the stereo of the guitars feel off.
If this is your first ever song, then I would say you are going in the right direction. I was doing these type of demos when I first started. Just start slapping that in a DAW with some drums and you are on your way! It might sound like crap at first, and that's okay! Have fun
Sounds great so far bro! Those drums might be over compressed though (IMO) they just feel squashed and too pumpy. I would figure out a way to open them up and this mix will start sounding killer, gtr tones and everything else would be great with a polished mix IMO.
sorry can i just clarify, what do you mean by adding a thicker drum room?
Sure, add me as a friend. I have a reel that explains this but don't want to self promo this channel
Just something I made for fun no idea wtf to do with it.
@wraith hare @vale vapor @balmy forum
.o.
I made this in like an hour.
Not knowing wtf I was doing XD
Also for those who care about them geetar tonez. Im using Archetype Plini X.
Gretsch Bell Brass if I remember correctly.
sounds good
^_^
Reaper :3
An EZD3 frankenkit
Where would the synths go? O.o
maybe like an arp and a saw lead or somthing like that
Hmmmm I'll play around with it using Arc Rabea's synth
yeah!
based
double based
most of my kits are mixed samples
usually in multiple different vsts too lol
some are obscure old free samples from kits from like decades ago
Hey man those obscure ones from years ago still go hard.
ML Drums is a great competitor to EZD. Honestly I think it's EZDs only competitor in the realm of fully customizable kits.
Yeah GGD kits are great but they don't do what ML and EZD do.
They do got some amazing sounds tho.
ml is great
@wicked berry @fathom jewel @tribal orbit
I think I've finally made something that sounds cool af production wise.
At least to me, and it was an accident.
nice
ay i'm late but this track sounds cool
wip
This fucks so hard. Too bad I don't got a midi keyboard to write piano with. I gotta draw it out with a mouse and it's irritating.
Plus I'm not good at piano XD
the best ideas are made just for fun
Hell yeah. Also anyone who says Arc Plini isn't heavy af well I think I proved them wrong XD
hi, this good?
I like vibes a lot.
exuse the random doulde kick part
i got bored
does anyone here use ableton
i made a writing template i thought might be nice to share
i mainly use it for clean and lead stuf but yeah i agree plini fuckin rips
@vale vapor i know you hate compressed drums but it just made that end so much better
I don't hate compressed drums
You processed them badly
I'm on the road tho i wont be able to listen for a few days
Got only phone speakers
oooff
wah
Yeah but Gojira does basically the same thing and was scientifically proven to be heavier ¯_(ツ)_/¯
oh shut up /j
@runic adder you like song?
old spirit type riff
oo tripelet chuuuugs
very metalcore
cant comment on tthe mix as of right now but I'll be back at my rig llater tonight so maybe I could offer some feedback there
sound nice on a first listen tho
?
wish i could write stuff like this
really cool mate
i might drop a song im making here for advice on what to put next
im a little bit stuck
i'll do that in a minute
Nawww bro you're too kind. Honestly I write this shit cuz I'm not a very technical player. So I use my limited rhythm chops to try and make something cool.
ffo: synestia, disembodied tyrant, lorna shore
this is barebones and since its in the writing stage its unmixed (meaning youll be hearing a lot of presets includign odeholm drums). also, the drums in lots of parts are just copied and pasted, i plan to make them bnetter, and some of the guitar in parts arent recorded. all that being said, if anyone has any ideas of what i should do next lmk.
the blank empty parts in the breakdown will be room for vocals btw.
the plugins and stuff
i see
guitars and bass can come up a little
also you compressed the drum bus way too hard
at 4:05 you can hear it in the cymbals - you don't want that
ease up on tthe ratio and release, or just don't comp the drum bus
what tto do next for writing: either key change chorus or fade out with just the orchestral parts
mix-wise: guitars and bass should come up a little
stir the pot
hii im new to production and kinda have no clue what im doing lmao what should i do with this? it feels pretty lacky in parts but idk what exactly to mess around with
reeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeverb
why are the guitars so wet
great tone
drums sound like its just one pattern looping though but guitar sounds awesome
I used Arc Plini X's Crunch Amp boosted and Parallax.
fuck shit up hardcore/slam
Yeah probably because I put too much reverb on. eveerything
Still figuring out tone and all that
https://www.youtube.com/watch?v=CpnmZIqb4II - this is a pair of mashup albums I've made myself, feel free to evaluate it
Resumindo:
São 2 álbuns num só vídeo, sendo ambos parte do projeto Quimera-Pimba, tendo @LinkinPark como base.
Boa sorte!
Avant-Garde [00:00]
Intermissão [49:26]
Primigenia [50:18]
#crumpltunga
#linkinpark
#mashupalbum
damn blocked by umg
mix is probably well-suited for slam stuff, clipped and in your face. 👍
self explanatory.
inspired by the tracks "Phony (feat. KAFU)" by tsumiki, and "Makka (feat. Natsuki Karin)" by Yuyoyuppe
wrote bare instrumentals for the intro and chorus. verse coming soon
bass is pretty loud but this is pretty cool
hold on
I veered off from using the Mark IIC+ and used Arc Plini instead. Note: I had no idea what I was doing and made it out of frustration.
I'm currently off my computer and using my other pair of earbuds feedback may probably be inaccurate
But nice guitar tone
Open chords have a slight Deftones-y vibe
Is this supposed to be like an intro or a part of a guitar solo in the middle of the song
Bc the lead guitar is silent enough to be part of the ambience
Imo
Nah. I was tryna do something else and I got mad and made this out of frustration thinking it was some bullshit thing.
Oh ok
Only after mixing it did I realize "wait wtf did I just do?"
On my headphones (cuz that's what I mix on cuz can't use speakers atm) they sounded alright.
As a rhythm guy I'm more concerned if the riff hits.
Then am happy. Lol I have caveman brain.
immdeediately heard the influence from phony lol
real
Soon™
This song's been stuck in my head for a while so that MIGHT become a possibility
promised myself ii'd do a cover of teo at some point
hoping it doesn't turn into a year of me telling myself that
or maybe a Machine Love remix, idk
May you get your 10000000000 abandoned projects done 🙏
Ik I'm pretty late, but I really love the drums and the guitar. Did you use like a real guitar or a virtual one? And what drums are you using?
Matt halpern signature pack, right?
Cause here's the thing, I've collected like a handful of drums from GGD, and even one library from Gojira
Yet, I cannot get the sound that I want, mainly cause of my lack of experience in producing metal and because I'm using FL Studio
im on fl too lol
real guitar
New song concept for my seasons album, 3rd entry "Autumn Leaves". Ambient/Atmospheric black metal.
Made a track in a day 😛 nothing crazy or talented like everyone else but it was fun creating it 🤘🏽
And I have this one that I’ve been working on for a while 😬🌞
I applied the new Archetype Misha Mansoor X to a old mix I was working on.
@vapid eagle
Arch enemy vibes
Soo uhhh guys
How does one dj0nt
@vale vapor @wicked berry @fathom jewel
Am I doing it right?
mix sounds great
this is a vibe I love it
Really? I honestly got no clue I don't do this kinda metal XD
what do you usually mix
Well I usually mix my own stuff which is bit like Thrash mixed with Alt Metal. Think Mark Tremonti with Rabea ambience.
I'll admit I stumble a lot in the dark.
Actually here's a better example. @vale vapor
i think the drums have too much verb overall
actually the whole track is a little too wet
but it sounds good otherwise!
personally not huge on the kick
I started learning a little before the pandemic hit. Arc Nolly had just come out along with Parallax and I was using GGD with EZD to write the drums.
ah so yeah you got a good bit of experience
you got a ton of potential! your mixes sound great
If that's what you wanna call it. I call it falling down the stairs over and over again XD
I feel Im just now starting to figure it out.
I guess you're right :3
I will admit I had a little help. This engineer who started in the 70s in my college taught me a couple tricks he used when he was still working.
that's sick
Yeah he was really cool. And sometimes in order to teach me, he had to give me stuff outside of rock and metal to mix.
wanna hear a mix i did recently
it's a mix recreation, actually, i covered a song and i was trying to replicate the mix as close as i could
i actually found the exact snare that the original used which is fun
Sure!
everything in this file is me, vocals included
i'd say it's like 98% accurate
his guitar tone is slightly different, not too sure how he was able to achieve that
but i got pretty close
kind of a nasally tone
This fucking slaps.
TYSM
Gotta ask, how do you get the guitars to be so clear like that? Usually after I take out the problems with subtractive EQ, I'll add some EQ in certain areas (though I don't like to go too far), then saturate it, then add some life to it.
I know everyone's ear is different so they hear differently and make slightly different moves but still.
my guitar chain is actually super minimal
ive never used saturation on my guitars post-amp
usually my chain is something like
- tuner
- gate
- tube screamer
- amp
- cab sim
- slight EQ (highpass and lowpass, maybe taking out some honky annoying freqs if needed)
- limiter
that's it
Oh wow.
EYYYYY TDR NOVA
YESSIR
just cutting out some low end rumble, cutting high end buzzing, and increasing 1.5k just a tad
and a little dip around 180 for the snare
Why specifically 180?
that's around where the fundamental (lowest note) of the snare sits at!
I thought it was at 200. I usually boost 200 a bit. Never thought to dip 180 before.
usually the snare fundamental is 200 yes
im using a lower tuned snare in this demo
i just cut 180 cause it sounded a little boomy on this guitar tone
Ahhh I see.
Usually since Im using NDSP I don't need to use an external drive and IR loader which I know act differently depending on how they're modeled and or coded.
i used to use neural dsp amps but i found better results from free ones, ironically
Yeah usually them super cheap or freebie ones tend to just focus in on the amp which means the tones be more ch0nky.
Kinda like Vtar stuff.
Yeah ive been using LePou amps with varying cabs
VTar be like "tf's a cab sim? I model AMPS"
or NAM, LOL
RIGHT?!
nam is fun but i don't like the aggressive tones ngl
it works better with clean tones
Big oof, I haven't fiddled around with NAM to really have an opinion.
But I will say with NDSP, for some reason their tones are very aggressive but also soft at the same time? Like some of them just don't pop as much.
Idk if anyone else has noticed that.
I wouldn't say digital sounding, but...hi-fi in the wrong way.
yes
But that's some of them. Others are like perfection like Nameless is pure perfection.
my brother (he makes thall and deathcore stuff) loves nameless lol
Did he see Buster made a Thall amp plugin?
Mikko Logren the guy that runs ML Sound Lab started by making IRs for Fractal way back when and did the inital IRs for Neural from Darkglass all the way up to Plini.
that's sickkk
Yeah, he made his own company afterwords and started doing his own thing. Highly suggest you check em out. The amp sims are as expensive as Neural and they're pretty good. The earlier ones are a bit eh but the later ones are great. Same with his IRs too.
I remember when you posted this. This shit is gas.
Oh yeah you were there werent you
Yeee
honestly ive made it a goal for me to move as much of my entire workflow to free plugins as possible, just to prove that you can have a pro sound without having to spend $$$
so far i've gotten pretty darn far with guitar tone
i do use a ton of paid plugins though
saturn 2 is one i haven't found a single good free replacement for
none of them can do what it does
Damn right you have. I mix using nothing but free plugins. I'll pay for a good source tone like EZD or Neural, but not mixing stuff. All of it is freeware.
Yessiiir.
Lol I haven't updated it in like 5 years tho XD
Nani the fuck am I looking at.
this is mostly my theme but yeah
LMAO
Gonna be real. When I look at mixes like this, or from someone like JST, I get anxiety. I'm like "HOW DO I MAKE THIS SIMPLE FOR MONKEY."
most of the complicated stuff is a ton of folders
that's about it
like it looks crazy but it's just organizing tracks by placing them into groups
aka busses
Yeah. If a mix of mine contains 10 tracks or less that's a good day XD
JESUS CHRIST
LOL
my drums take up like 6-10 tracks alone depending on the kit im using
then anywhere from 2-8 for guitar
1 for bass
0-10 for synth
0 to infinity for fx and loops
LOL
then sometimes even 10+ for orchestra if i want to add that
I know people go crazy with reinforments (which I sometimes do), sidechaining, and stuff, but I abide by the Josh Middleton method. Keep it as simple as possible and only add if required.
Ok sidechaining is simple
i sidechain like
tons of things
My cymbals and rooms are ALWAYS sidechained a little to the kick and snare no matter what
you can achieve the same effect with drum bus compression
but i like to sidechain it
and i sidechain my bass to my kick (around 3-4db) 90% of the time
that's usually it though
I gotta good at sidechaining.
But then my brain is like "but if you just balance it right you won't have to"
- drag i/o (send button) to track you wanna sidechain
- set it to Audio 1/2 ➡️ 3/4
- put reacomp onto the recieving channel, and set mode to "Auxilliary Input"
- Set the threshhold and boom
golden
not always true!
i sidechain to get a specific sound
I love the sound of cymbals when they are being "pumped" by the drums
it sounds good to me
same with the bass to the kick
most older records don't have this song, but some do because of bus compression
it depends on the flavor you want
Saving that to my list of notes.
i assume you multi route your drums
Yeah
I used to not to back when I used GGD cuz Kontakt hates everyone XD
real i hate kontakt
i sadly do have to route kontakt though
it was... painful setting that up
but once you set it up once you're usually good
Lol woe is me is correct XD
LOL
Leviathan — David Munich (Official Music Video)
https://youtu.be/s3yg37jc49w
Original Cinematic Metal song I made using the thall guitar plugin, inspired by Doom Eternal and Mick Gordon. Should I post it on Spotify?
All work done by David Munich in FL Studios
(Prod. David Munich) all rights reserved. Copyright ©️
Ayooo more reaper guys?
I also didn't know how to set up sidechains in reaper (I've been too lazy to learn) so reading all that was super helpful XD
loll
pretty nice
liking the lead guitar arp around 0:57
imo the rhythm guitar's volume should be higher so the instruments' volumes can be roughly equal
that's all for the feedback for the time being, when i come back there might be more input
update
my own personal writing, would mean a lot if you all could give it a listen :)
Sounds cool, I wonder if adding a delay pedal could make it even cooler because then the notes could be playing while you're playing the next notes
I wouldn't know what settings to set it at or if it'd sound bad but it could sound cool.
hey operated thornhills video live when they played with adtr and ocean grove
sounds reallyy good
Oh fr? Thats fucking sick man! How was the experience? Ive only seen them live once and they walked passed me cuz i was too scared to say something cuz my girlfriend at the time was having problems with me and hid in the bathroom lol 😬
Thank you!!
https://streamable.com/g2qkrj i added some extra stuff to it
ooof, yeah it was great! i diddnt get to meet them to much but it was fun to operate for them
i bet! What songs did they play, do you remember?
this is cool maybe if you put the part around 18sec on a dist channel you could get a really cool old spiritbox type riff
that would be cool!
is this what we consider cooking
hardcore crabcore @fringe geode @vale vapor
still gotta fix that plastic tub kick 💀
very miw
what are those synth chords at the start?
A/D, E/B, Gflatm7/Dflat, Eadd9/B
according to ezkeys
Motionless?
I guess it makes sense, I do listen to them sometimes
Rate my guitar tone (80s swedish deathmetal edition)
(drop d)
Using this combination
Sounds better in rl
Dope as fuck. The drums need more smack but otherwise dope.
yeah, im gonna have redo the mix after I finish writing this 😭
i give mixing lessons 😳
Something I made this evening
Bro idk what the fuck this is but this shit slaps.
It's like Celldweller meets Zardonic meets Voicians.
For a second the opening sounded really close to an Alter Bridge song.
WIth some more mixing this shit would be slammin bro. BTW, that bass tone tho.
I dare you to take on some Utsu-P
90s alt rock vibes ❤️
This sounds similar to something....in a good way cuz it slaps. But I can't quite put my finger on it.
With some slammin drums and bass this shit would be GAS.
This is fun. I could dance to this
This shit is GAS. It was like a mix of a few things, the clean parts def give me Pantera vibes and there's some symphonic in there along with the black metal.
Unmixed? UNMIXED?! Now, I'm scared what happens when you do mix it.
I'd get the drums up to snuff first. Then guitar, then bass, then vocals. If you need help mixing, check out JSTs videos, they're great guides.
im gonna have to do a lot to reach the same heights
Fuck me this shit is awesome.
glad you enjoy it lmao
^_^
You got this brother.
Amen
but i ran out of brain juice at the moment 😭
RIPP
Sometimes that's not a bad thing. Sometimes it's fun to return to old projects to see what you learned.
Working on a song with oomf 😁
It's always fun to work with someone
Thank you! Yeah, I like to keep my music varying. 🙂
Thanks! here's the latest version if you wanna see the progress
Eyyyy it's getting better!
Found this old project from about a year ago. It's when I first got my mitts on EZD3.
Had no idea how to mix it and Soldano X had just come out.
So it was a test drive of both.
I still don't know what I'm doing quite honestly. I just do things. I let the riffs take the wheel (even tho they ain't good lol).
lowk haven't posted anything in here in a while but i've been working on my mixes and want some feedback on this
mix is overall super dark give your cymbals some more high end
sounds like the snare is causing the whole mix to pump super hard
if youre smashing it into a limiter or clipper, back off quite a bit
kick also lacks a lot of lowend
the actual tone of the snare is pretty good tho
guitars sound pretty good too
wrote this just for funsies
the snare?
the whole mix
oh its going through a compressor
ok yeah you should look into that
compressing the whole mix is something you wanna do very subtly
i have it -25 with +30 compensation
what the LOL
if im compressing my entire mix its gonna be at -2 to -4db at most
with a very long attack and quick release
-25db of compression on your master bus is just all out of whack
i would watch videos on how compressors work and how to utilize them, Fabfilter has a great playlist for that
okayokay thank you
what does this mean
here are my comp settings too since i don't use how to use the big boy comp

